The scansion is properly the action to stress a towards, i.e. to analyze the metric of it or, more precisely, to determine the metric diagram of it or model . By extension, one qualifies also scansion a Diction (oral) of the worms which emphasizes this diagram.
The scansion applies above all to the quantitative meters, i.e. functioning to the oppositions of duration, in particular in Sanskrit, Greek old and Latin to limit to the Indo-European Langues old. In this case, the metric diagram breaks up into “long” positions or “doors” which one marks by a Macron (─) and in short” or “light” positions “that one marks by one micron (U). The sequence of the ─ and the U.S. 'organizes then in elementary feet. One or more feet constitute a measure or “measures”, from where traditional names like trimeter iambic (three meters iambic including/understanding each one two feet, is in all six iambes) or hexameter dactylic (six meters dactylic including/understanding each one a foot). Once established cutting in feet and measurements, it remains to locate the caesuras which, into metric graeco-latin, often occur in the middle of a foot.
For a language like French, whose the metric traditional one is unaware of any distinction of quantity, one will be able to call scansion a diction which is restricted to individualize all the syllables and to mark the caesuras and the ends of worms (see under towards).
For the languages which, like English, know metric “a accented”, the scansion will then consist in opposing positions “strong” (or “accentuated”) to “weak” positions (or “dull”).
The metric diagrams are abstract: they are not specific of a given language. The same diagram (like, for example that of the dactylic Hexameter) can be useful in theory as well in Greek as in Latin, or in any language who is ready to use it. One can represent a metric diagram like a sequence of “boxes empty”, large or small, called positions and intended to accommodate syllables: syllables of worms given, in a given language. A metric diagram also evokes a musical line, made up of white and the black ones, but without words. One remembers that there exists, for the metric positions, the two categories heavy (-), “white”, and the light (U), the “black ones”.
By definition, one understands here by Prosodie the part of the grammar which treats accent and quantity in a given language, without particular regard to versification (with the study of the worms and their structure, one holds the denomination of Métrique ). The concrete application of a metric diagram abstracted to worms given in a particular language rests on the prosody of this language. It is indeed the prosodic analysis which, basically, makes it possible to locate the quantity (or length) “natural” of the syllables taken individually and to determine which syllable can occupy which metric position. More still than its Phonology, the prosody of the dead languages poses extremely thorny, and probably insoluble problems. However, the little that one knows some is enough for the reader eager in general to establish the scansion of a poem.
The prosody of Latin, like that of the Greek, knows the two categories long and in short for which one tends to use the same signs (- and U) that into metric. This “homonymy” can cause confusion. As it will be seen, there exist indeed cases where syllables which one would note U under the terms of the prosody must with the final being stressed -, and vice versa. An additional difficulty comes owing to the fact that the prosody regards as two different properties, though partially bound, quantity of the vowels and that of the syllables, one not being always identical to the other for a given syllable.
The point marking separations of syllables, one will retain these examples that:
It is advisable to distinguish the open syllables (i.e. whose core or vocalic nucleus is followed of no consonant or coded) closed syllables (whose nucleus is followed of one coded). For example, the Latin word armed cuts out in ar.ma . The first syllable, rear , is closed: its nucleus, have , are followed by one coded, R . Second is open: there is nothing after its nucleus, has .
To identify a short syllable requires necessarily ─ but that is not sufficient ─ that it is known that its vowel is short. No general rule not making it possible to determine it, this knowledge rests on a detailed study of the prosodic quantity.
To identify a long syllable, when it is opened or that its vowel is followed only one consonant, requires that it be known that it is prosodiquement long
Note: for ζ / Z and J , one could just as easily note and, are respectively “/z/ length” and “/j/ length”.
Thus, one stresses:
The Greek aspired consonants (θ =, φ =, χ =), however, are not to regard as double letters. Moreover, the initial aspiration, materialized by the hard Spirit, does not count for a consonant: in λόγον ὑπέρϐαλε, the syllable - γον is stressed U whereas, phonologiquement, one has /l ógo' N h' upérbale/.
For example, the syllable - gĕ in light stator is stressed U. This rule however valid, is not thus formulated, that in Latin. For the Greek, it is enough that two consonants follow a vowel, whatever the place of the consonants, so that the syllable is lengthened: the syllable - γᾰ in μέγα στύγος is stressed -.
One will see in the paragraph according to whether during time a particular case developed, however.
One names traditionally liquid the consonants /r/ and /l/. Those follow a particular treatment in the scansion. Indeed, when they are preceded by another consonant ( B , C , D , F , G , p and T for Latin, β, γ, δ, θ, κ, π, τ, φ and χ for the Greek), they inevitably do not form a group of two consonants likely to lengthen the preceding syllable.
Thus, one can to consider that patris stresses pat.ris = - U or pa.tris = UU, which makes say to certain theorists who the syllable Pa is prosodiquement common , i.e. at will long or short. In the same way in Greek: πατρός is worth πατ.ρός = - U or πα.τρός = UU. It should be noted that this second treatment (known as correptio attica “correption attic”) is foreign with the language of Homère and meets practically only in Ionian-attic, which extends it from the remainder to the consonant groups + nasal (μ or ν). The Homeric language is unaware of it thus and one always stresses πατ.ρός = - U (one notes some poetic licenses, however, allowing to avoid impossible rates/rhythms in the worms).
In kind, that confirms that the lengthening of the syllable is made only if one of the two consonants already belongs to the syllable to be lengthened, which is then closed: V+CC does not lengthen, contrary to VC+C.
The /w/ phoneme being a consonant, it can thus play in the quantity of the syllables:
Latin
The /w/ consonant is normally noted by means of the same sign as the /u/ vowel. It is only in the modern editions that they are distinguished ( v = and U =; they are the “Lettres ramists”). This notation, however, is not without ambiguities: indeed, if v is always a consonant, U can also the being:
Each vowel of the Greek or Latin (but also of the Sanskrit and many other languages) has an intrinsic quantity that the practice, the dictionary and the C-W communication can help to determine: mălŭs , “malicious”, mālŭs , “apple”, ἔργον/ĕrgŏn/, “work”, θρῦλος /thr ūlŏs/, “rumor”, etc This quantity intrinsic goes, directly or not, to make it possible to determine the scansion.
In the worms epic (the dactylic Hexameter), it can happen that a long vowel at the end of the word in Hiatus with the initial vowel of a following word shortens. This phenomenon cannot of course occur if the long vowel is on the key period of the foot. One names that the correption . For example, ἄνδρα μοι (ἔννεπε) will be stressed like a Dactyle - UU and not - U - because - οι is shortened by correption in front of the ἐ- according to. This correption would not be possible if μοι constituted the first time of the foot because this one, in a hexameter dactylic, is necessarily long. Thus, μοι ἐπὶ would be well stressed - UU.
In addition, a final vowel followed by only one consonant other than - S is short: legĭt , amĕm , tamĕn , sorŏr . Followed S , the quantity of such a vowel cannot be given (except for - ās and - ōs , always long). In the monosyllables, this rule does not function systematically, however.
The Diphtongue S are long, even the false : αι, ει, οι, αυ, ευ and ου. The diphthongs with first long element are not considered longer still: ᾳ (i.e. “ᾱι”), ῃ (= “ηι”), ῳ (“ωι”) and ηυ. Thus, the Iota subscribes being able to be only under one long vowel, a ᾳ can be only long.
Any vowel resulting from a Contraction is long: - α of the imperative τίμα is thus long since the Forme goes back to *τίμαε.
Finally, the Ending S - οι and - αι ─ which is considered short (except with the optative and in certain adverbs) are to be stressed -. Thus, λῦσαι /l ūsăi̯/is stressed - -.
As only the long vowels can carry the circumflex accent, this one makes it possible to identify long when it is about ᾶ, ῖ and ῦ (ῆ and ῶ being already obviously long by the only presence of η and ω).
Let us recall that the long vowels can undergo the correption.
Finally, - ace and - bones always have a long vowel: - ās and - ōs .
The vowels resulting, by Monophtongaison, of a diphthong remain long. Certain monophtongaisons can be detected only by studying the history of the language. Others are however easily visible: they are those resulting from the Apophonie. To know the radical of a verb makes it possible to determine that a monophtongaison could occur:
In the same way, the vowels resulting from a contraction are necessarily long. The contraction is however a very frequent Latin phenomenon who asks, once again, a certain historical knowledge. Certain cases are however easy to retain:
The elisions of Latin, on the other hand, are more awkward since nothing, in the writing, indicates them. However, an elided vowel does not count any more in the worms. The rule is the following one: any vowel (short, long, diphthong) at the end of the word are elided in front of a word begin with a vowel. Two details are notable:
Here are some examples (for the scansion of the worms and not of the only syllables, to see low):
One cannot really know how all synereses were marked: indeed, if prout can easily be carried out, it is not easy to determine how - δεω was said. Was this a diphthong? A long vowel?
There exist however general rules which must be mentioned here.
Possibilities of resolution and contraction depending however on the meter. For example, it is possible, in the dactylic Hexamètre, to transform each Dactyle (- UU) into a Spondée (- -). It is however not true in the Pentamètre S of the elegiac distiches where the last two dactyls cannot be spondées. It is thus necessary to refer to the diagram of each towards to know possible substitutions.
How those which sang the worms with art managed these tensions? Today, it is not known, for example, if it is necessary to distinguish the pronunciation from a syllable which is long at the same time by nature and by position ( māns ) from a syllable which is long only by position ( măns )… Moreover, one cannot often determine which is the exact support of the syllabic quantity. When a syllable is long by position and that its vowel is short, how to support its length so that, in scansion, it lasts twice as much as one short syllable? In a syllable like ăp. (keep silent) , it will be very difficult to make rest the impression length on coded, made up of occlusive that one will have much sorrow “to hold” as a long time as a vowel. Despite everything the efforts, ăp risk to appear shorter than ā . Is it plausible that, with it only, the absence of Désocclusion which caracérise coded it closed syllables is responsible their “length”?
Such are the questions that it is necessary to be posed since one tries to exceed the stage of the “school” scansion. Often, the “restored” readings that one can hear “cheat”: the reader, indeed, lengthens the short vowels of the long syllables by position… Others, however, bring a different answer and tend to respect more exactly the prosody by not lengthening the short vowels of the long syllables by position, but by prolonging the consonants, so that the auditive impression of duration their is quite due, and not with the only vowels. In this idea, the first syllable in ap.tus will be known as (API), with one without Désocclusion prolonged by a light pause which, in fact, will make the syllable long (but without the support of the voice: a less rigorous pronunciation would return this syllable as follows: ).
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