Pierrick Sorin , born in 1960 with Nantes, is an artist plastics technician and vidéaste French.
Impassioned by the dumb Cinema of Buster Keaton and Méliès (for him a model of inventiveness), it enters to regional École of the Art schools of Nantes in 1983 then obtains there in 1988 the Diploma of the National school of the Art schools of Nantes.
Young person it will be tested with several disciplines like the Cartoon, the Photo or the animated image, but its wish to work with the movement and the word will very quickly carry out it towards the Vidéo.
He is follower of the car filming, and also of the characters of fiction incarnated by his own person. One finds in his films all the traditional ingredients of the entertainment: the disguise, the comic one of repetition and the gag of Music-hall, which makes them all the more familiar and accessible for the spectator. Nevertheless, it is necessary to see also there irony and derision, which aim at sometimes questioning the operation of the human being, sometimes the Art and the work of the artists. He also collaborated in varied fields, such scenography and the visual design of works traditional.
1988
the alarm clocks
For one month, Pierrick Sorin is filmed with each alarm clock. He declares unceasingly that he is tired and each time promises himself to lie down earlier, but it is always also found tired the following day. Through this film, he testifies to a kind of daily failure that everyone is able to know.
1991
Vacancy
“In situ” installation - Zoo gallery and contiguous apartment of the artist, Nantes, France.
The gallery is empty, but, by an optical judas placed in a partition, one can look in the artist. He let a video band turn on a television set: It is learned that it is on vacation until the end of the exposure.
1994
Pierrick and Jean-Wolf (series).
Films vidéo.
One Saturday with Jean-Wolf (2 ').
Jean-wolf and video games (2 ').
Pierrick and Jean-wolf make music (2 ').
Pierrick and Jean-Wolf make foot (2 ' 30).
This series of four car filmings at summer produced for the emission of Bernard Rapp My tele is rich in 1993. on FR3. Pierrick Sorin puts in scene the banal adventures at it two twin brothers, played by itself. The two boys, in prey with the trouble, devote themselves to activities where the silly thing, the creativity and aggressiveness mix. This series of car filmings questions at the same time the image of television and Article
2000
Nantes projects of artists
Once again, Pierrick Sorin puts itself in scene to incarnate, several Européens artists with the all projects plus mild nutter the ones that the others.
It there thus questions legitimacy of the artists, denounces their posture and in a way more general way it déconstruit their work during the 40 last years: photograph, painting, dance, sculpture, music, cinema, video…
2005
It was well tomato purée
Short-measuring, 24 minutes.
Film carried out to accompany a large Royal spectacle of street of the company by Luxury. A history of elephant which travels in time… or how trickery and the illusion can interest the political power.
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