Yves-Marie Pasquet

Yves Marie Pasquet , born in 1947 with Orleans, is a Compositeur, former professor with the Sorbonne, currently professor of musical analysis to the Conservatoire with regional radiation of Montpellier.

Biography

In 1968, it obtains Schnitgerpreijs of Zwolle (Netherlands) for interior Conversation for organ. Prize winner of the Foundation of the Vocation in 1972, it improves near max Deutsch and Henri Dutilleux with the Teacher training school of music of Paris where it obtains the 1st Price of composition unanimously and congratulations of the jury. He enters then to the Conservatoire of Paris where he works in particular with Olivier Messiaen, Claude Ballif and Michel Philippot, and receives the Price of composition. In 1976, it obtains the price Lili Boulanger.

Called by Ballif “fish pilot of the avant-garde”, international prize of composition, Yves Marie Pasquet, very committed in the contemporary creation and the search for new means, collaborated in work of IRCAM at the end of the years 1970; the type-setter directs his research in directions which will prove very fertile, in particular the synthesis of the voice sung with his musical applications, the perceptuelle analysis using the computer (analyzes Marteau without Master of Pierre Boulez), the study of sound hybridizations of objects and the generation of new musical scales. Several of its parts were created by the Ensemble Intercontemporain.

Yves-Marie Pasquet develops a very personal esthetics and a language. Its works are always the fruit of a great requirement, as well in the writing, always very elaborate, as on the expressive level indicating a very great sensitivity; they also reflect, through their deep poetry, the attachment of the type-setter to the spiritual dimension of Article.

A new creative period opens with the Messe of Saint Bruno for chorus with six votes (2003) followed Messe of Chartreuse for chorus to four votes (2004) after more than ten years of silence and loneliness. The topic of the Pater Noster of these masses was given to him at the time of a mass in chartreuse and incited it to compose again. While remaining faithful to itself, it widens its writing with an authentic modal tradition drawn with its sources: Gregorian music and the musics Indian and Japanese woman. The harmonic material of its first two masses is " diatonique" , on the only white keys of the piano, without to make allegiance with the tonality. This melody and harmonic material, associated with a style of a great sobriety and stripped of all emphase and virtuosity, confers on these two works an intense serenity favourable with the meditation and contemplation. The Messe of Chartreuse indissociablement remains related on competence, the work and the rare devotion of Patrick Pouget and his Phonem chorus who were devoted to make it hear and know. The type-setter continues to develop this modal writing in the composition of a series of masses for various vocal and instrumental formations: the Messa of the B.V. Maria , in language occitane, for chorus of women, chorus mixed and together instrumental, which was asked to him for the birthday of the Council of Agde chaired by Saint Césaire of Arles into 506; and the Missa , in Latin, for chorus of children and women and a unit made up of serious instruments, created, partly, with the Cathedral of Béziers in 2007. Another mass is currently in building site for chorus of men and percussions.

Its teaching activity it led University Paris Iv-Sorbonne, Universities of Poitiers, Limoges and of Montpellier, to the Polytechnic school, like in several academies. It made of many pupils among whom Philippe Manoury, Patrick Marcland.

Founding member of the Re-examined of Musical Analysis , he is also the author of several articles on the music of the 20th century ( Revue of Musical Analysis ) treating Webern, Ballif, and soon Debussy.

For the year 2006-2007, Yves-Marie Pasquet was type-setter in residence with Saint-Michel-sur-Orge. Four of its works were interpreted by professors of this academy.

Discography

Even Nostre (extracted the Messa of the B.V. Maria ), Lord's Prayer Noster (extracted the Missa ) interpreted by the Vocal ensemble Héliade directed by Elène Golgévit, July 2007.
Mass of Chartreuse , interpreted by the Phonem chorus directed by Patrick Pouget; Song of loneliness for flute interpreted by Marie-Laure Caruana de Reymonth (to be appeared).

Principal works

1966: interior Conversation , for organ, SchnitgerPreijs de Zwolle (1968), created in France in 2004 per Luc Antonini with the Church St Didier in Avignon
1967-68: Bouquet of spring , melodies for voice and piano, poems of R. Tagore and P. Eluard
1970: Soliloquy , version for violoncello alone
1970: Tropes , for piano, created by Suzan Cheetam, 1972 (Paris, Cortot Room), ED. Deck chairs
1971: free Union , for soprano and 7 instruments, poem of André Breton, created in 1971 (Paris, Cortot Room)
1970-1972: Diagram-Mobiles , for triple-trio, created at the House of the Radio in 1974
1973: Soliloquy , version for violoncello and 6 instruments
1974: Variations , for orchestra, created by the orchestra of the CNSM of Paris in 1975 (Gaveau Room)
1975: Traces , for 7 instruments, created at the House of the Radio in 1975, ED. Deck chairs
1975: Harmony , for copper quintet, created at the House of the Radio by the quintet of Ars Nova (1977), ED. Notissimo
1975: Sonnet , for chorus with 7 votes, poem of Louise Labbé, created in Pau by the chorus of G. Maneveau (1976)
1976: Stele with dead the , for orchestra, created at the House of the Radio, National orchestra of France directed by Y. Prin (1980), ED. Deck chairs
1977: Shroud of sounds , for soprano and orchestra (poem of P.J. Jouve), Government order, created with the Mtoe in 1977 by the 2E2M Unit, directed by J. Draper, soloist: I. Jarsky, ED. Deck chairs
1977: the Waves, the waves fill up the heart of the desert , for orchestra, Commande of the E.I.C., created by the E.I.C directed by J. Draper (1978), ED. Deck chairs
1977: birds of the glance , for guitar, ED. Deck chairs
1977: Blades , for a flutist and three flutes, created with the Festival of Warsaw per R. Borowski in 1983, ED. Deck chairs
1979: Don Juan , instrumental opera for 11 instruments
1981: Atemkristall , third letter, for soprano, orchestra and two magnetic bands carried out using the computer, Poem of Paul Celan, Ordering of Mrs G. Pompidou for the IRCAM, created with the IRCAM by the E.I.C directed by Fabrice Pierre, soloist: Jane Manning, ED. Deck chairs
1981: Edges , for flute, viola and toothing-stone, created by the Debussy Trio at Saint-Saver-on-School in 1983
1981: Fringes , for trio with cords (material available in the author)
1981: Inks , for violin, clarinet low, vibrated and marimba (material available in the author)
1981: Clement Marot and the ragmen , Ordering of the Opera of Paris, operated pocket for three singers and six musicians, text of Claude Minière
1982: Mirabilia , for chamber orchestra
1982: Flashes off Flesh , for quartet of clarinets, created by the quartet of Michel Corenflos (1983, Roubaix), (material available in the author)
1983: Rushes , for piano and six instruments, rev. 1993, created in Montpellier by the Resonance Unit in 1993 (material available in the author)
1983: Narcissechos , for orchestra, Ordering of Radio-France, created at the House of the Radio by the N.O.P. directed by Diégo Masson in 1985 (material available to the library of Radio-France)
1983: Romanz , for clarinet alone, created by Michel Corenflos (1984, Roubaix), ED. Notissimo
1984: has flower given to my daughter , for baritone, mezzo, contralto, chorus of children and orchestra, poem of James Joyce
1985: Lignes of Wanders , for sextet with amplified cords and together instrumental
1986: Fairyhood , for piano (lasted 1:00)
1986: Song of loneliness , for alto flute, French creation on April 4th, 2007 at Saint Michel on Barley; Japanese creation on November 6th, 2007 by Pierre-Yves Artaud (available in the author)
1987: Dreams , for 12 instruments (material available in the author)
1988: Poem lost , for clarinet, viola and piano, created by the soloists of the Intercontemporain Unit at the Institute Goethe (1998, Paris), ED. Deck chairs
1988: Three small elegies , for violin alone, created with the CNSM of Paris by Jacques Ghestem in 1988, ED. Billaudot
1988: In all its states , for low clarinet, bassoon, horn, trombone and violoncello soloist, created in Carnegie Small (Paris, 1989), soloist: Pierre Strauch, direction: A. Damiens (material available in the author)
1989: the dream of the butterfly , for full orchestra
1992: Two lessons of darkness , for chorus and full orchestra, poem of G. Ungaretti
2003: Mass of Saint Bruno , for chorus with cappella with six votes (available in the author)
2004: Mass of Chartreuse , as a chorus has cappella with four votes, world creation in 2004 with the Festival Messiaen of Avignon by the Phonem chorus directed by Patrick Pouget (available in the author)
2004-2006: Messa of the B.V. Maria , for chorus of women, chorus mixed and together instrumental (material available in the author)
2006: Magnificat (in French), for soprano, guitar and celesta (material available in the author)
2006: Missa , for chorus of women or children and instrumental, created together on Sunday, February 4, 2007 in the Cathedral Saint-Nazaire de Béziers under the direction of Patrick Pouget, with the control of the National Academy of Montpellier (France), (material available in the author)
2006-2007: Mass of Notre Dame of Snows , for voice and organ (of liturgical use), (material available in the author)
2007: Magnificat (in Latin), for chorus of women, grips, vibraphone and bell-tubes (material available in the author)

Articles

"Perceptuelle analysis using the computer of the Hammer without Master " , IRCAM, 1979.
" Analyzes Marteau without Master of Pierre Boulez" , CNTE of Vanves, 1980.
" Movements multiples" , Re-examined International of French Music ( RIMF ), n° 5 (File: Musical impressionism), 1981.
" Cogito/Vibrato" , Bicephalous review n° 4,1981.
" Vis-a-vis what dérobe" , review Spiral , 1982.
" In the High pastures weberniens" , Re-examined of musical Analysis , 1991.
" The form. Chamber music of Claude Ballif" analyzes; , Books of the CIREM , n° 20-21, 1991.
" The Dieu" Beautiful; , review Sharp Flames , n° 231.
" The Creed of the Messe in if of Bach" , review Sharp Flames , n° 238.
" Sotto Voce" , review Sharp Flames , n° 241,2000.
" seven Words of our Redeemer on the Cross of Joseph Haydn. Analyzes. Méditation" , Re-examined of musical Analysis , left in September 2007.
Disc-Books Hatchet (Brahms, Monteverdi, Mozart, Ravel, Stravinsky)
" Claude Debussy - Study on the three Sonates" , in preparation.

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