The Chip

the Chip is a French film carried out by Emmanuelle Bercot, left in 1998

Synopsis

Marion, 14 years, is on vacation in Normandy with its family. It is there that it meets Marc, a 35 year old dredger. They devote together to a play seduction without going very far. Of return to Paris, they are re-examined on several occasions. Marion, still virgin, would like to sleep with Marc, without however daring to acknowledge it. On his side, Marc is tired of the operations of approach and shows himself suddenly more undertaking: he invites his shy person prey in his room to sleep. But Marion is locked up in its decency and its contradictions. Its mouth, its centres and its sex are as many interdicts as its seducer must make fall one after the other. Patiently, this one learns with his/her partner the gestures from the love. After several reversals, Marc finishes by déflorer Marion and him to make discover the carnal pleasure.

Data sheet

Distribution

Opinion of the Press

(Program supplemented by " Vacances" of Emmanuelle Bercot.)

The opinion of the press Télérama - Landrot Marine Perfection of framing and the assembly, impeccable choreography of the bodies and the words: paradoxically, Emmanuelle Bercot reaches the most intimate reality by an extreme stylization.

Le Monde - Jean-Michel Frodon The bet of the director, it is the bet even cinema. The bet of the possibility of seeing and of including/understanding, with the proviso all of building - no pretense naturalist, therefore no pornography - and of taking into account the reality of the bodies (...)

Studio - Thierry Cheze How to film in an original way the loves of an young girl and a ripe man? By letting the spectator enter the skin of this teenager, as excited as terrorized vis-a-vis this first time. The Chip is an modest film (...)

The Event of Thursday - Isabel Danel With delicate subject, treatment full with delicacy. Infinitely modest, the camera marries quiverings and the apprehensions, closest to the body and the face of the Isild Le Besco young person.

Ciné Live - Grégory Alexandre A man, an any young woman, a bed: the delicate formula and explosive which handles with the art of erudite tested camera of Emmanuelle Bercot.

Chronic' Art - Emma baus This realism of time joins a very sensitive treatment of the image. Throughout film, the camera (...) passes very close to the characters, fits between them to create this atmosphere " palpable" generated by work on the grain of the film.

The New Cinema - Marie-Elisabeth Rouchy A setting in scene with the chalk line which is erased behind its subject while restoring its gravity. The film is supported by Isild Le Besco, Adjani blonde which should make its way. To follow.

Nouvel Observateur - Pascal Mérigeau Emmanuelle Bercot (…) have already an affirmed talent, which enables him to exploit the dashes, the hesitations, the desires, the fears, the glances and the gestures with a very remarkable control.

First - Nicolas Schaller (...) as daring as is the subject, one leaves of the Chip with the impression to have seen a good film of end of studies (.)The Isild Le Besco young person is very well.

External bond

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