The sword is a Knife with simple or double edge made up of a right metal blade equipped if necessary with a gutter (longitudinal depression), with a handle and, in certain times, with a guard protecting the hand and a pommel.
The term of sword is polysemous:
This article is interested in direction 1. It also approaches the second direction, but in a minor way. The shape of the sword determines its use:
Swords, i.e. weapons having a blade of at least thirty centimetres, are known as of the Bronze Age : those are then divided into four types, of which oldest is that of the “swords with broad strip” (G.Gaucher and J. - P.Mohen) of old or average Bronze, towards -2000.
With the final Bronze Age, the “swords with tripartite strip” have the three clearly distinct parts of the handle (guard, Fusée and pommel): it is at the latest at this period and probably more still with the first age of iron than the weapon an aristocratic value acquires. Expensive, long and complex to work out, the sword indeed seems to be exclusively in the tombs of important characters.
Door and difficult to handle, the sword is affirmed at the beginning as a weapon of prestige and becomes during antiquity the weapon par excellence which the rider uses to strike “of size” the Fantassin. Nevertheless, Celtic, German and Romains also use it in the infantry, in various forms.
In the last quarter of the 4th century, the Celtic sword cladio , a length of blade of 60 cm becomes a paramount element of the standard equipment of the warrior. Until the Roman period, this sword knows a lengthening of its blade, while its point swells, which indicates an quasi-exclusive use of size.
The Roman legionaries employ the Glaive (Latin gladius ), which goes to the right-sided as before him the Gallic sword or Iberian. The sword of the Early empire (standard “Mainz”) is directly inspired by the Hispanic sword with a blade which can reach sixty centimetres. Thereafter, its point is shortened (standard “Pompéi”). The sword of the legionary is perhaps the weapon which contributes more to the Roman military superiority of the first centuries of the Christian era, in particular because of its capacity to being used of size and tuck.
In parallel, the Cavalry Roman, often made up of the Celtic or German auxiliary troops, employs a type of long sword (Latin spatha ). Under the Severe ones, the spatha becomes in its turn a weapon of infantry, with a long blade of 60 with 90 cm which widens gradually, which goes to the left side.
Undoubtedly because of the evoked features, the sword is a weapon whose manufacture is entrusted to specialists. Because of that, a model a long time is often and imitated before an innovation appears. Thus, the German ones had borrowed the long sword from the Celts. As from the 3rd century approximately, the spatha (the Roman long sword) is inspired itself by the Western Germanic weapons: she knows her hour of glory at the time of the Great invasions; it is the sword of the barbarians which triumphs over the sword equipping the troops, to some extent.
Exported in Scandinavia (in the Jutland), it is this one which seems to have been used as original model with the Western sword medieval, whose first type is that of the sword mérovingienne, with the triangular pommel provided with a ring. The long sword “ mérovingienne ” is used in its turn as model to the Carolingian franque sword, best of its time so much so that its trade was interdict outside the empire. This one is sophisticated until the 9th century in Saxony, then copied by the Vikings. During the establishment of the duchy of Normandy, the sword Viking is improved until the 11th century (its weight decreases and the guard lengthens). At the 12th century the round pommel spreads and replaces the oval or lobed pommels Normandes swords. Models with the bent guard appear. The tuck (point) round tends to fray until the development at the beginning of XIVe of the sword of tuck: its heel is broad (until 10cm) and the very pointed tuck makes it possible to transpierce the armor between the punts which appear then. At the end of the 13th century the long swords (with two hands) such as the brand of frame appear which, as its name indicates it, is related to the saddle and is used by the dismounted knight. The bastard swords (known as with a hand and half) develop at the 15th century. Their moderate length and their weight as well as an excellent balancing (in particular thanks to the pommels out of bulb) allow the use of it horse and foot. The very long swords such as the swordfishes remain of use at the 15th century and until the beginning of XVIe (Zweihänder of Lansquenets).
The evolution of the weapon itself is indissociable of that of its system of suspension: the protohistoric Celts of the Tène had already known to work out a system of suspension resting on two chains: a bit runs (15 cm) and on a long bit (45 -- 50 cm).
At the beginning of the Early middle ages, the swords are carried to the left side by means of a double vertical trigger guard (kind of loop rigid). The exact origin of this last is incertaine : known of the Chinese, it is necessary to await to see it used in occident that the Sarmates and the Alains introduce it during the invasions " barbares" , one of cuttings of the Great invasions (IIIe-IVe century). Until the 11th century, the port of the sword in its sleeve in shoulder-belt or thanks to a simple belt is current. Later, whereas the use of the cavalry is spread, one will use Fourreau X attached with a double belt, thus conferring a better stability on horse. For the same reasons, at the 12th century, the port of the sword, initially vertical along the left leg, becomes oblique. It passes almost to horizontal to the 15th century when the long swords are spread, so that the point does not touch the ground when the man-at-arms is with foot. The swords of very large dimensions (brands, swordfishes) are carried attached to the saddle of the horse, and not in the back. The only swords commonly carried in the back were the claymores highlanders with XVIIe.
Another important aspect of the History of the sword is the developments in the technologies of forging mill: thus, to forge their blades, the Gallic ones practiced welding by mixing themselves various metals, probably with an aim of re-employment. With the Early middle ages, a characteristic of the long swords " mérovingiennes" is the composite structure of many blades . The technique, consisting in forging the “heart” of the blade, then to associate to him (“to pay”) two edges with the higher content of Azote was well studied: two narrow bands of metal, intended to be used like edges, are welded with a central damask metal band (compound of alternate bands of Soft iron and Fer high-carbon, possibly twisted before being hammered). The improvement of metals, either by welding in Occident, or by use of already ready ingots, in the East then in Occident, is also a major concern which report in particular the Scandinavian epopees.
Hydace, chronicler Galician of the 6th century, reports in its Olympiad 211 that " in the same way one day, at the time of the assembly of Goths, the part of iron or the point of the weapons which they held with the hand took a color green for the ones, pink or yellow, saffron or black for the others, losing thus temporarily its natural aspect of métal." One can see there a testimony of their structure in layers, which reflects the sun in various manners.
With the wire of the centuries and people, weapons which could be gathered under this generic term evolved/moved in various forms, becoming saber in the East, Cimeterre, Katana in the medieval Japan, etc However the sword was in theory a weapon reserved for the noble ones.
Tuck (not classified) (example)
Many a swords has a name celebrates, that they at the beginning histories, became of the legendary weapons in the medieval epopees, or although they are entirely imaginary weapons which pertaining to the fantastic works written after the 19th century:
The sword (rapière or sword of court) is the weapon characteristic of the characters, and in particular of the heroes, films belonging to the kind “cloak and dagger films”. These films generally end in a duel with the sword.
The cloak and dagger film is characterized by combat of swords, a hero and a history of love.
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