The Proud ones

the Proud is a film free-Mexican of Yves Allégret left in 1953.

Synopsis

Nellie arrives with her sick husband in a Mexican small village in the area of Veracruz. Whereas she seeks a doctor, she crosses Georges, a deposed doctor, become alcoholic. The doctor will not have time to look after her husband, that Georges discovers dead, of the continuations of a meningitis cérébro-spinale. Nellie is disturbed by the lack of sadness which it feels. The case of meningitis was not isolated and an epidemic starts to devastate the area. Nellie settles with the hotel time to try to repatriate the body of her husband in France, but for medical reasons this one will be buried on the spot. It is confused. The owner of the hotel makes him an insistent court and has fun of Georges, always in search of glass or a bottle of Téquila. Georges was doctor before, but following the death of his wife during a childbirth which it itself assisted, it did not cease any more drinking. Nellie shows more and more attention in its connection. The village is put in Forty, and the male nurses are touched by the disease. At the request of the Doctor, and awaked by the love of Nellie, Georges agrees not to drink and build an infirmary of fortune in his district, in order to save lives. Nellie leaves to join it and they throw in the arms one of the other.

Data sheet

Distribution

  • Michele Morgan: Nellie
  • Gerard Philippe: Georges
  • Carlos Lopez Moctezuma: The doctor
  • Manual Victor Mendoza: Gift Rodrigo
  • Michele Cordoue: Anna
  • Arturo Soto Rangel: priest
  • Andre Toffel: Tom.
  • Jaime Fernández : truck driver
  • Josefina Escobedo
  • Chel López
  • Lucrecia Muñoz
  • Beatriz Ramos
  • Guillermo Segura
  • El Salvador Terroba
  • Shine Bunuel: trafficker
  • inhabitants of Alvarado (Vera Cruz).

Around film

It is said that Martin Scorsese is an admiror of this film and that the erotism of the scenes where Michele Morgan, in light behavior does without the ice floes on the face and the bust and refreshes the legs with a ventilator disturbed its adolescence. Sometimes shown coldness the actress is here very moving in the distress by its role by disabled young woman. Gerard Philippe, remarkable, gives to his character the ambiguous complexity which avoids to him sinking in the caricature. It is often said that the two actors did not get along well during turning, but with the screen complicity is total. Even if the phase of redemption less seems to interest Yves Allégret.

Publication of the account

  • My film n°391 of February 17th, 1954: illustrated account of 2 pages
  • Collection happy life n°19 of 1959: novel photographs of 32 pages

Reward

The poster of film indicates International prize Biennale de Venise 1953

Note

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