The dynasty Tang (唐朝, You ang in transcription EFEO and Lagging-Gilles, Ten sometimes) is the thirteenth Chinese dynasty . It succeeds the dynasty Sui (581-618). Tang reigned of 618 with 907, with an interruption between 690 and 705, when Wu Zetian seized the power.
Under the Tang dynasty, the Empire reaches an extension which he had never known before and his capital, Chang' year, was the most populated city world. The total population of the Empire, on the other hand, does not seem much higher than that of the preceding times. It is undoubtedly higher than 50 million inhabitants.
The Tang time, marked by a certain cosmopolitanism, is particularly brilliant on the cultural level. She is regarded as the golden age of Chinese traditional poetry.
In IXe century, the political power of Tang weakens. In 907, a general deposits the emperor, giving rise to the dynasty of the posterior Liang.
Son whimsical son succeeds to him into 605. He engages the systematic restoration of the great wall, launches three campaigns of war on Korea, which fail.
Le exhausted people revolts, of the local leaders emergent, the armies are organized while the desperate Emperor ignores the businesses of the Empire.
C' is in this context of disorder that the adventure of 李世民 Lĭ Shìmín - 太宗 TàiZōng (599-626-649) is held.
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The two large builders of the New Empire, Wendi of the Sui and Li Shimin, of Tang, were both originating in the North, dominated a long time by the Barbarians. The wandering populations had been finally comparable; however, they had transmitted to the Chinese a big part of their civilization, to start with the uses of the daily life, the music, the entertainments. Hunting, the use of the horse and the fencing supplemented from now on the life of the well-read man, which had partially forgotten his prejudices against the military caste and the merchants. Tang however wanted to be Chinese, since the government, copied from that of the Han, until the culture, with the reaction classicist in literature. They were aware to be the second great empire. Winner of the Sui, Li Shimin entrusted the capacity to his father Gaozu (618 - 626). The new Masters of China took again the work of Sui Wendi while proceeding to an agrarian vast reform, whose basic principle was that no ground could be given in tenant farming. However, the cases of exemption (civils servant, monasteries) were so numerous that the law could not prevent the “disappearance of the peasants without ground”.
In 626, Lĭ Shìmín, victorious of a fratricidal conflict, pushes his/her father Gaozu to be abdicated and went up on the throne under the name of 太宗 TàiZōng. Then, its first concern was to sit the Chinese power in Asia, as well by the weapons as by the diplomacy. It obtained in particular the alliance of Turkish tribes .
There, it reinforces its policy against the Eastern Turks, whom it subjects in 630.
In 641, the sovereign Tibetan recognizes his sovereignty. In 642, it subjects the Western Turks. From 640 to 648, it subjects the recalcitrant oases of the Bassin of Tarim: the Silk route is durably restored.
In 645, he does not manage to subject the kingdoms Korea NS. In 648, the Chinese domination was again effective with the Xinjiang.
He dies into 649, having imposed then consolidated a new dynasty, having imposed, and respected, organized powerful China (and feared) of the close barbarians. He also imposes China like referee of Eastern Asia [[Central Asia|power station]], with the vassalage of many kingdoms and Khanat S bordering.
On the administrative level, an important novation consisted in entrusting the provinces to military governors (it will be, in the long term, the loss of the dynasty). The central government, copied from that of the Han, was improved by the creation of technical sections entrusted to experts rather than with well-read men. The good performance of the system allowed an increase without precedent of the budget of the State: the population reached the figure of fifty million inhabitants (including two million for the capital)
The Tang dynasty devoted the golden age of art and the Chinese literature.
Following the example prosperous economy of Tang, the Tang culture was one of most brilliant of its time, and maintained many relations with other countries. Many students coming from Korea and of the Japan came to China during this period, or the Chinese thought was strongly anchored in these countries considered thereafter “of culture confucéenne”. Being given the good relationships maintained with the Arab world, the Jade, the Pepper and the Islam penetrated in China. About half of the frescos and sculptures of Dunhuang were realized under the Tang dynasty.
Being given the relative tolerance of the emperor Taizong, the Buddhism and the Taoïsme made under Tang great great strides. A company of translation of traditional Buddhist of great scale started then, and popularized or deepens the many Buddhist schools coming from India, of which the school chan, more known under the name of school Zen which was transmitted to Japan during this period. The Islam and the Christianisme nestorien penetrated in China at that time.
The most attractive part of the Tang literature is in its poetry: at the dawn of Tang, Li Bai, Of Bo, Of Fu, Wang Wei, then Li Jia, Han Yu, Bai Juyi in the middle of the dynasty, and finally Li Shangwen and Of Driven towards the end are some of the most known poets. With the rich and varied styles, Tang poetry drew from the vast repertory of Chinese legends, while keeping a direction of the details of the daily life. The respect of metric and the references to ancient poetry give to Tang poetry a scale ever equalized by the Song, the Ming or the Qing which made them continuation.
Tang continued and enriched the tradition by the fantastic novel inherited the Six Dynasties, while giving to the novel a narrative integrity and an anchoring in social realities of the life. These works gave thereafter their bases to the tale under the Song and to the novel under the Qing.
The Peinture of landscapes (山水 shanshui, “Chinese mountain and water”) started under Tang and constituted the major topic of painting, where the Buddhist thought affère obviously. Wu Daozi (Wu CAT-Tzu, 680 - 740), is known for the legend which sees it entering and disappearing in its own painting. Derived from the techniques of Chinese Penmanship, the painting of landscapes Chinese, support of rich person reminiscences philosophical and cosmological, is one of the Chinese pictorial achievements most original.
The first richly documented Chinese corpus musicologic relates to the Qin Tang dynasty, though its use also goes up far the Han.
Excavations of the end of the 20th century revealed, in a tomb intact, a great number of instrument of Musique (of which a spectacular whole of Cloche S in concert), but also of the shelves with instructions of play and the partitions for orchestras. -
The appearance of the Chinese opera is generally allotted to the emperor Xuanzong (712 - 755), who founded the “garden of Pears” (梨园 Li yuan), the first troop of opera known in China.
Wu Zetian (Shengshen) (690-705)
4. Zhongzong (Li Xian) (684-684) and (705-710)
5. Ruizong (Li daN) (684-690) and (710-712)
6. Xuanzong (Li Longji) (712-756)
7. Suzong (Li Heng) (756-762)
8. Daizong (Li Yu) (762-779)
9. Dezong (Li Kuo) (779-805)
10. Shunzong (Li Song) (805-805)
11. Xianzong (Li Chun) (805-820)
12. Muzong (Li Heng) (820-824)
13. Jingzong (Li Zhan) (824-826)
14. Wenzong (Li Ang) (826-840)
15. Wuzong (Li Yan) (840-846)
16. Xuanzong (Li Zhen) (846-859)
17. Yizong (Li Cui) (859-873)
18. Xizong (Li Yan) (873-888)
19. Zhaozong (Li Ye) (888-904)
20. Aizong (Li Zhu) (904-907), abdique
Empress , of Shan Its
the empress of Silk , Jose Frèches
Simple: Tang Dynasty Zh-classical: 唐
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