Paris, France (album)

See also: Paris, France

Paris, France is an album studio of France Gall left in 1980. It will sell some a little less than 900.000 specimens in France.

Titles/Lasted total 32:15

  1. It played upright of the piano 4:36
  2. the singer who very gave 2:46
  3. Trop large for me 3:11
  4. Plus summer 3:07
  5. the moments when I like everyone 1:37
  6. Bébé like the life 3:19
  7. soft Death 3:28
  8. Parler, to speak 2:55
  9. Plus high 2:50
  10. My old Europe 4:26

Appropriations

Words and music

Musicians

  • Piano: Michel Berger
  • Synthetizers, Hammond organ, electric piano:
  • : Jannick Signal
  • Guitars: Slim Pezin
  • Percussions: Marc Chantereau
  • Battery: Simon Philips
  • Saxophone, clarinet, flute: Patrick Bourgoin
  • Choruses: Bernard Ilous, France Gall

Production

  • Production: Michel Berger
  • Sound recording and mixing: Jean-Pierre Janiaud, Patrick Fuller
  • Recording: Studios Gang with Paris
  • Editors:
    • Editor of origin: Right editions Hill
    • transferred to the Editions Apache France
  • original Album: 33 turns/LP Stereo Atlantic/WEA 50707 left the May 19th 1980
  • Photographs:
    • Recto back small pocket: Interior Michel Berger
    • : Michel Berger, Thierry Boccon-Gibod
  • First edition in CD: WEA Music 2292-42151-2 left the November 15th 1990 - Photographs: Michel Berger, Thierry Boccon-Gibod

Around the album

  • They played all of the piano upright : Owing to the fact that France Gall recorded a few months after the same year, its duets with Elton John, a media confusion will make that one will quote for a long time Elton John as being the inspirer of this song. Several years will have to be waited, although Michel Berger and France Gall many times repeated it or wrote, before exactitude is restored by it: This song on the difference, inspired by Jerry Lee Lewis, will be n° 1 whole the summer (1980).
  • higher , first version : This song, with the time and the disappearance of its author, will take a particular dimension for France Gall. Setting poetically in scene twice by Robert Fortune, at the time of the public services of the singer in 1982 and 1984, this song, réorchestrée by France Gall, will be that which, according to its declarations, will justify its last album studio.

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