Pierre Cailleteau says “Lassurance” is a Architecte French born in 1655 and died in 1724.
It should not be confused with his son Jean Cailleteau, also known as “Lassurance”, sometimes called “Lassurance the Young person” to distinguish it from his father.
One allots to Lassurance the majority decorative drafts carried out for the Château of Versailles and the Trianon of marble around 1690: apartment of the King in the left wing of Trianon (round living room, living room to tighten the fruit, living room of the vault), apartments of the duchess of Burgundy to the Menagerie, oval living room of the castle, cabinet of the mirrors, small gallery… It makes assemble the skirtings to the cornice, which it decorates with rinceaux, of sheets of acanthus, even of sets of children. It introduces arcades in handle of basket falling down on consoles, decorations of panels of mirrors, the shelves of chimney with height of support (chimneys called “to royal”).
In 1699, Lassurance between with the royal Academy of architecture. It leaves the office of the draftsmen of Versailles for the control of the Hôtel of the Invalids. He works then for important Parisian customers, aristocrats and financial, benefitting from the companies of the president François Duret, president with the Grand the Council and speculator, with whom one finds it often associated.
The Parisian hotels of Lassurance reveal a new direction of comfort: if the apartments of parade continue to develop with solemnity necessary to mark the row of the silent partner well, they comprise from now on releases, anterooms and corridors of service; especially, of the comfortable and independent apartments are created in the stages, for the daily dwelling.
On the other hand, rises in the frontages were criticized. Lassurance holds the orders with the central fore-part, generally placing ionic columns at the ground floor and pilasters attics on the floor. But one disputed the height of this one, often judged too low, and the party to confuse the clotheshanger of the central window with the sculpture of the pediment, not very readable provision. The roofs break and are subdivided to marry the succession of the houses and the sunk panels.
The lecturer Germain Brice criticizes the Rivié hotel thus vigorously: “What completes all to disfigure, it is a large opening in the medium, of manner of crossing, without null proportion its height with its width, which will be lost while finishing in shell in the medium of the pediment, which it estropie very vilainement. The frontage on the court is about ordered same manner; all appears heavy and embarrassed to with it; the large door on the street has two columns on each side to form an order of architecture, as négligemment treated as if it had been the first which had ever appeared in France. ” But another amateur, Edouard Baker, are of a very opposite opinion: “The giant door of the hotel Desmarets, one of the masterpieces of the best pupil of Mansart, Lassurance, is used today as entry in the passing of the Panoramas, opposite the small street of Montmorency. ”
The chief of work of Lassurance was nevertheless the Château of Petit-Bourg, built for the duke of Antin between 1716 and 1722.
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