Sillegny is a common French located in the department of the the Moselle and the area Lorraine. Its inhabitants are called Sillegnoises and Sillegnois.
It is a Village flowered.
At the 11th century, Sillegny, then named Soleignie, was the property of the Metz-native abbey of Saint-Pierre, then at the 12th century that of the évêché of Metz. In 1246 the bishop Jacques yields the village as stronghold to the Sainte-Marie abbey (but the Saint Martin's day church remained the property of évêché until the Révolution). In 1635, at the end of the War Thirty Year old, the village escaped from little from the destruction by the Swedes and its church became a place of pilgrimage.
In 1871, following the Treated of Frankfurt and of the Franco-German war (lost by France), the current department of the the Moselle was annexed by the Empire German and integrated into the territory of empire of Alsace-Lorraine ( Reichsland Elsass-Lothringen ). Sillegny became then a German locality, renamed Sillningen . The Germans built then Casemate S (undoubtedly of the shelters with ammunition) in the Forêt dominale of the Six Cantons, close to the Secondary Road 67 and the Roman way. Although they are still upright nowadays, they are in sorry state and with the abandonment.
Sillegny became again French in 1918 at the conclusion of the First World War and turned over to the Germany in 1940 (annexation of the the Alsace-Moselle). Lastly, France took again possession in 1945 of it, but the bombardments of 1944 destroyed almost all the village.
What makes the richness of the building are the Fresques papered with the walls and interior ceilings representing of the religious scenes, the saints and the holy ones. These anonymous frescos are dated from the end of XVe century or the beginning of the XVI {E}} century. The legend tells that in 1540 and at the request of the priest of the village, a travelling Italian painter decorated the church with paintings drawn from the Gospel and of the Bible. Today, several assumptions always circulate on the identity of the artists, authors of these drawings worked with egg and the adhesive. The realization is sometimes allotted to painters sent by the sisters of the cloister Holy-Marie-with-Nonnains Metz.
Passed with mode according to some, they were covered with paint towards the end with XVIIIe even at the beginning of the XIXe century. In 1845, redécouverte then caused a first restoration by the Metz-native artist to them Malardot which will last twenty years.
The church is classified with the historical heritage in 1881.
In 1945, the Saint Martin's day church escaped the bombardments, only the bell-tower was destroyed and the damaged painting of the last Judgment. Its restoration began one year later and finishes in 1963.
To fight against the wear of time, of work of restoration were undertaken of at the beginning of 2002 to at the end of 2004, limiting the access to the visitors to one Sunday per month.
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