Publications

• Alsace Gothic script 1300-1360. Study of religious architecture , Colmar, Alsatia, 1974.
• Nicolas de Leyde and sculpture in Strasbourg 1460-1525 University , Strasbourg, Presses, 1987.
• Le Monde Gothic. Fall and Revival 1380-1500 , Paris, Gallimard, 1988, ( Universe of the Forms ).
• Gothic Builders of cathedrals , under dir it. from Roland Recht, Strasbourg, 1989.
• the Letter of Humboldt. Landscape garden at the daguerreotype , Paris, Christian Bourgois, 1989.
• the Builders of the Gothic cathedrals , catalogs exposure, Strasbourg, ED. museums of the town of Strasbourg, 1989.
• Penone. The space of the hand , Strasbourg, 1991.
• the Drawing of architecture. Origin and function , Paris, Hazan, 1995 (compilation of texts 1980-1988); Italian transl.
• To believe It and See it. Introduction to the art of the cathedrals (XIIe-XVe century) , Paris, Gallimard, 1999, ( Libraries of the Stories ).
• To think the inheritance. Setting in scene and ordering of art , Paris, Hazan, 1999.
• the Rhine. Twenty centuries of art in the middle of Europe , Paris, Gallimard, 2001; German and English transl.
• Giotto opposite. Volti E mani paved Cappella degli Scrovegni , Turin, 2002.
• Of the power of the image: artists of North vis-a-vis the Reform , under dir it. from Roland Recht, Paris, Louvre, 2002 ( Conferences and conferences of Louvre ).
• the Object of the history of art, inaugural Lessons of the Collège de France , Paris, Beech, 2003.
• Le Monde of the cathedrals , cycle of conferences organized from January 6th to February 24th, 2000 by the museum of Louvre under dir it. of Roland Recht, Paris, Documentaiton Frenchwoman, 2003.
• Victor Hugo and the patrimonial debate , acts of the conference organized by the National institute of the inheritance the house of UNESCO 5 December 6th, 2002 under dir it. of Roland Recht, Paris, Somogy, 2003.
• Christian Tümpel, Rembrandt. Iconographic studies. Significance and interpretation of the contents of the images , transl. of German by Roland Recht, Marie Schirer-Recht and Cécile Michaud, Paris, Gerard Monfort, 2004.
• Spaces of the man , annual symposium at the Collège de France under the direction of Alain Berthoz and Roland Recht, Paris, ED. Does Odile Jacob, 2005.
• With what serve the history of art? , conversation with Claire Barbillon, Paris, Textual, 2006.
• the Letter of Humboldt , Paris, Christian Bourgeois, 2006 (rééd.).

• Chronic monthly in the Newspaper of Arts
• Chronic quarterly in Seasons of Alsace
• the inheritance and its double; An esthetics of unspecified, Iconographica. Mixtures offered to Piotr Skubiszewski, Poitiers, 1999, p.203-209
• the double Cultural revolution of Louvre, Review of the Two Worlds, Sept. 1999, p.84-89
• the Uneven one of Notre-Dame. Short remarks on the historiography of the Gothic architecture, Pierre, Light, Color. Studies of history of the art of the Middle Ages in the honor of Anne Prache, Leading Paris, 1999, p.513-522
• : Handbooks and general stories of art, Review of art, 124,1999-2, p.5-9
• Notre-Dame of Dijon or Gothic revisited by Soufflot and Purple-the-Duke, Academy of the Inscriptions and the Humanities. Reports of the meetings of the year 1999 April-June, Paris, 1999, p.435-445
• Daguerres Meisterwerke. Alexander von Humboldt und die Photography, catalogs exposure Alexander von Humboldt. Netzwerke of Wissens, Berlin-Bonn, 1999-2000, p.159
• the Gothic model at the traditional age. Notre-Dame of Dijon revisited by Soufflot and Purple-the-Duke, Foundation Eugene Piot. Monuments and Memories, volume 78,2000, p.141-168
• Gottfried Semper and Purple-the-Duke: their designs of the monumental inheritance, International Germanic Review, 131 2000, p.155-168
• the museum and initiation with the contemporary art, the educated glance. Educational action and cultural activity in the museums, Acts of the conference, museum of Louvre, 1999, Paris 2000, p.173-183
• the museum and mediation, Mediation of the contemporary art. European prospects for artistic teaching and education, National Gallery of Jeu de Paume, Conferences and conferences, Paris 2000, p.28-36
• a paper dream. The drawing like spaces Utopia, Nouvelles of nowhere. Urban Utopias 1789-2000, catalogs exposure of the museum of Valence, Paris 2001, p. 26-29.
• the moulding and birth of the history of art, the Museum of compared Sculpture: Birth of the history of the modern art. Acts of the conference “the Museum of compared Sculpture: The invention of a model at the XIXe century”, Museum of the French Monuments, December 8th and 9th 1999, Paris 2001, p. 44-53.
• the cathedral like ideal model, 20 centuries in cathedrals, catalogs exposure of the Center of the national monuments, Paris 2001, p. 33-49.
• To still accept the presence, future of the museums. Acts of the conference organized with the museum of Louvre March 23rd, 24th and 25th 2000, French Documentation, Paris 2001, p. 521-529.
• taste of the ornament towards 1300,1300… Art at the time of Philippe the Beautiful one, Meetings of the School of Louvre, Paris 2001, p. 149-161.
• the Reform, the quarrel of the images and the work of art, Of the power of the image, COp cit., pp.9-41
• the formal rhetoric of Claus Sluter, sculptor of the Duke of Burgundy, Das Porträt VOR der Erfindung of Porträts (ED. by Mr. Büchsel and P. Schmidt), Mainz 2003, pp.205-217
• Leading: History of art and photography, Review of Art, 141-2003/3, p.5-8
• Buren on Ryman, Moritz on Winckelmann: criticism constitutive of the history of art, the description of the work of Article Of the traditional model to the contemporary variations. Acts of the conference organized by Olivier Bonfait, Collection History of the art of the Academy from France to Rome, Rome, 2004, p.285-294
• Henri Focillon, Rome and Piranèse. Portrait of the poet under the Saturn sign, (exposure catalogs) life of the forms. Henri Focillon and arts, museum of Lyon, Leading Paris, 2004, p.55-67
• : The drawing today: age of the repertories at the age of interpretation, Review of Art, 143-2004/1, p.4-7 (in collaboration with A. Mérot and F. Viatte).
• Fragments for Claire Roudenko-Bertin (exposure catalogs), Claire Roudenko-Bertin, Capc Bordeaux, May-August 2004.
• the elimination of the capital at the time Gothic: towards one “6th order” of architecture? , Academy of the Inscriptions and the Humanities, Reports of the meetings of the year 2002 July-October, booklet 3, Paris 2004, p.1019-1039
• theoretical stakes of description at the beginning of Kunstgeschichte. Karl Philipp Moritz, criticizes of Winckelmann, Klassizismus und Kosmopolitismus. Programm oder Problem? Austausch in Kunst und Kunsttheorie im 18. Jahrhundert, ED. By Pascal Griener and Kornelia Imesch, Schweizerisches Institute für Kunstwissenschaft, Zurich 2004, p.21-44
• Wilhelm Vöge, Louis Grodecki and first Gothic sculpture, Wilhelm Vöge und Frankreich, ED. by Wilhelm Schlink, (Akten of Kolloquiums aus Anlass of the 50. Todestages von Wilhelm Vöge (16.2.1868-30.12.1952) amndt Freitag, 2. May 2003), Frankreich-Zentrum DER Albert-Ludwigs Universität, data base 2, Freiburg 2004, p.201-216
• the fiction of a history of visible art, History of art and museums, XVIII° Meets School of Louvre (Acts of the conference of the November 27th and 28th 2001), Paris 2005, p.193-201
• visual Arts, inheritance, history of art, Introduction to the world of art, Universalis, Paris 2004, p.10-16
• the sacred art: teaching and esoteric, Historia Set of themes, feudal France, n°90, July-August 2004, p.60-65
• Bellek ve Dagilma, Bellek ve Sonsuz. Sarkis Külliyati Üzerine, under the direction of U. Fleckner, Istanbul 2005, p.159-171