Pietro Faccini

Pietro Faccini da Bologna (Bologna, 1562? - 1602 or 1614) are an Italian painter of the school bolonaise of the end of the Maniérisme and incipient Baroque.

It makes its training near the brothers Carrache, Ludovico and Annibale.

Between 1593 and 1594 it takes its distances with respect to Annibale Carracci as show it works of the retables of the churches San Domenico and Santa Maria dei Servi and the Presepio of Pinacoteca Nationale of Bologna which shows the influence of Ludovico, in the Pellicani retable and the Madonna of the Rosary of the Inférieur quarter, of the explicit quotations of the work of the Corrège and Federico Barocci, in the self-portrait (maintaining with the Uffizi), of the influences which will bring the disintegration of the mannerism and anticipating the painting of the Settecento.

Annibale Castelli, Agostino Masucci, Domenico Maria Mirandola and Giovanni Maria Tamburini were of its pupils.

Works

Martyrdom of San Lorenzo , church San Giovanni in Goes up to Bologna
Sposalizio mistico di Santa Caterina E I Santi Protettori di Bologna Petronio, Procolo, Domenico, Francesco E Floriano , retable and a Annunciazione , art gallery of Bologna
Matrimonio mistico di santa Caterina , Musées of Capitole, Rome
Cristo in gloria E Santi , Galerie of the Offices, Florence
Christ and the Virgin appearing with saint François d' Assise , retable initially with the church San Pietro of Cento, preserved since 1671 at the Musée of Louvre, Paris
Many drawings at the department of Graphic arts of the museum of Louvre
Christ and the Virgin appearing with saint François d' Assise

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