Sub-dominant
In the tonal music, the sub-dominant indicates the fourth degree of a range.
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Whatever the mode - major range or minor range - this degree is always located a perfect fourth above the principal degree, the tonic , that is to say, a perfect fifth below, in accordance with the rule of the inversions.
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For example, the note F is the sub-dominant of the ranges of major C and C minor .
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In traditional harmony, the sub-dominant is one of the three “degrees principal” - or “better degrees” - tonality, the two others being: the tonic and the Dominant .
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the sub-dominant being located a perfect fifth below tonic, and the dominant one, a perfect fifth above , one can regard these two degrees as symmetrical compared to the tonic, and forming with it a chain of perfect fifths , which one naturally finds in the famous Cycle of the fifths: - sub-dominant * perfect fifth * tonic * perfect fifth * dominant.
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This degree fulfills the “tonal function of sub-dominant”, which consists to produce or precede the agreement by dominant by the tonality. In the tonal System, the agreement builds on this IVe degree - known as “agreement of sub-dominant” - plays a big role in the rates and the modulations.
See too
Internal bonds
- Agreement moving
- Agreement of three notes
- Rate plagale
- Degree (tonal music)
- theoretical and technical Glossary of the elementary Western music
- tonal Harmony
- tonal System
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