The life does not frighten me

the life does not frighten me is a French film carried out in 1999 by Noémie Lvovsky.

Data sheet

  • Title: the life does not frighten me
  • Réalisateur: Noémie Lvovsky
  • Scenario writers: Noémie Lvovsky and Florence Seyvos
  • Producing: Bruno Pésery and Ruth Waldburger
  • Production: Arena Films, Sept-Arte, Studio Canal (France); Televisione Svizzera Italiana, Vega Film Productions (Swiss)
  • Director of the photography: Bertrand Chatry and Agnes Godard
  • Type-setter: Bruno Fontaine
  • decorator Chief: Yves Baker.

Distribution

Synopsis

Emilie, Ines, Stella and Marion knew themselves with the college: the giggles, the sorrows, small and large, the awakening with the life and femininity, the energy which animates them, all contributes to seal their friendship, which they make by mixing their bloods. They forget together the weight of the reports/ratios, sometimes difficult, with their parents, the cumbersome solicitude of those of Ines, for example, of the proud Spanish immigrants of the success of their daughter, or the mother of Emilie, who sinks little by little in the madness, which disturbs his/her daughter, which thinks even of the suicide. They are fascinated by certain boys - " bibis " , according to their code - and devote themselves to magic ceremonies to support meetings and, which knows? , more, perhaps… They say all: their phantasms, their loves, real or dreamed.

Three years pass. Ines, Stella and Marion leave together to Italy for their first true holidays, ready with all the love affairs, even riskiest. And they will not be disappointed! Emilie, as for it, remains in Paris, follows the courses of theater of a professor who it rabroue, and with which it saw a disappointing connection. Marion, on its side, meets Philippe, a student, but breaks brutally, not supporting its middle-class ideas and its conventional family. Stella, however not very gifted for the music, takes piano lessons, fascinated by its professor.

The year of the vat arrives; all make a success of it, more or less brilliantly; even Stella, most rebellious, is put at it finally not to lose the others in way. One new period their lives opens, which is likely to separate them, after a last common test, the disease - serious but not fatal - of Ines. And in the final parade, good-bye amused with adolescence, they still express their love of life, to four, and soon to five since Emilie is pregnant.

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