The movement Wandervogel (migratory birds) is an apolitical organization of founded German youth in 1896, with Berlin - Steglitz, and which aimed at freeing the Jeunesse from a middle-class company, repressive and authoritative.
This movement thus brings together its members around nature, the life in the open air, of the cultural sports activities and, fraternity, adventure, music folk and traditional songs. A little like the Scouting, from which it is distinguished on the following points: by its rejection of the world of the adults, his organization being dealt with by youth itself without framing; the fact that it is not based on a military model and its taste for the Mixité, a scandal for the time. Moreover, the formation integrates a wider and enracinée cultural dimension there. For example while giving to the last style of the traditional festivals which, since mists of time, have rate/rhythm the life of the people, and that the risks of the modern world could make fall in disuse, like the celebration of the Solstice S or the equinox S. to note that " schools populaires" give a training covering a great number of fields: history, literature, mythology, ecology, first aid, etc the movement can be brought, in a specific way, to take part in the restoration of buildings of the regional inheritance or, in a spirit of maintains close links with the rural world, in agricultural work. The whole in a spirit of escape from the town world.
This movement started from Normandy, in the middle of Cotentin, of the initiative of a handle of young people Normands, at the same time deeply attached to the culture of their area, and fascinated by the model of the German movement, if ignored in France, and that they had discovered through their readings. They had the feeling that there was the model which brought finally the answer to their aspirations, that the Scoutisme French could only leave dissatisfied. Indeed, they had found there the development of a “total education”, of an ethics of life such as they conceived them. They mix all at the same time spirit Völkisch (concept complex meaning at the same time “regionalistic”, “traditional”, “popular” and “rural”), spirit of friendship, freedom and “revolt against the middle-class spirit”. It is here about the freedom of the youth directed by the youth, released of any influence - even taken of hostage - policy, philosophical or religious by the company, that of the adults. They find there also a certain ecological design of the world, the aspiration with a simple life, healthy and close to the Nature, the rejection of the world of the cities and its artificial values which alienate youth, and which made forget with the men the gasoline of the things and nature. Lastly, and especially, they make the their exaltation of the great excursions of youth wandervogel in a found nature, with discovered their areas, but also of the Europe, furrowing scrap-metals, moors, forests and mountains. There is besides the first currency which their group took: “Norman and European”, namely enracinés and marked in their own culture (völkisch spirit), and sharing the universal values, European of Wandervogels, as well as a heritage and a cultural heritage commun runs with the European people.
By an astonishing analogy, and in a quite unconscious way besides, the first developments of this incipient movement followed those of the first German wandervogels groups. Indeed, it was initially a “group of buddies”, as one would say familiarly, little structured - even if the activities were comparatively numerous, mainly excursions in Normandy -, and without much unit in the appropriate dress, typically with the image of what one called Ur-Wandervogel, that of the first times.
Then, following the first contacts with one of the oldest German wandervogels groups, fresh impulse was given to the young Norman Migratory birds, which then discovered visu the spirit and the form “wandervogels” that they had known until now only in the books: reality exceeded the fiction. Definitively convinced that they had found the right track, they were also conscious of the extent of the task to be achieved: they started from scratch, having for them only their will, their good intentions, and their frame of mind. The turning bündisch was then taken: the movement had to be structured.
Very quickly, an appropriate dress “Birds” made its appearance, wanting to dissociate itself by its side völkisch, traditional, of the uniform scout. It is resulting from a synthesis of elements wandervogels bündisch (knickers and lines) and of French regional specificities: the “Affe” (backpack) of the Germans was replaced by the good old man French “Bergamo”, JuJa by old “the track” of the French Alpine hunters. As for Kohte, the famous emblematic Lappish tent of Wandervogels, it was obviously adopted. In the same way on the shirts the badge of the Migratory birds appeared: the “Bouais-Jan” (Norman word meaning “flower of gorse”), symbolizing for Normandy what is the “Thistle” in Scotland. The symbol of the “Bouais-Jan” was exalté by the poet and Norman writer Louis Beuve (1869-1949). It was also the name of a regionalistic review Norman of the beginning of the XXe century. But also one henceforth carries, on the shoulder, the ecu of his area. Indeed, of new young people, many, joined the movement, coming from other areas of France, where they formed in their turn their own regional group of the Migratory birds. The first was that of Brittany.
In addition to in the form, it is as in the content as the movement then took its rise and its maturity, cultivating its regional specificities. Concerning the aspect völkisch, one learns there and practical the traditional languages, dances and the songs of the areas. One also gives there to the last style the regional traditional festivals which, since mists of time, have rate/rhythm the life of our people, and that the risks of the modern world could make fall in disuse: fires of summer solstice (Holy Jean), festivals of winter solstice (Jul, Christmas), and other Fields of May (May 1st). Moreover, on the basis of the principle which the spirit of the people saw in the campaigns, the young “Birds” aspire to maintain a close contact with the rural world, while taking part for example in the agricultural work. Lastly, they practice what makes the gasoline of the movement: life of group, sports collective, and especially great steps through the wild areas of France and Europe, which contribute to cultivate the defense of the environment by the training of nature. Lastly, one of great specificities of the movement of the Migratory birds resides in the organization of “High Popular Schools”, of which the name and the concept resulting from Folke Hojskole are rested by Danish reformer N.F.S. Grundtvig in first half of the XIXe century, which initiated a fort running of revival cultural and popular in all Scandinavia, and which wanted to be a “eveillor of people”. It will be noted that it remains of this current of very many schools of this type in Scandinavia, and also in Germany. They very popular, and from now on are institutionalized there. Nevertheless, the majority moved away appreciably from their vocation first.
He wanted to make of it an alternative to the academic education of state (universities, etc), which he described as “school of death”, opponent with the latter a “school of life”, that he preached. By courses which go from the regional and European history to popular mythology and legends, while passing by the traditions, the dances, the songs, the languages, fauna and the flora regional, one learns the “popular culture there” (in the direction of Folke-Dannelse de Grundtvig), a “culture of the life”, aiming insufflating, waking up “the spirit of the people” (the folkelig spirit of the Norwegians) and at transmitting the “vital breath”, to forge enracinés spirits. Grundtvig stressed particular on the Mythologie, which he regarded as fundamental, because carrying according to him the gasoline of people, of his mental and spiritual universe. Thus in its logic, for example, very Normand should learn the Scandinavian Mythologie, and very Breton the Celtic Mythologie.
In conclusion, the Migratory birds, Wandervögel, in France today, were born from the same revolt of youth that whose their German predecessors were animated, here now a century. Indeed, even however the French company surfaces some appears not easily comparable with the company wilhelmienne of the time, the basic problems remain intact for youth: alienation in the urban world, taken of hostage morals, policy, even religious by the world of the adults (in particular that of the media and school), endoctrination consumerist and materialist, uprooting and loss of landmarks cultural and moral. Current youth does not think by itself: one conceives for it “loan to be thought”. This company does not serve any more but one world to him insipid, insipid, gray and undifferentiated. Nothing has changed in fact for one century. The spirit middle-class such as Flaubert or Höffkes defines it remains: is middle-class that which accepts such a world and takes part in it.
With that, the Migratory birds oppose a “school of life”, that of Wandervogels and N.F.S. Grundtvig, and a “total education”, as defined by Pierre de Coubertin. It oppose to it also a worship of the “great health”, promoted by the Norman writer Jean Prevost. It oppose to it finally the spirit of the people, the spirit völkisch wandervogel or folkelig of the large Scandinavian reformers.
Drawn from the site: http://www.crevetabous.com/chapitre_wv_om.htm
To become ripe and remain pure.
Wild and Free.
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