Nordine Meghasli

Nordine Meghasli is a Dramaturge and Cinéaste Algérie N of origin kabyle.

It met the very young Théâtre in its village where his/her cousins and his brother played in front of the villagers.

In Algeria, it took part in some workshops of theater and of Opérette S. It wrote to a part the Widows , whom it put in scene with teenagers.

Arrived in France, it Co-carried out documentary on the integration of immigration following the events of the Minguettes and Vénissieux. In Combining it, out of ground bourbonnaise I also took part in training courses of realization into super 8 and 16 mm, and writes some small scenarios dont" Fatia or immigrants of the second génération". I earned my living by exerting the trade of founder. If this trade has its nobility like all the trades of the hand, it was not my vocation there: I had to put a handkerchief on the cinematographic career under consideration since my departure of Algeria. But no one other that we even cannot remove us our dreams, and they is undoubtedly by keeping them quite sharp and well with the heat with deepest of us than have sees them one day being carried out, it is not never too late to carry out its dreams, it is enough to believe in it. My existence was traced until 1998 when I met Slimane Benaissa, a man of Algerian theater like Fellag and Sid Ahmed Agoumi with which in 1977, I had a dispute at the house of the culture of Tizi-Ouzou in connection with the children of Chouhadas (martyrs of the revolution) and other things, this day there I understood that it was necessary to leave, that I did not have any more country. Depuis.Ma first part " Aljérino" (pronocée Al Khir Inou by my mother) appeared with the editions Marsa in general speaks about the suffering of the women, after the war, immigration and racism. I could have entitled it " My mother, my sister, my daughter: Abondonnées of God, so much the women, in the world and in particular in Algeria, suffer from the madness of the men. In 2002, I published " Perdants" at Harmattan, not to call them " Justes" : A research of the truth on the political assassinations of Abane Ramdane, Krim Belkacem, Khider and Boudiaf sacrificed on the furnace bridge of the capacity by their blood and brothers in arms during or after the Algerian revolution. In 2002 also, I integrated a eight month formation as cameraman, currently I work on television series and some plates of télévison as lighting engineer (Light), while continuing to write for the theater and the cinema. And then in homage to Kateb Yacine, another great man of the Algerian theater, I come to finish the drafting of " A bag in the tête" exit envisaged running November 2007 at Harmathan where I wonder about silences on both sides of the Mediterranean on the fate reserved to the candidates with the exile, with clandestinity, it is also a bitter soft chronicle of ordinary racism. In time of war as in times of peace, the women are victims of atrocities for the simple reason which they are women, abondonnées of God. My fourth part " Rape by a show of hands " denounce these practices and the code of the family says code of the infamy adopted by a show of hands by the Algerian deputies. (See article " Letter with my mère" appeared in the daily newspaper the Mountain of March 8th, 2007). My first novel always awaits an editor, in 2006 I carried out my first true short film " I had forgotten " death; precisely adapted this last, I do not despair to continue in this way and I swarm with ideas for finally concretizing this major desire to make cinema and theater which animates me since always. --->

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