Oscars of the cinema 1959

the 32eme ceremony of the Oscars took place Monday April 4th 1960 with 19:30 with RKO Pantages Theater with Hollywood.

The big winner of the evening was without question Ben-Hur which exceeded the record of Gigi , the year passed, by obtaining eleven Oscars. Record which will be equalized only in 1997 by Titanic of James Cameron.

Ceremony

Nominations

The prizes winner are surlignés in fat.

Better film

Better realizer

  • William Wyler for Ben-Hur
  • Jack Clayton for the ways of the upper town
  • George Stevens for the newspaper of Anne Frank
  • Billy Wilder for Some like it hot ( Some Like It Hot )
  • Fred Zinnemann for With the risk to lose

Better actor

  • Charlton Heston in Ben-Hur
  • Laurence Harvey in the ways of the upper town
  • Jack Lemmon in Some like it hot
  • Paul Muni in Anger with the Juste ( The Last Angry Man ) of Daniel Mann
  • James Stewart in Autopsie of a murder

Better actress

Male best supporting role

Female best supporting role

Better original screenplay

Better adaptation

  • Neil Patterson for ways of the upper town
  • Wendell Mayes for Autopsy of a murder
  • Karl Tunberg for Ben Hur
  • Robert Anderson for With the risk to lose
  • Billy Wilder and I.A.L. Diamond for Some like it hot

Better foreign film

Better photography

In black and white

  • William C. Mellor for the newspaper of Anne Frank
  • Sam Leavitt for Autopsie of a murder
  • Joseph LaShelle for Career of Joseph Anthony
  • Charles Lang for Some like it hot
  • Harry Stradling Sr. for This world with share

Color

Better artistic director (decorations)

In black and white

  • Lyle R. Wheeler, George W. Davis, Walter Mr. Scott and Stuart A. Reiss for the newspaper of Anne Frank
  • Hall Pereira, Walter H. Tyler, Sam Comer and Arthur Krams for Career
  • Carl Anderson and William Kiernan for the anger of the Juste
  • Ted Haworth and Edward G. Boyle for Some like it hot
  • Oliver Messel, William Kellner and Scott Slimon for Soudain, last summer

Color

  • William has Homing , Edward Carfagno and Hugh Hunt for Ben Hur
  • John DeCuir and Julia Heron for Simon the fisherman
  • Lyle R. Wheeler, Franz Bachelin, Hermann A. Blumenthal, Walter Mr. Scott and Joseph Kish for Voyage in the center of the ground ( Journey to the Center off the Earth ) of Henry Levin
  • William A. Horning, Robert F. Boyle, Merrill Pye, Henry Grace and Frank R. McKelvy for death to the cases
  • Richard H. Riedel, Russell A. Gausman and Ruby R. Levitt for Pillow talks

Better costumes

In black and white

  • Orry-Kelly for Some like it hot
  • Edith Head for Career
  • Charles the Mayor and Mary Wills for the newspaper of Anne Frank
  • Helen Pink for a death recalcitrant ( The Gazebo ) of George Marshall
  • Howard Shoup for This world with share

Color

  • Elizabeth Haffenden for Ben Hur
  • Adele Palmer for Nothing is too beautiful ( Best off Everything ) of Jean Negulesco
  • Renié for Simon the fisherman
  • Edith Head for Millionnaire of five pennies
  • Irene Sharaff for Porgy and Bess

Better sound

  • Franklin E. Milton (M.G.M.) for Ben Hur
  • Carlton W. Faulkner (20th Century-Fox SSD) for Voyage in the center of the ground
  • A.W. Watkins (Subway-Goldwyn-Mayer London Sound Department) for the Night is my enemy ( Libel ) of Anthony Asquith
  • George Groves (Warner Bros. SSD) for With the risk to lose
  • Gordon Sawyer (Samuel Goldwyn SSD) and Fred Hynes (Todd-AO SSD) for Porgy and Bess

Better original music

Film of fiction

Musical comedy

Better original song

  • James Van Heusen (music) and Sammy Cahn (song) for " High Hopes" in a hole in the head ( has Hole in the Head ) of Frank Capra
  • Alfred Newman (music) and Sammy Cahn (song) for " The Best off Everything" in Nothing is too beautiful
  • Sylvia Fine for " The Five Pennies" in Millionaire of five pennies
  • Jerry Livingston (music) and Mack David (song) for " The Hanging Tree" in the Hill of the brackets ( The Hanging Tree ) of Delmer Daves
  • Dimitri Tiomkin (music) and Ned Washington (song) for " Strange Are the Ways off Love" in The Young Land of Ted Tetzlaff

Better assembly

  • Ralph E. Winters and John D. Dunning for Ben Hur
  • Louis R. Loeffler for Autopsy of a murder
  • George Tomasini for death with the cases
  • Walter Thompson for With the risk to lose
  • Frederic Knudtson for the Last Shore

Better special effects

  • A. Arnold Gillespie, Robert MacDonald and Milo Lory for Ben Hur
  • L.B. Abbott, James B. Gordon and Carlton W. Faulkner for Voyage in the center of the ground

Better documentary feature-length film

  • Serengetti nicht sterben of Michael and Bernhard Grzimek (Germany)
  • The Race for Space of David L. Wolper (TV)

Better short-measuring

Documentary

  • Glass produced by Bert Haanstra (Holland)
  • Donald in Mathmagic Land produces by Walt Disney
  • From Generation to Generation produces by Edward F. Cullen

Fiction

  • Histoire of a red fish produces by Edmond Séchan (France)
  • Between the Tides produces by Ian Ferguson
  • Mysteries off the Deep produces by Walt Disney
  • The Running Jumping & Standing Still Film produces by Peter Sellers
  • Skyscraper produces by Shirley Clarke, Willard Van Dyke and Irving Jacoby

Animation

  • Moonbird produces by John Hubley
  • Mexicali Shmoes produces by John Burton
  • Noah' S Ark produces by Walt Disney
  • The Violinist produces by Ernest Pintoff

Special Oscars

Jean Hersholt Humanitarian Award

  • Bob Hope

Oscars of honor

  • Lee De Forest for its inventions pionnières in the wiring for sound of the cinema
  • Buster Keaton for her incomparable contribution with the cinematographic comedy.

Oscars of the scientific merit

  • Howard S. Coleman, A. Francis Turner, Harold H. Schroeder, James R. Benford and Harold E. Rosenberger (Bausch & Lomb Optical Co.) for the development of the mirror Balcold
  • Robert P. Gutterman and Lipsner-Smith Corp. For the development of cleaning of film CF-2 Ultra-Sonic Film Cleaner
  • Wadsworth E. Pohl, Alford Jack, Henry Imus, Joseph Schmit, Paul Faßnacht et al. Lofquist (Corp Technicolor.) for the development of an application of printer on film
  • Wadsworth E. Pohl, William Evans, Werner Hopf, S.E. Howse, Thomas P. Dixon and Stanford Research Institute (Corp Technicolor) for the development of an electronic printer with temporal control
  • Douglas Shearer (M-G-M, Inc.), Robert E. Gottschalk and Richard Moore (Panavision, Inc.) for the mse at the point of a system of production and film diffusion to the format Camera 65

Oscar of technical completion

  • Ub Iwerks (Walt Disney Productions) for the creation of an optical printer on film for the development of special effects and overprintings
  • E.L. Stones, Glen Robinson, Winfield Hubbard, Luther Newman (M-G-M Studio Dept Construction.) for the development of an electric cable remote-control

Feature-length films of fiction by Oscars

Eleven Oscars

  • Ben Hur

Three Oscars

  • the newspaper of Anne Frank

Two Oscars

  • ways of the upper town

A Oscar

  • Pillow talks
  • Orfeu Negro
  • Porgy and Bess
  • a hole in the head
  • Some like it hot

Feature-length films of fiction by nominations

Twelve nominations

  • Ben Hur

Eight nominations

  • the newspaper of Anne Frank
  • With the risk to lose

Seven nominations

  • Autopsy of a murder

Six nominations

  • the ways of the upper town
  • Some like it hot

Five nominations

  • Pillow talks

Four nominations

  • Millionaire of five pennies
  • Porgy and Bess

Three nominations

  • Suddenly last summer
  • This world with share
  • death with the cases
  • Career
  • Simon the fisherman
  • Voyage in the center of the ground

Two nominations

  • Mirage of the life
  • the Last Shore
  • Nothing is too beautiful
  • the anger of the Juste

A nomination

  • a death recalcitrant
  • the night is my enemy
  • Li' L Abner
  • Do not judge a book by its cover
  • Sleeping Beauty
  • a hole in the head
  • the hill of the brackets
  • The Young Land
  • the 400 blows
  • Opération Underskirts
  • the wild strawberries
  • Orfeu negro
  • the bridge
  • the Great War
  • Paw, a boy between two worlds
  • the village at the edge of the river

Notes and reference

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