Yukio Mishima (三島由紀夫) of its true name Kimitake Hiraoka (平岡公威 Hiraoka Kimitake) is a writer Japan board, born the January 14th 1925 and deceased the November 25th 1970.
Mishima joined its family at 12 years and develops a very strong relation with his/her mother. This one comforts it and encourages it to read. His/her father is a brutal man marked by the military discipline which educates it by forcing it for example to be held beside a train moving. He also makes raids in his room to find evidence of his interest effeminatized for the literature and tears his manuscripts. It would seem that Mishima did not revolt against him.
After six years of school, he is always a fragile teenager but becomes the youngest member of the leading team of the company of literature of his school. It is invited to write a novel in serial for the prestigious magazine of literature Bungei-Bunka ( Art and Culture ) to which it subjects Hanazakari No Mori ( the forest all in flower ) for which it took its pseudonym of Yukio Mishima . It will be published in book in 1944 in a small number of specimens because of the paper food shortage caused by the war. He attends the medium of the Japanese romantic School at that time.
Mishima is convened by the Japanese Armée during the Second world war but claims to have the Tuberculose what enables him to escape the conscription. Although it was relieved to have escaped with the war, it will feel guilty to have survived and have missed the chance by a heroic death.
Continuous Mishima, in spite of the prohibition of his/her father, to write in secrecy while being supported by his/her Shizue mother who was always the first with reading her writings. After the school, his/her father who had sympathized with the Nazis, the constrained one to study the German Droit. While having continued to write, it leaves graduate prestigious the Université of Tokyo in 1947 and enters to the Ministry of finances where it is promised with a brilliant career.
His/her father accepts whereas he resigns to devote himself one year to his passion of the writing then definitively resigns himself to see his son becoming writer. Mishima meets Yasunari Kawabata which encourages it to publish its manuscripts.
It then begins brilliant and prolific career of author. One can quote his novels prohibited Amours (1951), appeared the year of its first voyage in Occident, the Tumult of the floods (1954), the House of gold (1956) or After the banquet (1960). He also writes popular accounts to secure material comfort, plays Kabuki for the theatrical company the Bungaku-za as well as collections of news and tests literary.
He obtains an international repute, in particular in Europe and with the the United States. He travels much and is had a presentiment of three times for the Nobel Prize of literature. This one returns to his/her friend Yasunari Kawabata and Mishima understands that the chances so that another Japanese author gains it soon are weak. It would also seem that he voluntarily left the price to Kawabata by respect for the man who had introduced it into the literary circles of Tokyo.
It writes 1965 until its death in 1970 the work which it will regard as most important, a cycle of four novels entitled Sea of the fertility ( Spring snow , escaped Chevaux , the Temple of the paddle , the Angel in decomposition ).
He attends the gay bars in observer and would have some connections with foreigners of passage in Japan. After having considered an alliance with Shoda Michiko which will become the woman of the Emperor of Japan Akihito, it Marie in 1958 with Yoko Sugiyama. It will have with her two children. In 1968, he plays in the black Lizard at the sides of his lover the transvestite Akihiro Miwa.
In the Sixties, it expresses strongly nationalist ideas. In 1967, it engages in the Forces of Self-defense of Japan then form the private militia Tatenokai (company of the shield) intended to ensure the protection of the emperor.
At the end of its life, he plays in several films and Co-carries out an adaptation of his novel Patriotisme .
Its work is impressed of a certain pessimism and abounds in tragic outcomes. Fascination for the suffering is for example a recurrent theme. Mishima was said envoûté by table Saint Sebastien of Guido Reni which represents a beautiful young man with bored naked half of arrows. Besides a famous photography of Eikoh Hosoe represents it in this posture (published in the album Ordalie by the pinks ( Barakei ) in 1963: 39 portraits and a foreword of the writer).
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