Pre-Rebirth
This article relates to the Pré- ''' Italian Renaissance ''' of the Trecento, presented from the point of view of the Histoire of art; it succeeds the Byzantine Art like consequence in Italy of the art at the time of the Latin interlude of Byzance.
According to the historian of art Jacob Burckhardt, this Rebirth before the hour starts as of the 11th century in Tuscany and is diffused the next century as far as Provence and in median Italy.
Characterization
Into painting, the period results in many triptychs and the use of supposed gold sheets to represent the Divine one. The figures represented do not profit yet from the prospect, also the painters have difficulties in giving depth of field in the large scenes.
Art still refers to it to the Middle Ages, which implies that the single topics of representation result from the evangelic Mythographie; the next century was going to bring a rupture with the artistic current of the First Rebirth .
The artists of the town of Pisa paint there Triptyque S religious, but their School will not continue at the following centuries, taking into account the takeover of Florence.
The mural frescos of the monasteries of Toscane are decorated with small characters on blue bottom appearing of the angels, only represented by blond poupines and wings: they are the Angelot S.
See too
- Giorgio Vasari, historian of art and painter of XVIe century.
Internal bonds
-
in music, origins of the Madrigal : Madrigal of Trecento ()
-
the characteristics of painting described in this article make it comparable to the Gothic Peinture Italian.
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