The Bloody nuisance

the Bloody nuisance is a Film free - Italy N carried out by Edouard Molinaro and left in 1973.

Synopsis

Mr. Milan is a hired killer who must carry out his contract since his hotel room giving on the law courts of Montpellier. But its neighbor, François Pinion, representing out of shirts, forsaken by his wife, tries to commit suicide while hanging himself with the piping of the bathroom. For the misfortune of Milan, Pignon misses its suicide and causes a flood.

Data sheet

Title: the Bloody nuisance
Realization: Edouard Molinaro
Scenario: Francis Veber, according to its part
Music: Jacques Brel, François Rauber
Photography: Raoul Coutard
Assembly: Monique and Robert Isnardon
Decorations: François de Lamothe
Bomb disposal expert special effects: Pierre Parks
Production: Georges Dancigers; Alexandre Mnouchkine for the Films ARIANE; Mondex Films; Océania Films; Rizzoli Film (Rome)
Format: Colors - 1,66:1 - Its monophonic - 35 mm
Kind: comedy
Lasted: 90 minutes
Coming out date: September 20th 1973
All public

Distribution

Lino Ventura: Ralf Milan
Jacques Brel: François Pinion
Caroline Cellier: Louise Pinion
Nino Castelnuovo: bellhop
Jean-Pierre Darras: Dr. Edgar Fuchs, lover of Louise Pinion
Robert Gallignani: receptionist hotel
Andre Valardy: Jerry
Xavier Depraz: Louis Randoni
François Dyrek: Felix
Jean-Louis Tristan: inspector of the hotel
Pierre Collet: to stop
Liza Poacher: Mrs. Randoni (not credited)
Jacques Galland: Master Chamfort
Jean Franval: truck driver
Michele Gammino: future dad
Angela Cardile: mother-to-be
Arlette Balkis: patient of Fuchs
Eric Vasberg: stuntman
Pierre Rosso: stuntman.
Jean-Marie Arnoux: Mr. Dupre
Sylvain Levignac: male nurse
Jacques Van Dooren: male nurse
Jacques Paoli: voice with the radio, itself
Andre Arnaud: voice with the radio, itself
Pierre Vialla

Comments

The concept “super glue” was born, it names François Pignon, it is a true devouring tornado which emerges suddenly in front of Milan (Ventura Lino) hired killer tested charged to carry out a contract.

The man is depressive, it tries to commit suicide, his wife misleads it because of his mediocrity. How to get rid of this bore who strongly disturbs the concentration of a man who works for owners who do not joke with a business to treat.

Little by little François Pignon nibbles natural defenses of Milan which is retained to the maximum not to crack in front of this avalanche of uninteresting remarks which are inflicted to him with strong amounts by this invading character parachuted suddenly in the life of this hired killer.

Milan undergoes all the whims of Pinion which is given some to heart joy. Time passes, the killer becomes exhausted and is not concentrated any more, the contract is threatened.

This extreme extremely/weak association improbable at the beginning functions admirably. These two opposite tendencies are complementary marvelously. They are the balance of a paradoxical deployment.

Unconsciously this union is salutary especially for Milan which changes internally and becomes in spite of him a protective being.

It accepts against part natural to undergo a sequence of dominating events generated by a weak being and manipulator. Its intellectual defenses do not have any more reactions in front of this species “of human ambulance” larmoyante and plaintive. Pinion seized the power, Milan “is eaten”.

This destroying dominating weakness will be finally paying.

Pinion will make a consent which will be the positive conclusion of the way of cross of its victim: “Mr Milan you are my only friend. ”

Around film

American Remake in 1981: Buddy Buddy of Billy Wilder with Jack Lemmon and Walter Matthau.

comic Duet