The Samurai

the Samurai is a film French, carried out by Jean-Pierre Melville, left on the screens in 1967.

Synopsis

The film is the history of Jef Costello, an extremely solitary professional killer, and of its quiet fight to survive.

Jef Costello is charged to kill the owner of a box of jazz, which it does. In spite of an alibi designed very well, it is suspecté by the police chief in charge of the investigation; the pianist of the nightclub confirms his alibi however. Jef Costello does not include/understand why it acts thus. After having assassinated its silent partner, wanting to finish some with the life and knowing that it is supervised by the police force, it turns over in the nightclub, leaves its revolver and points it on the pianist: the warned police force of her arrival the slaughtering on the spot. One then realizes that its revolver was deliberately noncharged.

Data sheet

  • Title: the Samurai
  • Realization: Jean-Pierre Melville
  • Scenario: Jean-Pierre Melville and Georges Pellegrin according to the novel of Joan McLeod The Ronin
  • Original music: François of Roubaix
  • Producing: Raymond Borderie and Eugene Lépicier
  • Photography: Henri Decaë
  • Assembly: Monique Bonnot and Yolande Maurette
  • Creation of the decorations: François de Lamothe
  • Decorator of plate: François de Lamothe
  • Directing of production: Georges Casati
  • Directing of proprietée: Andre Boumedil and Angelo Rizzi
  • Set to draw up: Robert Christidès
  • Assistants decorator: Théobald Meurisse and Philippe Turlure
  • Sound: Alex Pront
  • Engineer of sound: Rene Longuet
  • Assistant sound: Pierre Davoust
  • Editor of sound: Robert Pouret
  • Directing of production: Jean Pieuchot
  • Editors assisting: Genevieve Adam, Madeleine Bagiau, Madeleine Guerin and Genevieve Letellier
  • Furrier: Robert Beaulieu
  • Operator camera studio: Jean Charvein
  • Operator camera hirings: Henri Decaë
  • 1st assistant camera: François Lauliac
  • 2nd assistant camera: Horned Jean-Paul
  • Script: Betty Elvira
  • Lasted: 105 minutes (1h45)
  • Country: France/Italy
  • Language: French
  • Color: Eastmancolor
  • Technology of the sound: Mono
  • Production companies: CICC, Fida Cinematografica, Filmel and TC Productions
  • Distributive firms: International Artists (1972) (the United States), Luna Vídeo (Brazil) (video), New Yorker Films (video), Prodis, The Criterion Collection (2005) (the United States) (DVD)
  • Coming out date: October 25th 1967 (France)

Distribution

  • Alain Delon: Jef Costello
  • François Périer: The police chief
  • Nathalie Delon: Jane Lagrange, the mistress of Costello
  • Cathy Rose tree: Valerie, the pianist (like Caty Rose tree)
  • Jacques Leroy: Gunner
  • Michel Boisrond: Wiener
  • Robert Favart: Barkeeper
  • Jean-Pierre Posier: Olivier Rey
  • Catherine Jourdan: Receptionist
  • Roger Fradet: 1st inspector
  • Carlo Nell: 2nd inspector
  • Robert Rondo: 3rd inspector
  • Andre Salgues: Mechanic
  • Andre Thorent: Police officer/man at the wheel of the taxi
  • Jacques Deschamps: Police officer
  • Georges Casati: Damolini
  • Jacques Léonard: Garcia (like Léonard Jack)
  • Pierre Vaudier: Police officer
  • Maurice Magalon: Police officer
  • Gaston Miller: Manager of the hotel
  • Jean Gold: 1st customer in the nightclub
  • Georges Billy: 2nd customer in the nightclub
  • Ari Aricardi: Player of Poker
  • Guy Bonnafoux: Player of Poker (like Bonnafoux)
  • Humberto Catalano: Police inspector (like Catalano)
  • Carl Lechner: Double of Jef
  • Maria Maneva: Young girl with the chewing-gum

Anecdotes

  • One can quote the homage paid to the Samurai and the source of inspiration for Jim Jarmusch in his film of 1999, Ghost Dog . The structure and the main themes of film are taken again there, either directly or in the form of supported wink.
  • It is during the turning of the Samurai , that the Studios Jenner, if expensive with the eyes of Melville, were set fire to, on June 29th, 1967.

Places of turnings

  • Scenes representing Paris: in Paris.
  • the scene where Jef Costello comes to touch its money for the murder after being slackened 36 Quai des Orfèvres passes on a metal footbridge, overhanging the railways, which one reaches by the station of the Masséna Boulevard, which belongs to the small belt of Paris. This station was reconverted in station the RER and is unused today: Old station the RER " Massena" boulevard; , Paris - 13th.

Dates of turning

June 19th with the August 5th 1967

External bonds

  • Card of film on Internet Movie Database
  • the Studios Jenner

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