Sergueï Liapounov
Sergueï Mikhaïlovitch Liapounov (in; ) Russian Compositeur is a , born on November 30th, 1859 with Iaroslavl and dead on November 8th, 1924 with Paris
Biography
After the death of his/her Mikhail father to Iaroslavl whereas it is only eight years old, Sergueï will live with Nijni-Novgorod with his/her mother and her two brothers with whom he receives an education. On the recommendations of Nikolaï Rubinstein, director of the conservatory of Moscow, Sergueï there incrit in 1878. Its principal professors are Karl Klindworth for the Piano and Sergueï Taneiev for the composition.Graduate in 1883, it meets the type-setter Mili Balakirev whom it joined with Saint-Pétersbourg in 1885. Balakirev, itself originating in Nijni-Novgorod, takes the young pianist-type-setter under his wing and as attentively accompanies it in its first compositions as it does it with the members of its circle, which succeeded the famous Groupe of the Five. Liapounov is engaged as musical director attending the Imperial Vault, then reaches the rank of professor to the Conservatoire of Saint-Pétersbourg in 1911. After the Revolution, he emigrates in Paris in 1923 and directs a music school for Russian emigrants, but dies of an heart attack little time afterwards.
Liapounov is resulting from an intermediate generation between side the Groupe of the Five and Tchaïkovski, and on the other side of the type-setters like Scriabine, Stravinski, Prokofiev or Chostakovitch. With Alexandre Glazounov and Anton Arenski, there remains much less known than the romantic néo Serge Rachmaninov ten years its junior.
Itself pianist virtuoso, like Balakirev his mentor, Liapounov was illustrated in works for this instrument, with or without orchestra. It also composed of the songs with accompaniment to the piano. Its most famous work, written with the memory of Liszt, is Twelve studies of transcendent execution .
Its work
- Symphonic poem Jelasova Volia
- Ballade, COp 2 (1883)
- Concerto for piano 1 in minor E flat, COp 4 (1890)
- solemn Opening on Russian topics, COp 7 (1886)
- 30 Russian popular songs, COp 10
- 12 studies of transcendent execution for the piano, COp 11
- Symphony 1 in so minor, COp 12 (1887)
- 4 songs, COp 14
- Polonaise, COp 16
- Mazurka 3, COp 17
- Mazurka 4, COp 19
- Mazurka 5, COp 21
- Waltz-Impromptu, COp 23
- Mazurka 6, COp 24
- Sonate for piano, COp 27
- Rapsodie on Ukrainian topics, COp 28
- Waltz-Impromptu, COp 29
- 4 songs, COp 30
- Mazurka 7, COp 31
- 4 songs, COp 32
- Two parts for piano according to Rouslan and Ludmila of Glinka, COp 33
- Divertissements, COp 35
- Mazurka 8, COp 36
- Symphonic poem, COp 37
- Concerto for piano 2 into semi major, COp 38
- Festivals of Christmas, COp 41
- Hashish , COp 53
- Symphony 2 in B flat, posthumous COp
External bonds
- Biography by Dr. David c.f. Wright
- downloadable Partitions
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