Shine of Pablo

Shine of Pablo , born the January 28th 1930 with Bilbao, is a Spanish Compositeur having belonged to the baptized generation of Spanish type-setters Generación LED 51 by Cristóbal Halffter.

Biography

He studies very young person the music, but follows the courses of right of the Université Complutense of Madrid, which he leaves graduate in 1952. Lawyer, it supplements his musical formation in autodictate, by analyzing works of the 20th century and while being exerted to compose. Having given up the right, it founds in 1958 with Ramón Barcé the group Nueva Música , in which take part in addition to the founders, Alberto Blancafort, Manuel Squared, Fernando Ember, Enrique Franco, Antón García-Abril, Cristóbal Halffter, Manuel Moreno Buendia.

It is spent much to make known in Spain the modern music, by conferences, its participation in reviews ( Estafeta literaria , farming Acento , Aulas ), by translations (biography of Arnold Schönberg by Stuckenschmidt, Wege zur Neuen Musik of Anton Webern). It founds the concerts Tiempo there Música in 1959, where will be created in Spain, the Hammer without Master and the three sonatas for piano of Pierre Boulez, like Zeitmass of Karlheinz Stockhausen. To the beginning of the year 1960, it goes to Darmstadt, to meet there Bruno Maderna, Pierre Boulez, György Ligeti, Karlheinz Stockhausen, then in Paris to follow there the courses of max Deutsch, former student of Schönberg. It is at the origin in 1965 first Spanish studio of Musique electroacoustic " Alea". In 1968, it publishes an important treaty of esthetics, heading Aproximación has una estética música contemporánea (Madrid).

In 1972, it organizes the “Meetings of Pampelune”, Festival of music, theater, cinema and of visual arts. In front of the oppositions of the pro-Franco and the ETA, it is exiled with the the United States, where it teaches at the university of Buffalo, then with the Canada, where he is professor at the university of Ottawa and that of Montreal. Its activities in addition are numerous: director of the festival of Lille in 1982, director of the diffusion of the modern music to the Spanish ministry for the Culture (1983), member of the committee for the project of the Opera-Bastille (1984).

Distinctions

Doctor Honoris Causa of the Complutense University of Madrid.
Academician of the Real Academia de Bellas Artes de San Fernando .
Price Jacinto Guerrero .
Gold medal LED Círculo de Bellas Artes of Madrid.
National Price of Beautiful arts.
Officer of Arts and the Letters of the French Ministry of the Culture.
Honegger Price, etc

Works

Its work comprises more than 130 opus and touches with all the kinds, since the cinematographic music (he collaborated with Carlos Will know and Víctor Erice, inter alia) until the opera.

Opera

Kiu , (1979-1982), (lasted: 120 '), Opera in two acts, booklet of Shine of Pablo according to " El Cero transparente" of Alfonso Vallejo
El Viajero indiscreto (the Indiscreet Traveller), (1984-1988), (lasted: 180 '), Opera in a prolog, two acts, and an epilog, booklet of Vicente Molina Foix, 3 sopranos, mezzo, high-against, 2 tenors, baritone, chorus and orchestra without copper.
the Veined one invited has comer (the Mother invites to eat), (1992), (lasted: 75 '), opera in five scenes, booklet of Vicente Molina Foix soprano, viola, high-against, tenor, 2 baritones, low and chamber orchestra
the señorita Cristina (1997/99), Opera in 3 acts, booklet of the type-setter, treating Miss Christina di Mircea Eliade.

Scenic music

Lullaby , (1973-1974), (lasted: 30 '), for 3 flutes, 2 percussionists, Hammond organ, soprano and actor
Mask , incidental music, (1973), (lasted: 20 '), for flute, clarinet, piano and percussions
Por diversos motivos , (1969), (lasted: 18 '), scenic action on texts of François Weyergans
Protocolo , (1968), (lasted: 45 '), scenic action on an assembly of texts of Shine of Pablo
Solo a paso , (1974), (lasted: 36 '), for actor and flute

Film music

Playa insólita (1963) (Javier Aguirre)
Último encuentro (1967) (Antonio Eceiza)
Pepermint strikes (1968) (Carlos Will know)
Goya - Historia of una Soledad (1972) (Nino Quevedo)
Anna there los Lobos (1973) (Carlos Will know)
El espíritu of the colmena (1973) (Víctor Erice)
the PRIMA Angélica (1974) (Carlos Will know)
Pascual Duarte (1976) (Ricardo Free)

Vocal music has cappella

Bajo el ground (Under the Sun), (1977), (lasted: 25 '), for mixed chorus
Retratos of Conquista , (1980), (lasted: 20 '), for chorus
Serenata , (1984-1985), (lasted: 21 ')
Variaciones de León , (1992-1993), (lasted: 15 '), for six votes soloists, text of Vicente Molina Foix
Visto of cerca , (1974), (lasted: 22 '), for three singers amateurs and magnetic band
Yo lo VI , (1970), (lasted: 18 '), for 12 mixed votes

Vocal music and together

Al its that tocan , (1974-1975), (lasted: 35 '), for soprano, four low, together and magnetic band
Antigua Fe , (1990), (lasted: 45 '), for soprano colorature, chorus of men and orchestra
Canción , (1979), (lasted: 6 '), for soprano and 4 instruments, text of Juan Gil-Albert
COM a epileg , (1988), (lasted: 20 '), for chorus of men and together, text of Gimferrer Father.
Comentarios has back texts of Gerardo Diego, (1956), (lasted: 11 '), for voice and three instruments
Of América pretérita , (1991), (lasted: 26 '), for soprano, two reciting and orchestrates
Ederki , (1977-1978), (lasted: 6 '), for soprano, viola and percussion, poem of Jean Robertet
Ein Wort , (1965), for soprano and three instruments, poem of Gottfried Ben
El manantial , (1982), (lasted: 8 '), for soprano and six instruments, according to Jorge Guillén
Escena , (1964), (lasted: 14 '), for mixed chorus and together, according to Rafael of Vega
Glosa , (1961), (lasted: 7 '), for soprano and together, on the “Soledad segunda” of Shine of Góngora
Malinche , (1983), (lasted: 24 ')
Pocket Zarzuela , (1979), (lasted: 18 '), for mezzo-soprano and together, texts of José-Miguel Ullán
Por diversos motivos , (1969), (lasted: 8 '), scenic action on texts of François Weyergans
Portrait imagined , (1974-1975), (lasted: 51 '), per 18 esecutori, 12 voci, 2 nastri magnetici E 3 sintetizzatori
Ricercare recordare , (1990), (lasted: 33 '), for reciting, mixed chorus and together
Sonido of will guerra , sull' omonimo pœma tratto da “Dialogos del Conoscimiento” di Vicente Aleixandre, (1980), (lasted: 20 ')
Delays of pœtas , (1985-1986), (lasted: 80 '), cycle for soprano, baritone, mixed chorus and together
Una cantata perdida , (1981), (lasted: 25 '), for soprano, double bass and percussion, according to Fernando Pessoa
Very gentle , (1974), (lasted: 18 '), for soprano, against-tenor and two instrumentalists
Viatges there Flors (Voyages and flowers), (1981-1984), (lasted: 37 '), for soprano, reciting, chorus and orchestra, on texts of Mercè Rodoreda
Zu Straßburg auf der Schanz , on texts of “Of Knaben Wunderhorn”, (1985), (lasted: 4 ')
Zurezko olerkia , (1975), (lasted: 60 '), for mixed chorus and percussions

Concerting music

has modo concierto , (1976), (lasted: 19 '), for percussion and together
Adagio-Cadenza-Allegro spiritoso , (1987), (lasted: 9 '), for oboe and string orchestra
Concerto, for harpsichord , (1983), (lasted: 22 '
Concerto for harpsichord, cords and two percussions , new version of the Concerto n°2 for piano, (1983), (lasted: 22 ')
Concerto for piano and orchestra n°1 , (1978-1979), (lasted: 18 ')
Concerto for piano and orchestra n°2 , Mompou, (1979-1980), (lasted: 22 ')
Concierto of will cámara (Concerto of room), (1979), (lasted: 20 '), for piano and chamber orchestra
Fiesta , (1987), (lasted: 20 '), for six percussionnists and string orchestra
Appeared in el Mar , (1989), (lasted: 25 '), for flute and orchestra
Quasi a fantasia , (1969), (lasted: 23 '), for sextet with cords and orchestra
Sueños , (1991), (lasted: 25 '), for piano and orchestra
a Color , (1988), (lasted: 23 '), for saxophones and orchestra

Orchestral music

Adagio , (1983), (lasted: 14 '), for orchestra
Cinco Meditaciones (Five Meditations), (1983-1984), (lasted: 16 '), for fifteen instrumentalists
Five Impromptus , (1990), (lasted: 29 '), for orchestra
drunk Elephants I , (1972), (lasted: 12 '), for orchestra
drunk Elephants II , (1972), (lasted: 12 '), for sixteen instruments
drunk Elephants III , (1973), (lasted: 8 '), for orchestra
drunk Elephants IV , (1974), (lasted: 11 '), for orchestra
Imaginario II , (1967), (lasted: 14 to 30 '), for orchestra
Iniciativas , (1965-1966), (lasted: 19 '), for orchestra
Intermedio of “Kiu” , (1982), (lasted: 6 '), for orchestra
Invenciones , (1955/1959-1960), (lasted: 14 '), for orchestra
I eat, you eat , (1972), (lasted: 20 ')
Tired Orillas (Banks), (1990), (lasted: 30 '), for orchestra
Latidos , (1974-1980), (lasted: 15 ')
Módulos II , (1966), (lasted: 15 '), for two orchestral groups and two chiefs
Módulos III , (1967), (lasted: 17 '), for 17 instruments in 3 groups
Notturnino , (1987), (lasted: 6 '), for eighteen musicians
Oroitaldi , (1971), (lasted: 21 '), for Radial orchestra
, (1960), (lasted: 8 '), for 24 instruments in 8 groups of 3
Senderos del Aire (Paths of the air), (1987), (lasted: 30 '), for full orchestra
Sinfonías , (1954-1966), (lasted: 15 '), for seventeen coppers
Tinieblas LED agua per orchestrated (Darkness of water, for orchestra), (1978), (lasted: 40 ')
Tomb , (1962-1963), (lasted: 10 '), for orchestra

Overall music

Coral , (1954/1958), (lasted: 7 '), septuor with winds
Creed , (1976), (lasted: 17 '), for double wind quintet
Déjame hablar , (1974), (lasted: 19 '), for whole with cords
Invitación with the memoria , (1976-1977), (lasted: 24 ')
the libertad sonríe , (1971), (lasted: 20 '), for fifteen winds (or a variable whole of fifteen instruments)
Libro of imágenes , (1991), (lasted: 24 '), for nine instruments
Módulos I , (1964-1965), (lasted: 10 '), for eleven musicians
Paráfrasis , (1968), (lasted: 12 '), for 12 instruments in 2 groups
Paraíso Tres danzas will macabras there, (1992), (lasted: 16 '), for twelve instruments
Whodunnit , (1961-1962), (lasted: 10 '), for 11 instrumentalists in 3 groups
Ritornello , (1992-1993), (lasted: 12 '), for eight violoncellos
Segunda will lectura , (1993), (lasted: 26 '), for ten instruments
Tornasol , (1980-1981), (lasted: 17 ')

Chamber music

Amable sank , (1989), (lasted: 17 '), for two pianos
Caligrafía serena , (1993), (lasted: 18 '), for string quartet
Caligrafías , Federico Mompou “in memoriam” (1987), (lasted: 4 ')
Cesuras , (1963), (lasted: 12 '), for six instruments
Compostela , (1989), (lasted: 17 '), for violin and violoncello
Cuatro fragmentos of “Kiu” (Four Fragments of “Kiu”), (1985-1986), (lasted: 19 '), version flutes and piano
Cuatro fragmentos of “Kiu” (Four Fragments of “Kiu”), (1984-1986), (lasted: 19 '), version for violin and piano
Dibujos , (1980), (lasted: 13 '), for flute, clarinet, violin, and violoncello
Flessuoso , (1995-1996), (lasted: 12 ')
Fragmento , (1985-1986), (lasted: 15 '), for string quartet
Historia natural , (1972), (lasted: 60 '), for two organ, percussion and magnetic band
Imaginario I , (1967), (lasted: 7 '), for harpsichord and three percussions
J.H. , (1983-1984), (lasted: 11 '), for clarinet in and violoncello
Mask , (1973), (lasted: 20 '), incidental music for flute, clarinet, piano and percussions
Metáforas , (1989-1990), (lasted: 22 '), for piano and string quartet
Módulos IV , (1965-1967), (lasted: 10 '), for string quartet
Móvil I , (1957), (lasted: 6 '), for two pianos
Forgiveness , (1972), (lasted: 2 '), for clarinet and trombone
Parodied , (1992), (lasted: 2 '), for string quartet
Walk on a body , (1971), (lasted: 8 '), for flute alone and a percussionist AD libitum
Prosodia , (1962), (lasted: 6 '), for flute, clarinet and percussions
Recíproco , (1963), (lasted: 12 '), for flute, percussion and piano
Saturno , (1983), (lasted: 14 '), for 2 percussionnists
Sexteto (Paráfrasis E interludio) , (1990), (lasted: 26 '), for sextet with cords
Evening , (1972), (lasted: 6 '), for clarinet and violin
Trío , (1993), (lasted: 17 '), for piano, violin and violoncello
Trio with cords , (1978), (lasted: 19 ')
Umori , (1992-1993), (lasted: 16 '), for five instruments
Vielleicht , (1973), (lasted: 17 '), for six percussionnists

Music soloist

Affetuoso , (1973), (lasted: 20 '), for piano
As usual , (1970), (lasted: 17 '), for piano
Condicionado , (1962), (lasted: 4 '), for flute
Cuaderno , (1982), (lasted: 23 '), 5 parts for piano
Two Improvisations , (1982), (lasted: 8 '), for harpsichord
Fábula , inspired by the poem “the fábula of x.y.z.” of Gerardo Diego, (1991-1992), (lasted: 26 '), for guitar
It Violino spanolo , (1988), (lasted: 12 '), for violin
the Praying mantis on the terrace , (1973), (lasted: 17 '), for percussion
Lerro , (1977), (lasted: 3 '), for flute
Libro para el pianista , (1961-1962), (lasted: 10 ')
Melisma Furioso , (1990), (lasted: 14 '), for flute
Módulos V , (1967), for organ
Monólogo , (1990-1992), (lasted: 10 '), for viola
Móvil II , (1959/1967), (lasted: 20 '), for piano with four hands
Oculto , (1977), (lasted: 6 '), for low clarinet (or saxophone)
Ofrenda , Sixteen parts with the memory of Azaña Handbook, (1980-1982), (lasted: 18 '), for violoncello
Retratos there transcripciones , (1984-1992), (lasted: 12 '), for piano
Sólo a paso , (1974), (lasted: 36 '), for actor and flute
Sonata for piano , (1958), (lasted: 7 ')

Music for band alone

Shaman , (1975-1976), (lasted: 23 ')
Soledad interrumpida , (1971), (lasted: 20 ')
Tamaño natural , (1970), (lasted: 40 ')

External bonds

Shine of Pablo
Luis of Pablo to Ircam
Classical Music one the Web

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