Pascal Dusapin

Pascal Dusapin , born on May 29th, 1955 with Nancy, is one of most important the Compositeur S French of Modern music.

Biogaphy

He studies, as a non-registered student with Olivier Messiaen with the Conservatoire higher national of music and dance of Paris, then with Iannis Xenakis between 1974 with 1978, which appreciated it as raises, finally with Franco Donatoni during seminars of composition.

He is boarder of the Académie from France to Rome, 1981 with 1983 and receives very many distinctions at the beginning of his career of type-setter. He was elected member of the Academy of Arts of Munich in July 2006. He is named professor with the pulpit of Artistic creation of the Collège de France for year 2006/2007.

He is the author of many parts for soloists, Chamber music and full orchestra. He registers several operas with his catalog: Romeo & Juliette (1984 - 1987); Medeamaterial (1990); To Be Sung (1991 - 1992); Perelà Uomo di fumo (2002); Faustus, the Last Night (2006)…

Works

Moz' art (1976)
To remember silence , for thirteen cords soloists (1976)
Igitur , for voice of woman and thirteen instrumentalists (1977)
Lumen , for voice of woman and six instrumentalists (1977)
the Man with the bonds , for two sopranos and three violins (1978)
the Ball , music for Line (1978)
Timée (1978)
the River , for orchestra (1979)
Inside , for viola (1980)
Musique captivates , for eight wind instruments (1980)
fugitive Musique , for trio with cords (1980)
Three Instantaneous , incidental music for two clarinets and three violoncellos (1980)
the Swallow-hole , for flute solo and orchestra (1981)
Shin' gyo , Japanese soutrâ for soprano and piccolo (1981)
Fist , for eight instruments (1982)
Incisa , for violoncello (1982)
Niobé, or the rock of Sypile (1982)
Tre Scalini , for full orchestra (1982)
String quartet n°1 (1983)
Hop' , for four group of three instrumentalists (1984)
Yew , for clarinet (1984)
the Conversation , Continuation in ten parts for eight instrumentalists (1984)
Assai , for orchestra (1985)
Item , for violoncello (1985)
Itou , for low clarinet (1985)
Semino , song with six votes for Louis on the 28e fragment of the poem of Parménide (1985)
To God , for soprano and clarinet, on a text of William Blake (1985)
Thirteen Parts for Flaubert , incidental music (1985)
Here , for flute (1986)
Mimi , for two votes of woman and together (1986)
Poco has poco , teaching part for six instrumentalists (1986)
Aks , for mezzo-soprano and seven instrumentalists (1987)
Anacoluthe , for voice of woman, clarinet double bass and double bass with cords (1987)
Haro (1987)
It-Li-KB , for soprano, on a text of Olivier Cadiot (1987)
Indeed , for trombone (1987)
Iti , for violin (1987)
Red Rock'n'roll , extracted n°6 from “Romeo & Juliette” (1987)
Sly , eight parts for quartet of trombones (1987)
For O. , for two votes of women (1988)
Lapse , for clarinet and double bass (1988)
Romeo & Juliette , Opera in nine numbers on a booklet ofOlivier Cadiot (1988)
I Pesci , for flute (1989)
In & Out , for double bass (1989)
Last nine Musics for “the Shotgun” , incidental music for clarinet, trombone and violoncello (1989)
Time Zones , String quartet n°2 (1989)
Medeamaterial , opera on a text of Heiner Müller (1990)
So Full off Shapes Is Fancy , for soprano and low clarinet (1990)
Aria , for clarinet and thirteen instrumentalists (1991)
Attacca , for 2 trumpets in C and drinking cups (1991)
Invece , for violoncello (1991)
Melancholia , Opératorio (1991)
Stanze , dyad for copper quintet (1991)
Coded , for thirteen instrumentalists (1992)
Go , Solo for orchestra (1992)
Ohimé , for violin and viola (1992)
Comoedia , for soprano and six instrumentalists (1993)
Khôra , for string orchestra (1993)
String quartet n°3 (1993)
Apex solo n°3 (1993)
To Be Sung , opera of room in forty-three numbers (1993)
Extenso , Solo n°2 for orchestra (1994)
Canto , for soprano, clarinet and violoncello (1995)
Two Walking , five parts for two votes of women (1995)
Watt , for trombone and orchestra (1995)
Celo , for violoncello and orchestra (1996)
Immer , for violoncello solo (1996)
Loop , for two quartets of violoncellos (1996)
Quad, " In memoriam Gilles Deleuze" , for violin and fifteen musicians (1996)
Cascando , for 8 instrumentalists (1997)
String quartet n°4 (1997, created with the Quartet Pražák at the time of the festival Proquartet)
Clam , solo n° 4 for orchestra (1998)
Study for piano n°1 “Origami” (1998)
Study for piano n°2 “Igra” (1998)
Study for piano n°3 “Tangram” (1999)
Study for piano n°4 “Mikado” (1999)

In nominate, for viola (2000)
Perelà, " Uomo di fumo" , for 12 main characters (5 singers), secondary roles, mixed chorus (40 chorus-singers minis), orchestra, magnetic band and 11 musicians on scene (2001)
has Quia , for piano and orchestra (2003)
Exeo , solo n° 5 for orchestra (2003)
Momo , musical production young public (5/8 years) drawn from the sound illustration of the book éponyme (2003)
Perelà Suite, for orchestra (2004)

Distinctions

1977 : Prize winner of the Foundation of the vocation
1979: Price Herve Dugardin (SACEM)
1993: Price of the Academy of the Art schools and Price of the Trade union of Criticism
1994: Symphonic Price of the SACEM
1995: national Grand Prix of music of the Ministry for the Culture
1998: Victoire of the music allotted for the disc engraved with the National orchestra of Lyon
2002: Victoire of the music like “Type-setter of the year”
2005: Price Cino Del Duca

External bonds

Page of Pascal Dusapin on the site of the Collège de France
Note on the type-setter on the site of the IRCAM

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