Street Fighter III - Third Strike: Future Fight for the

Street Fighter III - Third Strike: Fight for the Future is a Jeu of combat in 2D carried out by Capcom. This opus of the series Street Fighter initially left on terminal arcade (system CPS-3) in 1999 before making a first appearance on the console Dreamcast. The title is appeared more tardily on the platforms Xbox and PlayStation 2, closer to the version arcade of origin.

Gameplay

The bases posed by Street Fighter III - Second Impact takes again: Giant Attack .

The system of play seems rather traditional at first sight with the usual gauges of fury (the term employed here being “ Super Art ”) allowing, once filled, to start blows devastators. The player will be able to choose besides for his character only one and single fury among three proposed. But an element brings an innovation: the “ parry ”. Of a pressure forwards on the directional cross at the time when a blow is supposed to reach it, the player can counter this last all while granting a fraction of a second to counteract. The operation is realizable for the “low” blows by a pressure downwards. Put besides some exceptions all the blows and furies can be countered although certain require a very tight Timing . The special blows as for them profit for the majority from a more powerful version while pressing on two buttons instead of only one; these blows called “ EX ” open other possibilities but consume part of the gauge of fury and are thus to use with parsimony.

Advanced lexicon

  • the chancel : It is about a technique of attack which consists in cancelling (from where the anglophone term) a basic blow or a special blow by another movement. It is especially used to break the guard of the adversary by a not very powerful but highly priority blow in order to ensure thereafter the success of a combo devastator, even of a fury (the operation bears in this precise case the name of super chancel ).

  • the quick stand : When the player is projected on the ground during a confrontation, it is possible to undertake an operation of release. While supporting once on the direction " bas" at the time or the character touches the ground, it will carry out a roulade backwards to avoid the steam pressing of the unfavourable player. This technique makes it possible to be raised more quickly, and in certain situations to avoid undergoing a imbloquable .

  • the imbloquables : Absent from conversion Dreamcast, the imbloquables remake their appearance in the bearings PlayStation 2 and Xbox. This element of Gameplay makes it possible to pass in addition to the guard of the adversary to attack it, but only by one number limited characters such Oro or Urien is usable. By using adequate fury, it is possible to create a trap where the adversary is attacked on its right-hand side and its left, at the same time by fury in question and the blows which simultaneously the attacker strikes to him. This causes immediate to inhibit its protection and to return it enough during a time runs completely vulnerable.

  • the will kara throw : A difficult technique of access which relates to it also only one number of characters restricted like Makoto, Chun-Li or Ryu. It is a question of carrying out a seizure whereas the distance separating the characters is slightly too large for this action, thanks to a chancel bringing an effective catch to the body with body. The animation of the blow started in preamble indeed makes it possible to gain a few centimetres to approach the adversary and to surprise it. The operation varies according to the character used.

  • the partition charges : The execution of certain special blows requires a load . It is about a handling introduced by the character of Guile into Street Fighter II which consists in maintaining a key of direction (“low” or “back”) inserted during an amount of time, for then engaging the opposite direction simultaneously and a button of striking. In the case of the partition charges , the play authorizes the relaxation of the key of direction during a fraction of a second, which makes it possible to the player to carry out intermediate actions without cancelling the load special blow that it prepared before.

Music

Musical environment is the work of Hideki Okugawa, and presents a marked eclecticism. If the topics of the menus are directed Rap and Hip-hop, one finds shovel-mixes in the play with sonorities Groove, Techno, House (training course of Dudley), happy Big (training course of Urien), drum & low even jungle (through the omnipresent amens at the time of the engagements at Akuma, Gill or Necro and Twelve). More or less buckled references are also present, the musics of Q or Yun and Yang returning immediately to the topic of James Bond.

  • List of the original pieces:

    • Ryu - Kobu
    • Alex & Ken - Jazzy NYC '99
    • Chun-Li - Clouded Vox
    • Dudley - You Blow My Mind
    • Yun & Yang - Crowded Street (Third Edit)
    • Ibuki - Twilight
    • Necro & Twelve - Snowland
    • Sean & Oro - The Longshoreman
    • Elena - Happy in My head
    • Gill - Psych Out
    • Hugo - The Circuit
    • Urien - Crazy Chile Dog
    • Remy - The Beep
    • Makoto - Spunky
    • Q - The Topic off Q
    • Akuma - Killing Moon
    • Topic of opening - Third Strike
    • Inter-levels - Let' S Get It One
    • Music of end - Moving One

List characters

The play proposes a gallery of characters preserving the figureheads of the series like Ken, Ryu or Chun-Li, while adding good number of new faces to it:

Development team

  • Design of the characters: Who, Ikusan Z, D=Kurita, Chimorin SHOGUN, Sibaki, Chunzenji&Rute, Tsuyoshi, Jun-Ikawa, Toshihiro Suzuki, Drowned-T, Seiji Yano, Naoi " Hell" Ryosuke, Tomo, Hirano=Daichi, Izumi.N, Akiman
  • Design of the decorations: Imahori 75%, Sugiyama 50%, Youko Fukumoto, Yuki Kyoutani, Sawatch, Atushi, Ryo Uno, Yusuke Saiwai, Kenichi Yamahashi
  • original Artwork: Daigoro, Harumaru
  • Design of the logo: Y.Uchida
  • Programming: Kazuhito Nakai, Nobuya " LT1" Yoshizumi, Yuko Kawamura (Touches), Hiroshi Nakagawa (Raoh), Y&M.Inada (Innate), Mashito Oh! Ya! , Akihiro Yokoyama
  • Music: Hideki Okugawa
  • Sound effects: Satoshi Ise, Y.Sandou
  • Project managers: Neo_G H.Ishizawa, Haruo Murata, Numach (T.O), Yasunori Ichinose, Sada 36
    • Producing
  • : Noritaka Funamizu, Kouji Nakajima
  • Producing general: Yoshiki Okamoto

Voice

To note

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