the Intoxication of the capacity is a French film carried out by Claude Chabrol, left in 2006.
Charged with an important file of abuse of corporate asset, Jeanne judge Charming Killman (Isabelle Huppert) leads a delicate investigation touching to political circles and industrialists. From the start, it makes imprison the person in charge of a great group, president Humeau (François Berléand), whom it starts to question with eagerness. Weakened and weakened, this one yields little by little and ends up confessing its secrecies. In the political circles, concern goes up and against attack sets up itself to stop the too curious judge. But it is too late to act because, drunk of the capacity which she feels to hold, Killman judge is determined with going until the end of his investigation. For that, it is ready with all to sacrifice, its safety and even her husband who supports more the infernal life only it makes him live.
Jeanne realizes immense opportunities which its trade offers by exerting it.
She searches, excavation the cupboards, confiscates the portables. Nothing resists to him. Humeau, initially arrogant, is subjected.
The sadomasochistic report/ratio maso extends then to her forsaken husband who, in spite of his ceaseless cries of impotence, does not manage to correct the slow obsessional drift of Jeanne, who does not even respect any more but it.
Only one man finds thanks to his eyes, Felix, nephew of Philippe without fasteners, squattor and disillusioned flambor.
Practically all the hierarchy of the men, of the security agent to the head of undertaking, is dominated by this insensitive small woman which is unaware of itself the verdict which, without any doubt, will penalize an arrogance narcissistic positioning this ambition as a sun on of which all the planets are dependant.
This force is multiplied by ten by the arrival of Erika, a clone quite as given to break male as Jeanne.
the Intoxication of the capacity is a powder barrel where the punishment for the example of all the embezzlements of companies by véreux owners serves as a pretext for a moral destruction of a defendant. Jeanne does not seem to balance a trade and a career.
Its pleasure is to see the opposed sex leaves some, stripped of its machism which it seizes. All this resembles a transfer of power acquired by the cerebral swing of a woman who remains woman but becomes man by predominance.
The male it is it, smoking cigarette on cigarette, it poisons the air of an unpleasant claim by imposing a rate/rhythm of hell on his/her collaborators subjected like doggies.
In the intimacy of an office, Jeanne and Erika are nothing any more by their remarks but machines to be killed.
A labor force to all tests is only used to destroy, using a whole administration, human beings, certainly condemnable, but by procedures of trades.
Jeanne will be finally confronted with an important decision to take, essential in order to stop an unverifiable and increasingly nightmarish environment become.
The scenario writer took as a starting point the Affaire Elf and the judge Eva Joly for his film. The latter criticized film like “a small theater of manners, which consolidates each one in the opposition to progress”, reducing the investigation to “a succession of stereotypes” and regretted that Claude Chabrol according to it violated the intimacy of his private life, adding during the promotion of film “of the sordid and erroneous details into personal life” ( Claude Chabrol narrowed the business Elf , Le Monde of March 17th, 2006).
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