Vidéocratie is a neologism formed of Latin video (“I see”) and of the Greek kratos (“to be able”, “law”). In the contemporary companies, the vidéocratie indicates a political regime dominated by the “capacity of the image”.
The term is frequently used by the French-speaking media to deal with the Italian policy of 2001 to 2006. April 7th, 2006, the day before the defeat to the legislative elections of the alliance of the Italian right parties directed by Silvio Berlusconi, the free regional newspaper Charente uses the term in its leading article to describe the stakes of the poll: “If Berlusconi were beaten, that would show that the Italians finally became aware of the difference between social propaganda and economic realities and which they live (…). Monday evening, one will know if the vidéocratie founded since its engagement in policy by Berlusconi will enable him to keep the reins of Italy or so in spite of the frightening power of audio-visual means concentrated between the same hands, the Italians will put an end to the adventure in which the Cavaliere involved. ”
The philosopher Pierre Musso question however the use of the term to describe the policy of Silvio Berlusconi: “Silvio Berlusconi constitutes phenomenon original, and even case single, since he is the only head of undertaking of the sector of the media which reaches, twice, with the functions of Prime Minister in a great democracy. The come to power of the leader of the large company of the communication answers the crisis of the political representation and inaugurates in Latin Europe, a " néo-politique". Like any figure symbolic system, the image of Berlusconi is ambivalent and cannot leave indifferent. If Berlusconi causes so many reactions of adhesion or rejection, it is because it registers all its public activity in the space of the image, the seduction and the emotion, more than in the rational and traditional field of the political representation. It can be the director of the public debate by dramatizing it around simplistic cleavages, in particular for or against the State, for or against the tax… It thus promotes a made policy of passions and beliefs, as in a televisual fiction. The phenomenon does not raise therefore the populism, even of the " télépopulisme". ”
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