The terms optical illusion refer to all Illusion which misleads the visual Système human (since the eye until the Cerveau) and leads to a Perception deformed Réalité. The optical illusions can occur naturally or be created by specific visual easy ways which make it possible to highlight the Principe S of operation of the human visual system.
The illusion results from a bad analysis by the visual system of information which comes from to him. This error of analysis can thus involve the perception of an object which is not present, contrary us to return " aveugle" with an object however present, to give us a distorted image of reality, etc
Thus, on the image of right-hand side, the boxes has and B of the drawing seem to be painted of two Teinte S of Gris different whereas actually, if one measures the Luminance on photography, both gray are perfectly identical. In this precise case, this example highlights the propensity of the visual system to compensate for the slow variations of luminosity.
A contrario , the Mirage S is not strictly speaking illusions. It is not a question of false a Interprétation Mental E of a reality but of the perception of a phenomenon which exists indeed: The tremor of the Air or the reflections of Eau due to heat is optical realities and not illusions, moreover one can keep the trace Photographique of it. The only illusion would consist in interpreting these images perceived like the turbid images of a Lac or a Mer.
Developed or discovered illusions include phenomena like the Cube of Necker and the Grill of Hermann. To include/understand these phenomena is useful in order to include/understand what can seem limitations of the human system visual, but partly also results from produced phenomena Cognitif S themselves of the Natural selection: a hasty and sometimes false perception can be shown more adapted in term of survival than an exact analysis whose result would have come too late (Effet Tetris). It is the case when the cost of the error is weak when it is done on a side, and large when it is done other.
The physiological phenomena, like the residual images according to the plugging lights or an exposure prolonged of reasons, are the effects on the eye of a stimulation of a specific type - Luminosité, Inclinaison, Couleur, Mouvement,… the current Théorie S suppose that the stimulis have - after local treatment - neuronal ways dedicated to the visual cortex, a repeated stimulation of only some ways can make lose its reference marks with the optical system.
In visual arts, various effects were tested in order to induce impressions or illusions at the spectator. Among those the Perspective , the Anamorphosis, the Arcimboldesque (Arcimboldo), the paradoxical Prospect (Escher), the Put in abyme, the Paving. COp art, with inter alia, Victor Vasarely, will seek an illusion of movement caused by violent one structured contrasts. Youri Messen-Jaschin uses lines of colors traced on materials playing the transparency, reproduce particularly subtle kinetic structures which connect abstracts it and the illusion on the one hand and a psychophysiologic demonstration of the movement on the other hand.
One can also announce the plays on the writing of certain words known under the name of Ambigramme S.
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