The Utopia is a representation of an ideal reality and without defect. That is translated, in the writings, by an ideal political regime (which would control the men perfectly), a perfect company (without injustice for example, like the Callipolis of Socrate) or a community of individuals living happy and in harmony (the Abbaye of Thélème, in Gargantua, of Rabelais, in 1534).
In front of the threat of the political censorship or nun, the authors locate the action in an imaginary world, unknown island for example (the Island of the slaves, Marivaux, 1725), or inaccessible mountain (the discovery of Eldorado, in Candide, 1759).
A Utopia can also indicate a not easily acceptable reality: of this direction, to qualify something of utopian consists in disqualifying it and regarding it as irrational. This polysemia, which varies the definition of the term between literary text with political vocation and unrealizable dream, attests fight between two beliefs, one in the possibility of reflecting on reality by the fictional representation, the other on the radical dissociation of the dream and the act, the ideal and reality.
So from these two words, only the first will pass to the posterity, they are not less complementary to describe the originality of the Utopia of More. Indeed, this work has as a characteristic to be, on the one hand, an account of voyage and the description of a fictitious place ( utopia ) and, on the other hand, a project of rational establishment of an ideal company ( eutopia ). These two aspects of the text of Thomas More brought to qualify Utopia of very different works.
The Utopia ( eutopia ) is the description of an ideal company. It proceeds besides of a tradition which one makes go up with the Republic of Plato. More specifically the Utopia ( utopia ) is a literary Genre being connected with the Récit of voyage but having for framework of the imaginary companies.
These two definitions are not excluded: the Utopia of Thomas More, the City of the Sun of Campanella or the News Atlantis of Francis Bacon meet these two conditions and are at the same time accounts and descriptions of original companies.
However, as of the 17th century, many authors will seize this new literary kind and will develop some the romantic aspect and satirical with the detriment of the political project. Thus works such as the Gulliver's Travels (1721) of Jonathan Swift were qualified in their time of Utopias.
Thomas More invented the literary kind of the Utopia, it had the ambition to widen the field of possible and not of impossible as this word is synonymous today.
It is here to note that, in its test devoted to the first Utopias, those of before the accounts of More, Campanella or Cabet ( the First Utopias , the Primary educations , 1938), Régis Messac gives a restrictive definition of the Utopie term. “ the word of Utopia, forged by Thomas More, and of proper name become generic, is of everyday usage to indicate literary works which, in a fictitious and narrative form, offer the image of an ideal State to us, where all the evils and the wrongs of the company presents are cured and rectified. This literary kind was a long time the principal vehicle of the reforming ideas, but these writings are repeated much, one finds there hundred times the same banalities, hundred times the same gaps or the same errors. ”
In other words, Régis Messac regards the Utopia as a purely romantic work, necessarily progressist, consisted of two elements: “ the framework, i.e. the account of whimsical or fantastic adventures, the marvellous or geographical novel; contents, i.e. the representation of an ideal company. ” However, if one does not go without the other, “ one or the other of the two elements can prevail ”. For Messac, it goes without saying that as true Utopias works cannot be regarded where the second element dominates, the contents, i.e. the representation of a company perfect or at least sophisticated.
This is why Messac recognizes neither the Republic of Plato nor the Cyropédie of Xénophon like belonging exactly to the utopian kind; it dissipates certain ambiguities on this subject and regards these works as concerning category of the similar treaties of policy to those of Bodin, Machiavel and Montesquieu. “ At most , says it, can one arrange, if one wants, the Cyropédie in the category of the teaching Utopias and to put it beside Télémaque, to which it was used besides as model. ”
In addition, Régis Messac observes that the utopian accounts meet a social need. “ It is undoubtedly allowed to say , writes it, as a whole, that in fact the periods of uncertainty, concern, even of suffering are especially favorable to the appearance of accounts of this kind. When many men, the majority of the men, perhaps, are constrained to be folded up on themselves, they seek in their imagination what reality refuses to them, and one sees flowering the Utopias. ”
Theodore Monod, of dimensioned sound, writing “ the Utopia is simply what was not tested yet! ”
Plato the first large " idéaliste" Western thought. One can indeed bring closer the Utopia (with the modern direction that this word took) concept of Idée to Plato.
The thought of Plato is exposed in the traditional work the République, whose title even is a program. By Republic, Plato understands Politeia, i.e. State, Constitution. Plato wanted to thus trace the broad outlines of what was to be a Cité organized in an ideal way. It is this will to constitute an ideal Cité which makes of Plato the large founder of the concept of Idée, which was taken again later on by the " utopistes" 19th century.
It is very important to note that, even if Plato thought of the economic questions, its thought was not as led on this topic as that of its successor Aristote, who wrote a work dedicated to the economy: Economic .
See: History of the economic thinking
The first book of the Utopia brings back a conversation between the Narrateur and several others character S, of which Raphaël Hythloday a navigator who discovered the island of Utopia. The discussion relates mainly to the injustices and the defects of the company, injustices to which Raphaël Hythloday opposes the wise habits of the country of which it made the discovery. The second book brings back the Description by Hythloday of the Utopia. This description, detailed enough, relates to the laws, the habits, the history, the architecture and the economic operation of the island.
The company utopienne is fundamentally levelling and is unaware of any private property. One can qualify it communist . It rests moreover on a whole of laws and an organization very rational and precise. It is presented like the most led of the Civilization S.
One can see in this work before a a whole criticism of the company English (and European) of the 16th century. The virtues of the Utopia are to some extent answers to the injustices of the real-world: they underline them by contrast (the equality of all the citizens utopiens clarifies extreme misery, at that time, of many English peasants without grounds) and show that the evils of England are perhaps not fates since Utopiens solved them. The Utopia, which is presented in the form of a work of fiction, affirms nevertheless that the man with the possibility of influencing its destiny and is thus carrying the concept of Histoire. More however abstains from presenting its Utopia like a political program. He considers the realization of such a company as desirable but affirms not even to hope for it.
Thus, the literary kind creates by Thomas More rests on a Paradoxe. It is presented indeed in the form of a work of fiction without bond with reality: the name of the island (" nowhere ") but also of the river which crosses it ( Anhydre , i.e. " without eau") or of the navigator Hythlodee (who means: " teller of balivernes") are there for us to point out it. However, the utopian refuses with any recourse to marvellous or with imagination and the happiness which is supposed to reign in Utopia must rest on the coherence of the project. No paradisiac climate, no divine blessing, no one magic capacity did not contribute to the realization of the perfect company. It is thus about a fiction whose value rests on the coherence of the speech.
It will be noted, that it is about Orwell, Huxley or Houellebecq, that their respective works return more to the concept of " against-utopie" (or Dystopie).
Saint-Pantel of Xavier Tacchella, 2003.
History of the economic thinking
ideal Engineering of the paradise
Hétérotopie (concept forged by Michel Foucault in 1967)
Revolution
Dadaism, Surrealism
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