Radio-hook

A radio-hook (or TV-hook ) is a radiophonic contest of song (respectively, televisual). The radio-hooks, initially organized like a festival of song itinerants, developed in the Années 1930 and became very popular starting from the Années 1950.

Radiophonic years

The Radio-hook holds its origin in the radiophonic emission Crochet created by Saint-Granier and Jacques Canetti for Radio City in the years 1930. These emissions attract a public with the research of the transitory celebrity associated with the passage to the radio. Some of the participants are however pointed out for their talent and begin their career at the time of a radio-hook. Smoothing iron Jambel, later known for its interpretation of the Little Red Riding Hood and for its role in soft Madness , is one of the first to gain a price there. Other celebrities will follow. In 1936, Paul Meurisse takes part in a radio-hook in Paris. In 1938 Bourvil with several. In 1939, Lucienne Delyle is pointed out at the time of a radio-hook. Georges Moustaki takes part in a radio-hook at the 15 years age. Salvatore Adamo gains the radio-hook of Radio operator Luxembourg in December 1959 for its interpretation of If I dared , then Mireille Mathieu is pointed out at the time of a radio-hook in 1964 in Avignon. In the Years 1960, the radio-hook thus became a major source for the discovery of the high-speed motorboats, in particular in the French song. But it was also spread in other parts of the world. For example, a first radio-hook is organized in the very young republic of Madagascar in 1958.

Televisual evolution

The radio-hook evolved/moved thereafter to yield the place to the TV-hook, the televisual version of the contest of song. This handing-over with the last style occurred in first by the emission Pop Idol created with the the United Kingdom. This emission gave place to adaptations in many countries, the United States with American Idol with the France with Nouvelle Star and until in China with Supergirl .

The bringing together of the model of the TV-hook with that of the Télé reality in the Années 2000 gave place, in the United Kingdom then in other countries, with emissions where the televiewer is invited to follow singers over one duration of several weeks. It can be a question of following a group of singers, selection with the recording of the first musical album, for example in the case of Popstars . It can also be a question of following a whole of competitors filmed permanently, in the case of Star Academy .

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