The Principles of Classification of the Printed music , often shortened in PCDM , are a Classification developed in the public libraries in France since 1983, especially for the collections of Document S in bond with the Musique, according to a diagram corresponding better to the concerns of the public than the Decimal system of Dewey as regards the music.

History

The first version related to practically only the discs. Version 4 was published in 2002 in the collective work Musique in library under the direction of Yves Alix and Gilles Pierret, Éditions of the Circle of the Bookstore, collection Bibliothèques (ISBN 2-7654-0843-2).

This version 4 has as an ambition to as well as allow the quotation (material classification) of all the types of documents (discs, books, vidéos, etc) their analytical indexing.

It is a decimal system, which can be integrated besides in the Decimal system of Dewey, in substituent with the indices of the section Dewey 780.

The evolution of this classification is ensured by a special subcommittee of the ACIM, Association for the Co-operation of the professionals of Musical Information.

Organization

The detail of the principal classes and indices of the PCDM4 are the following:

  • 0 General information, musical sciences and technology

    • 0.1 Philosophy, esthetics, critical musical, sociology, practices musical
    • 0.2 various musical Institutions: production, industry and trade, diffusion, teaching, etc
    • 0.3 Dictionaries
    • 0.4 Repertories, catalogs, directories, bibliographies, discographies
    • 0.5 musical Sciences, training and teaching, general methods
    • 0.6 general Organology, instrumental and vocal techniques (instrumental notations)
    • 0.7 Sciences and technology in bond with the music and the sound
    • 0.8 not used
    • 0.9 History of the music
  • 1 Musics of influence Afro-American

    • 1.1 Blues
      • 1.10 general Anthologies
      • 1.11 Work songs
      • 1.12 Boogie-woogie
      • 1.13 Pre-war blues (before the Second world war)
      • 1.14 Post war blues (after the Second world war)
      • 1.15 Contemporary blues
    • 1.2 Negro - spirituals, Gospel
    • 1.3 Jazz
      • 1.30 general Anthologies
      • 1.31 primitive Jazz, Ragtime
      • 1.32 New Orleans, Dixieland, preclassical jazz
      • 1.33 Swing, traditional jazz
      • 1.34 Be-bop and filiations
        • 1.341 Be-bop
        • 1.342 Hardware bop
        • 1.343 drunk Jazz & churchy
        • 1.344 progressive Bop, post bop, modal Jazz
        • 1.345 Néo bop
      • 1.35 Cool jazz and related musics
      • 1.36 Free jazz and filiations
      • 1.37 Jazz of ethnic influence, jazz fusion
        • 1.371 Africa
        • 1.372 the Maghreb
        • 1.373 Asia
        • 1.374 Latin America, the Caribbean
        • 1.375 Jazz manouche
        • 1.376 Jazz Klezmer
        • 1.377 Other influences
      • 1.38 Jazz-rock'n'roll and related
        • 1.381 Jazz-rock'n'roll
        • 1.382 Jazz funky
        • 1.383 Acid jazz
        • 1.384 Hip hop jazz
        • 1.385 Electro-jazz
      • 1.39 Jazz Variety, style jazzy
    • 1.4 Rhythm' blues, drunk
      • 1.40 general Anthologies
      • 1.41 Doo wop, Rhythm' blues, jump blues, drunk, drunk person-funk…
        • 1.411 Rhythm' blues
        • 1.412 Drunk Doo-Wop
        • 1.413
        • 1.414 Drunk person-funk, drunk person psychedelic, P-funk
        • 1.415 Philly sound, progressive drunk person, pre-disco music
      • 1.42 Disco music, funk-music, New Jack, R' B, naked-drunk person
        • 1.421 Disco music
        • 1.422 Funk
        • 1.423 Funk-pop, groove
        • 1.424 New Jack
        • 1.425 R' B
        • 1.426 Naked-drunk person, drunk person electro
    • 1.5 Hip Hop, Rap
    • 1.6 Reggae
      • 1.60 general Anthologies
      • 1.61 Ska
      • 1.62 Rocksteady, early reggae
      • 1.63 Reggae roots
      • 1.64 Dub
      • 1.65 Dancehall
      • 1.66 Raggamuffin
      • 1.67 pop Reggae
  • 2 Rock'n'roll and related international variety

    • 2.0 general Anthologies
    • 2.1 Rock'n'roll' roll, rockabilly
    • 2.2 Pop
    • 2.3 Folk rock'n'roll, country rock'n'roll, blues rock'n'roll
    • 2.4 Rock'n'roll, progressive rock'n'roll, symphonic rock'n'roll
    • 2.5 related Hard rock, metal and styles
    • 2.6 Punk and related styles
      • 2.61 Rock'n'roll garage
      • 2.62 pre-punk Rock'n'roll (NY scene)
      • 2.63 Punk
      • 2.64 Hardcore
      • 2.65 pop Noisy, noisy rock'n'roll
      • 2.66 Grunge
      • 2.67 Skate core, punk Californian
    • 2.7 New wave, cold wave, rock'n'roll undue money, techno pop
      • 2.71 New wave
      • 2.72 Cold wave, gothic
      • Techno-pop
      • 2.73, electro-pop, electro-punk
      • 2.74 industrial Rock'n'roll
      • 2.75 sound Research
    • 2.8 Fusion of styles, rock'n'roll of influences…
      • 2.81 Influences jazz
      • 2.82 rap Influences, hip hop
      • 2.83 funk Influences, drunk person, R' B
      • 2.84 Influences ska reggae
      • 2.85 national traditions Influences
      • 2.86 Influences classical music
    • 2.9 Rock'n'roll and varieties rock'n'roll
      • 2.91 Rock'n'roll mainstream
      • 2.92 Varieties rock'n'roll, Rock'n'roll FM
  • 3 Classical music (Western erudite music)

    • 3.0 general Anthologies
      • 3.01 musical Philosophy, sociology, practices
      • 3.02 various musical Institutions
      • 3.03 Dictionaries
      • 3.04 Repertories, catalogs, directories, bibliographies, discographies
      • 3.05 not used
      • 3.06 Musical instruments; to subdivide by the instrumental notations, and to use these indices for the anthologies and recitals concerning the instruments, the orchestras and the voice
      • 3.07 not used
      • 3.08 not used
      • 3.09 History; specific chronological notations. To use these indices for the anthologies and recitals concerning the historical periods
    • 3.1 Chamber music
    • 3.2 orchestral Music
    • 3.3 vocal Music profane
      • 3.31 Melody, Lied
      • 3.32 Polyphony, madrigal, trio and quartet vocal
      • 3.33 Work choral society has cappella
      • 3.34 Work choral society with accompaniment, profane cantata, oratorio layman, pastoral layman
      • 3.35 Opéra (integral)
      • 3.36 Opérette (integral)
      • 3.37 Opera and operetta (selection, extracted airs)
    • 3.4 crowned vocal Music
      • 3.41 Work on the Christian liturgy: Psalm, Te Deum, Stabat MATER, Magnificat, Vespers, Antienne, Salvo Regina, Anthems
      • 3.42 Cantata crowned
      • 3.43 Mass, part of mass: Kyrie, Gloria, Sanctus, Benedictus, Agnus Dei, Creed
      • 3.44 Requiem,
      • office for the dead 3.45 Oratorio, Passion, pastoral in religious matter
      • 3.46 Motet
      • 3.47 Gregorian chant, lime pit song, song bénéventain, etc
      • 3.48 Works on other Christian liturgies (orthodoxe) and on nonChristian liturgies
    • 3.5 Musics using electronics
      • 3.51 Chamber music with electronic device
      • 3.52 orchestral Music with electronic device
      • 3.53 vocal Music with electronic device
      • 3.54 Musics acousmatic, concretes, electroacoustic
  • 4 Electronic musics

    • 4.0 general Anthologies
    • 4.1 Precursors, pioneers
    • 4.2 Ambient, downtempo…
    • 4.3 House
      • 4.31 Acid House
      • 4.32 Deep house
      • 4.33 Hardware house, Teak-house
      • 4.34 Garage, the U.K. garage, 2 step
    • 4.4 Techno
      • 4.41 Techno
      • 4.42 Trance, Goa
      • 4.43 Hardcore, Indus, Gabber, Acid Core…
    • 4.5 Fusion of styles, electro of influences
      • 4.51 Influences pop-rock'n'roll (Happy Big), Electro-clash
      • 4.52 Influences world
        • 4.521 Asian influence, happy Asian
        • 4.522 Eastern influence
        • 4.523 Latin influence
        • 4.524 African influence
      • 4.53 Influences Jazz
      • 4.54 Groove electronic
    • 4.6 Electronica
    • 4.7 Jungle, drum' low
      • 4.71 Jungle
      • 4.72 Drum' low
    • 4.8 Dance
  • 5 functional Musics, various

    • 5.1 Music and other arts
    • 5.2 Musics related to audio-visual the
    • 5.3 Musics of circumstances, Music and history
    • 5.4 Musics of relaxation and physical-activities
    • 5.5 instrumental and vocal Varieties
    • 5.6 Musics of popular and festive dances
    • 5.7 Music of outdoor and music of musical companies
    • 5.8 particular Instruments, mechanical musics
    • 5.9 various Sounds
      • 5.91 sound Nature and animals, landscapes. (for the sound landscapes, to privilege the classification in the musics of the world if possible).
      • 5.92 Noises, sound sound effects
      • 5.93 Documents (documentary), radiophonic creations

Recall: for the documentary works the nonmusical Dewey indexing will have to be privileged.

  • 6 Music and cinema

    • 6.1 Music concerning a filmic work
      • 6.11 Original soundtracks of films
      • 6.12 Musics “inspired by” a film, Reinterpretation of original musics
      • 6.13 Original soundtracks of fictions of television (telefilms, series)
    • 6.2 Compilations
      • 6.21 Compilations sets of themes (kinds, periods, country, production companies…)
      • 6.22 Compilations around a type-setter
      • 6.23 Compilations around a realizer
      • 6.24 Compilations around an actor
      • 6.25 Compilations around a musical interpreter, of a musical adapter
      • 6.26 Compilation of musics of short films of animation
      • 6.27 Compilations of musics of fictions of television (serials or films of television)
  • 7 Class of decantation (unclassable)

  • 8 Class of national or local use (In France: French-speaking song)

    • 8.0 general Anthologies
    • 8.1 Songs for children
    • 8.2 social Songs
    • 8.3 humorous Songs
    • 8.4 Songs with text (prevalent Text)
    • 8.5 Song of varieties (prevalent Music)
    • 8.6 Songs in bond with other kinds: to subdivide by the other classes
      • 8.611 Blues
      • 8.62 Rock'n'roll
      • 8.6263 Punk
      • 8.6x etc

See too

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