The school florentine of Peinture in Italy develops 13th at the 16th century; one traditionally allots to him the same principles of the Renaissance Italian, breaking with the Byzantine taste reigning in all Europe, as Giotto did it, emblematic figure of the birth of this current of artistic revival to Florence.

Although Giorgio Vasari place with Florence the origin of the Italian artistic Rebirth, the historians of art like Roberto Longhi, considers that several of the Italian capitals, like Bologna, Ferrare, Urbin, Venice, Milan, Bari, Perugia, Padoue, Naples, Palermo and Ravenne, contributed, together (by their many exchanges) with the artistic revival of this period.

History

Locally the school florentine distinctly develops pictorial art of the Sienan École and its taste refined for the color, inherited Byzance, and its concern of assimilating modes of expression Gothique S of the purest Byzantine tradition.

The school florentine by its expansion will act by many discoveries in the pictorial techniques (in marquetry for example) and will leave in decline about the 17th century.

The list which follows also includes/understands more recent artists who always take part of the radiation of the school florentine through many always active institutions like the Académie of the drawing of Florence created the January 31st 1563 by Giorgio Vasari, which had Michel-Angel as president or Titien and Tintoret in 1566.

Artists

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  • Ignazio Hugford (Pisa, 1703 - Florence, 1778), painter

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