The Excentric ones (film)
Excentric the ( The Misfits ) is an American film of John Huston left in 1961.
Synopsis
Reno in the Nevada, the city of the expeditious Marriage S… and also that of the Divorce S rapids.The mechanic on Guido cars leads Roslyn to the court for the divorce of this one like his friend and Isabelle landlady. Guido meets his/her friend the Cow-boy Gay, an adventurer dilettante. The Hasard makes that all are found in a bar after the officialization of the divorce, and that all want of “another thing”. They decide to go to make a turn and go to the country house of Guido. Guido and Gay fall under the charm from Roslyn and ask him to remain a few days more in Reno before turning over to it. They drink and they dance. Guido even tries to embrace it, without success. Gay proposes to him to bring back it to it but they turn over finally in the house of Guido where they are only found for their first night.
They spend a few happy days together, even if Gay must accept the love which it carries to the animals. He would also like to know why it is always also sad.
A few days later, Guido and Isabelle visit them. To go to capture wild horses, Gay and Guido need a third man: they will seek it with the nearest whole Rodéo. On the way, they meet the Perce cow-boy with whom they propose hunting for the mustangs. Isabelle leaves them. After glass in a bar, participle with the rodeo Bores, but that does not occur very well for him since it is wounded. A return to the bar should position back the ideas and all become more or less Saoul S and behave consequently. Borer also fell in love with Roslyn.
The following day, they will drive out the few located horses, catch them and finally slacken them with the insistence of Roslyn. She announces that she will leave the following day.
Data sheet
- original Title: The Misfits
- Realization: John Huston
- Scenario: Arthur Miller
- Image: Russell Metty
- Music: Alex North
- Costumes of Marilyn Monroe: Jean Louis
- Sound: Charles Grenzbach, Philip Mitchell
- Assembly: George Tomasini
- Production: United Artists
- Country: The United States
- Lasted: 120 minutes
- Format: Black and white
- Coming out date: The United States: 1961
Distribution
- Clark Gable (VF: Serge Nadaud) : Gay Langland
- Marilyn Monroe (VF: Claire Guibert) : Roslyn Taber
- Montgomery Clift (VF: Jacques Thébault) : Bore Howland (Pierre in the French version)
- Eli Wallach (VF: Jacques Dynam) : Guido
- Thelma Ritter : Isabelle Steers
Around film
Some general remarks
- Of many photographers of foreground took stereotypes during turning: Eve Arnold, Cornell Wrapped, Henri Cartier-Bresson, Bruce Davidson, Elliott Erwitt, Ernst Haas…
Clark Gable
Excentric the is the last film of Clark Gable, born the 1901, deceased the November 16th 1960, that is to say a few days after the end of turning (November 4th). It was 59 years old. The relations with Marilyn Monroe were tended on the plate, so much so that certain testimonys bring back an unfortunately premonitory reflection of Gable about its partner: “ She almost killed me ”.
Marilyn Monroe
In its 29e and last film (supplemented) where it is 2nd with the generic behind Clark Gable and in front of Montgomery Clift, Marilyn Monroe interprets a role especially written for it by his/her husband Arthur Miller, that of a woman who has just divorced, which is lost, which does not know where to go and that to make, and who is very disappointed men. The character of Roslyn conceived by Miller is inspired with many regards Marilyn. Its sequences and scenes:- At the house of Isabelle:
Marilyn appears at the 3rd minute with the window behind a rideau.
En stripped, in its room preparing, repeating its arguments for the divorce. - In front of the court, out of black dress. Then on a bridge, hesitating to throw its ring of marriage in water.
- In a bar with Thelma Ritter, meeting Clark Gable and Eli Wallach. Then in the car.
- At the country house:
Pendant a small impromptu festival. Then in the car of Gable. Then return to the country house for one night of amour.
Le following day to the breakfast.
Les following days: with horse, with the beach in bikini, in the jardin.
Accrochées in a cupboard, Wallach sees photographs of scene of Marilyn because its character was model or artist. - Meeting with Montgomery Clift at a station gasoline, then in the car.
- In a bar, where she plays with a racket and a ball to win bets; a primary education type the key.
- With the rodeo, panicking.
- Return to the bar; she dances in particular with " Mont".
- Return to the house of Wallach.
- In the long final sequence in the wild plain, to go to capture the mustangs, where it will hesitate some time between its deep convictions and its love for Gable.
Marilyn was made responsible for the rapid falls of health of Gable (then of its sudden dead a few days later) because of its work method (ceaseless delays, taken scenes multiplied with the envi…), in particular by the last woman of Gable, Kay (of pregnant at that time), which threw it in a new phase of depression. It did not go to attend the funerary ceremony of the star late. Kay however invited it to the baptism of the son that Clark never knows, which was a manner of showing that Marilyn was not any responsible as for the death for her husband. The fact was then mentioned that Gable had made a point of playing all its scenes in film, including the cascades, which much requested it and tired. Cf Clark Gable above also.
External bonds
- Card IMDb
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