Musical film

The musical film is a kind of Cinéma which contains Musique, Chanson S and Danse. It can be confused with the Musical comedy, the shape of theater where music, songs and dance were added.

History

Talking films

As of the beginnings of the Cinema, the need for wiring for sound and musical illustration are made feel. Thomas Alva Edison, inventor of the Phonographe considered that its Kinétoscope (the decisive invention which truly allowed the birth of the cinema) would not be complete as long as it would not have found the means of associating its and image. The first thirty year old films of the cinema, dumb, are often wired for sound artisanalement: singer hidden during projection, piano, orchestra or gramophone of accompaniment, etc.
The first talking film truly mediatized is The Jazz Singer (1927) by Alan Crosland with Al Jolson. It is also the first singing film.

with songs with songs

In a few years wiring for sound is essential in the world cinema and with it, the song. Without speaking about the first musical comedies, Operetta S and filmed Opera S, the films of the Années 1930 often contain one or two songs, revealing with the passage the talent of many actor-singers: Jean Gabin ( Pépé Moko , Heart of lilac ), Maurice Knight and Claudette Colbert ( the Song of Paris ) or Marlene Dietrich ( the blue Angel ) for example. Artists resulting from the Variety or Café-concert will gain or regain a certain popularity thanks to the cinema: Fréhel ( Pépé Moko , Heart of lilac ), Joséphine Baker ( Princess Tam Tam , Zouzou ) and Bing Crosby. Some will not leave any more the the 7th art, like Fernandel. Industries of the disc and film approach while being complementary, the films being used to make sell discs and reciprocally, sometimes in an artificial way, as when the Gaumont modifies the assembly of Atalante (Jean Vigo) to add the song to it the Barge which passes , by Lys Gauty.
Films are even create with the glory of vocal artists of which it universe often place of scenario holds: Charles Trénet ( the magic road , the French one of Paris ), Irene de Trébert ( Miss Swing ), like later Elvis Presley, the Beatles, Johnny Halliday, the Spice Girls, Mariah Carey, Eminem and of the hundreds of others. This kind is not always treated in manner mercenary and can proceed of an artistic choice extremely: The film John McCabe , built around the songs of Leonard Cohen which inspired it, was carried out by Robert Altman (but must one speak about musical film?).

The American musical comedy

The films “with songs” are quickly joined by the musical comedy filmée.
Certains films are adaptations to the screen of musical comedies with success resulting from Broadway. One generally considers that the first films in this case, all left in 1929, are The Desert Song , of Roy Del Ruth, The Cocoanuts , a film of Robert Florey and Joseph Santley putting in scene the Marx Brothers, Paris , of Clarence G. Badger according to Cole Porter, and especially Show Boat , of Harry A. Pollard.
The Années 1930 are those of all extravagances as regards filmed musical comedy and many are those which consider that the forever known kind such a vitality since. Song, dance, sumptuous decorations, the musical comedies offer to the public Grande depression the dream and the escape which it needs: films of Mervyn LeRoy ( Golddiggers off 1933 , 1935) and of Lloyd Bacon ( 42nd street , 1933, Wonder bar , 1934, With Calliente , 1935), films very marked by the style “ géométrique ” of the choreographer Busby Berkeley, who will quickly pass behind the camera itself.
In 1935, with Signal Hat , the realizer Mark Sandrich offers to the musical comedy its first mythical couple: Fred Astaire and Ginger Rogers.
The end of the decade will see arriving the color. The Magician of OZ , of Victor Fleming, left in 1939, constitutes at the time the most expensive film ever produced by the Subway-Goldwyn-Mayer. Its public success will be phenomenal. It is however Gone With The Wind , of the same Victor Fleming, who will steal to the Magicien of OZ the Oscar of the best film of 1939. After the Second world war, the Subway-Goldwyn-Mayer reigns without division on the production of musical comedies and takes under contract Fred Astaire, Gene Kelly, Frank Sinatra, Vincente Minnelli, Debbie Reynolds, Judy Garland, Mickey Rooney, Jane Powell, Howard Keel, Kathryn Grayson, Ann Miller, Cyd Charisse, etc, for films become traditional, produced by Arthur Freed, such as Ziegfeld Follies , an American in Paris , Chantons under the rain , One day in New York , Song of Missouri or All in scene . It is generally considered that this second “ age of or ” of the musical comedy is completed in 1958 with the film Gigi , inspired of the homonymous novel of Colette and in which appeared Leslie Charon, Maurice Chevalier and Louis Jourdan. The very last film produced by Samuel Godwyn is Porgy and Bess , carried out by Otto Preminger in 1959. The have-rights of George Gershwin obtained in 1974 that the film does not have any more the possibility of being shown: they judged it too much musical comedy and not enough opera . This episode shows if it of it were need the problematic reputation whose sometimes the musical film suffers.

It is in vain that the competitors of the MGM will try to bore truly in the field of musical film, but one can all the same quote some successes artistic or commercial such as Yankee Doodle Dandy (1942) and a star was born (1954) at Warner, the men prefer the blondes (1953), Carmen Jones (1954) and the king and me (1956) at Fox, Holiday Inn (1942), Blue Skies (1946) and Drôle of frimousse (1957) at Paramount and Oklahoma! (1955) at RKO.

Starting from the Years 1960, last the period of the MGM, Hollywood ceases connecting the musical film exits. Great successes, often adapted spectacles of Broadway, are more scattered, but not less outstanding: West Side Story (1961), My Fair Lady (1964), the Melody of happiness (1965), Funny Girl (1968), Jesus Christ Superstar (1971), Cabaret (1972), Grease (1978), That the spectacle begins (1979), Popeye (1980), Annie (1982), Chorus Line (1985), the small shop of the horrors (1986), Chicago (2002) or films of the Australia N Baz Luhrmann: Ballroom Dance hall (1992), Romeo + Juliette (1996) and Moulin-Rouge! (2001).

The musical comedy out of the United States

; India Since Alam Macaw , of Ardeshir Irani (1931), the country which produced and produces still the most musical comedies in the world is the India since the majority of Indian films are musical films - articulated around the quasi-single topic of the marriage. Generally long (three hours), they present frantic and merry dances on rythmées musics of the traditional or modern repertory Indian, been useful by the Playback S of large singers like Lata Mangeshkar, Asha Bhosle or Mohammed Rafi - because they are never the actors of the films which interpret the songs.
Out of the Indian interior market, these films are diffused in the whole world and have in particular a great success in all the the Maghreb.

See the articles Bollywood and Kollywood .

; Egypt The musical cinema Égyptien knew its hour of glory between the Années 1930 and 1960. The very first talking film (and singing) Egyptian is Tahta daw' Al-qamar (1930) by Choukri Madi. Three years later, the film the white wedding ( Al-Warda Al-bayda , 1933), of Mohammed Karim, is a decisive stage, in particular thanks to the singer and type-setter Mohammed Abdel Wahab. During about thirty years, the Egyptian cinema will dominate all Middle East, with works sometimes extrèmement sensual and provocantes, in particular after the revolution of 1952 and the proclamation of the République. Many realizers will illustrate themselves: Al-Warda Al-bayda, Salah Abou Seif, Ahmed Badrakhan, Yousri Nasrallah, Niazi Mostafa, Daoud Abdel Sayed, Radwan El-Kashef, Mohamed Khan,… Most famous, but not inevitably most typical, is Youssef Chahine, always in activité.
Although they did not turn one and the other than relatively few films the singer Oum Kalsoum and the singer Mohammed Abdel Wahab gave to the Egyptian cinema some outstanding services. One can also quote Farid El Atrache, Mohamed Fawzi, Tahia Carioca. The dancer Samia Gamal is it also a reference impossible to circumvent of the Egyptian cinema of post-war period with for example the film Madam the she-devil (1949) where it incarnates a Génie malicieux.
After the War the six day old (1967), which shakes the confidence of the Egyptians in Nasser, and after the death of this last in 1970, the Egyptian film production crumbles, just like the literary production which was dependant besides there. The period Sadate, which sees the abandonment of the public sector of the cinema marks the end of the golden age of the Egyptian cinema.

; Great Britain In Great Britain, the musical film forever ceased existing, in particular within the framework of coproductions américano-British. The first British film speaking, which is also the first film put in music, is Blackmail , by Alfred Hitchcock (1929). The Années 1930 give the good share to actors and actresses like Arthur Askey, Cicely Courtneidge, Gracie Fields, George Formby, Jack Hulbert, Stanley Lupino, Tommy Trinder, Jack Buchanan and especially Jessie Matthews. Then, one can quote Beat Girl (1959) It' S All Happening (1963), Catch custom yew you edge (1965), Oliver! (1968), Scrooge (1970), Bugsy Malone (1976), Absolute Beginners (1986), Avoided (1997) but also all the films resulting from the pop music/rock'n'roll, of Cliff Richard ( The Young ones , Summer holiday ) to the movement Punk. Among the realizers whose work dissociates American tradition, let us mention Julien Temple and Alan Parker.
The Monty Python often include passages sung in their films such as the Direction of the life or the Life of Brian .

; Spain For the Years 1930 - 1940, one must mention the artists Imperio Argentina, Concha Piquer Estrellita Castro and Juanita Reina and the realizers Florian King, Benito Perojo, Juan de Orduña and Luis Lucia. The pro-Franco period is rather favorable to musical films, with in particular the series of the Joselito (fourteen films between 1956 and 1969). The Spanish musical cinema is rich, in several registers: popular song, folklore, Zarzuela, and Flamenco, with films of Francisco Rovira Beleta ( Los Tarantos , 1963, El amor brujo , 1967) and of Carlos Will know.

; Elsewhere In many other countries (Germany, Italy), the musical film is very current before the second world war, but rarefies or becomes the exception ensuite.
C' is the case also in France, after the second world war, the musical comedy is especially represented by the realizer Jacques Demy, associated with the New wave. This one marks a stage of the history of musical film with the Umbrellas of Cherbourg , a completely musical film and of which all the dialogs are sung. Without making a speciality of it, many other realizers tried musical experiments. Alain Resnais ( One knows the song , Pas on the mouth ), Claude Duty ( lost Filles, fatty hair ), Olivier Ducastel ( Jeanne and the formidable boy ), Pierre Korlanik ( Anna ), etc

The musical film générationnel

With emergence, during second half of the 20th century, of a true culture teenager, each generation, each musical genre, is the subject of more or less relevant and more or less sincere homages on behalf of cinema industry. The Rock' roll ( the Blonde and me , Happy Girl ) the Drunk music/Rythm' blues ( The Wiz , The Blues Brothers ), the Country Music ( the Cage with the hens ), the Disco music ( the fever of Saturday evening ), the Punk ( the great swindle of Rock' Roll ), the Hip-hop ( Happy Street ), etc.
Musical comedies subversive and other operas rock'n'roll are also born from the counter-culture of the Années 1960 - 1970 in Great Britain or in the United States: Phantom off the paradise (1974), The Rocky Horror Picture Show and Tommy (1975), To hate (1979), Pink Floyd The Wall (1982). Here, the musical genre is not any more one product but a genuine tool of political dispute. One can say as much of it, to a certain extent, of films such as Footloose and Dirty Dancing which associates music, dance and search of émancipation.
Many musical films attempt to evoke the difficult course of an artist who leaves to research his talent: Chorus Line , Cancan , Famed , Flashdance , etc

The film in concert

In margin of these majority meanings, one can distinguish some other categories returning in the field it musical film, to start with the recordings of musical services. In the Years 1960 and especially Years 1970, the kind was abundantly provided, the majority of the Western big cities having rooms only dedicated to this kind of films. Stylistiquement, the films raise more of the Documentaire, the creativity being often limited to the Split screen , but one time of less distribution supports cultural, he answered a request for images on behalf of an enthusiastic public.

The prototype of the kind is Woodstock of Michael Wadleigh, left in 1970, filmed during the festival of the same name in August 1969. But in many concerts and festivals were filmed and exploited in rooms: The Beatles At Shea Stadium ; Jimi plays Monterey (Jimi Hendrix); Gimme Shelter , Sympathy for the Devil (Rolling Stones); The festivals Pop Monterey , of the island of Wight, Celebration At Big On . The last notable misadventure of the kind was collecting that Martin Scorsese carried out in 1978 concert of good-bye of The Band: The Last Waltz . In 1987, the film Sign O' The Times of Prince is one of the last examples of the exploitation in room in a filmed concert. The expansion of the market of the video, then DVD completely made disappear these films from the big screens.

Paradoxically, in spite of the passion of the public of the years 1970, few films were carried out which are not simple collectings, but true settings in scene, image and music. Beside some tests psychedelic of Yes, only notable creation remains Pink Floyd: Live At Pompeii , initially a Franco-German telefilm, left in room in 1973. For memory, let us announce nevertheless the special programs that realized the Beatles on television (BBC) at the time of the festivals of Christmas, and of which remains at least The Magical Mystery Tour (1967), also exploited in room thereafter.

Biographical Films

Many a biographical Films is devoted to the fictionalized account of the career of artists. One can quote The Pink (1979), inspired of the life of Janis Joplin, What' S Love Got to Do with It (1993), devoted to Tina Turner, Walk the Line (2005), devoted to Johnny Cash, the Kid (2007), devoted to Edith Piaf, etc In some of these films, the musicians interpret their own role: Glitter, with Mariah Carey, 8 Mile with Eminem, To succeed or die with 50 Hundred, etc

Films of musicians

Musicians benefitted from their notoriety or their fortune to become producers or sometimes even musical film producers. One can in particular mention Prince ( Purple Rain , Under The Cherry Moon and Graffiti Bridge ), Bob Dylan ( Renaldo and Clara ), the Beatles ( Magical Mystery Tour ), or of the singer-actors such as Serge Gainsbourg ( I love you me either ) and Barbara Streisand.
For the anecdote, one will note that many singers made an important career with the cinema including in not-sung films: Alain Souchon, Jennifer Lopez, Eddy Mitchell, Johnny Halliday, Frank Sinatra, Jacques Higelin, Jacques Dutronc, Expensive, Marc Lavoine for example.

The cinema of animation

Disney, with the Silly Symphonies (1929) and Warner Bros, with the Merrie Melodies (1931) creates animated and musical court-measurings, sometimes sung. In 1937, White Snow and the seven dwarves inaugurates a formula preserved by the studios Disney until the beginning of the Années 2000, that of the feature film of animation colors, with sung parts. But it is generally considered that the first film animated musical feature film is Douce and Locust liked tender love ( Mister Bug Goes to Town ) of the brothers max and Dave Fleischer (1941).
The previous year, in 1940, the Disney studios had launched out in an original experiment, with the film Fantasia , which consists of eight sequences illustrating with the screen of the pieces of anthology of the Classical music, of Jean-Sebastien Bach with Igor Stravinski. The film is inspired by work of the scenario writer of avant-garde Oskar Fischinger, a disciple of Walter Ruttmann which, as of the beginning of the Années 1930 had carried out films of geometric abstraction illustrating Liszt or Gershwin.
Starting from 1989 Alan Menken, a type-setter of musical comedies resulting from the theater world, writes the songs of large cartoon films Disney, like the small siren , Aladdin , the beautiful one and the animal , the uneven one of our-lady , Hercules and Pocahontas . This collaboration will be worth in Alan Menken to be become the alive type-setter having received the most Oscars (eight on the whole).
In 1993, Disney still innovates by producing a musical comedy in Stop Motion (Animation in volume), Strange Christmas of Mr Jack , by Henry Selick.

The film of opera

Lastly, within the framework of films containing of the music, of the songs and the dance , let us note that the film of opera is a category with whole share. The operas were even been used for time of the dumb man (!!), but interesting a priori only one restricted public, only were little produced until in the Années 1950 and in particular the appearance of the Stéréophonie. Herbert von Karajan carried out some hieratic productions, for which the cameras on scene filmed settings in specific and conventional scenes, of which in particular a Aïda according to Verdi in which Sofia Loren was doubled by Renata Tebaldi.

It is necessary to await the Années 1980 to see specifically cinematographic productions, to start with the very interesting one triples production that Peter Brook made Carmen in 1985. It had assembled the opera to the theater in a slightly restricted format, but with three different teams of soloists, to allow a daily representation. It decided to prolong the experiment by carrying out three films entitled the Tragedy of Carmen , inside even of the theater, but by using some all the possible places, with its three teams of singers and by recreating a setting in scene for the screen. The title roles were held by Helene Delavault, Zehava Gall and Eva Saurova.

But the man-key of the kind remains Daniel Toscan of Plantier which, during the Années 1980, was the initiator and the producer of a series of films using all the resources of the cinema to the service of the operas, carried out in natural decorations or studio according to the artistic requirements, and calling great names to carry them out: Don Giovanni of Joseph Losey in 1980, Carmen of Francesco Turned pink in 1984, Bohemian the of Luigi Comencini in 1988, Boris Godounov of Andrzej Zulawski in 1989.

On this impetus, Frederic Mitterrand produced and carried out notable a Mrs Butterfly in 1995.

Selective catalog of films

; Years 1920

1927: the Singer of Jazz ( The Jazz Singer ) of Alan Crosland

; Years 1930

1933: Gold Diggers off 1933 of Mervyn LeRoy

1933: 42e Street ( 42nd Street ) of Lloyd Bacon

1933: Footlight Parades of Lloyd Bacon

1934: Merry Divorced the ( Gay The Divorcee ) Mark Sandrich

1934: the merry Widow of Ernst Lubitsch (turned in two versions: english-speaking The merry widow , and Frenchwoman)

1934: Song of the Danube of Alfred Hitchcock (Waltzes from Vienna)

1935: the Dancer of the top ( Signal Hat ) of Mark Sandrich

1935: Gold Diggers off 1935 of Busby Berkeley

1936: While following the fleet ( Follow the Fleet ) of Mark Sandrich

1936: Gold Diggers off 1937 of Busby Berkeley

1936: On the wings of the dance ( Swing Time ) of George Stevens

1937: Undertaking It Mr Petrov ( Shall We Dance ) of Mark Sandrich

1939: the Magician of OZ ( The Wizard off OZ ) of Victor Fleming

1939: Babes in Arms of Busby Berkeley

1939: Broadway Serenade of Robert Z. Leonard

; Years 1940

1940: Ahead the music ( Strike Up the Band ) of Busby Berkeley

1941: Beginnings in Broadway ( Babes one Broadway ) of Busby Berkeley

1941: the Love comes while dancing ( You' L never get rich ) from Sidney Lanfield

1941: the Dancer of the Madnesses Ziegfeld ( Ziegfeld Girl ) of Robert Z. Leonard

1941: Divorce in music ( Lady Be Good ) of Norman Z. McLeod

1942: O you my charming ( You were never lovelier ), film of William A. Seiter

1944: the Queen of Broadway ( Cover girl ), film of Charles Vidor

1944: Song of Missouri ( Meet Me in St Louis ) of Vincente Minnelli

1944: the Ball of the sirens ( Bathing Beauty ) of George Sidney

1946: Ziegfeld Madnesses of George Sidney

1947: the Star of the stars ( Down to Earth ), film of Alexander Hall

1948: Parade of spring ( Easter Parades ) of Charles Walters

1948: the Pirate ( The Pirates ) Vincente Minnelli

1949: One day in New York ( One the Town ) of Stanley Donen and Gene Kelly

1949: Match of love ( Take Me Out to the Ball Range ) of Busby Berkeley and Stanley Donen

; Years 1950

1950: Annie, Queen of the Circus ( Annie Get Your Gun ) of George Sidney

1951: royal Marriage ( Royal Wedding ) of Stanley Donen

1951: Show Boat of George Sidney

1951: an American in Paris ( Year American in Paris ) of Vincente Minnelli

1952: the first siren ( Million Dollar Mermaid ) of Mervyn LeRoy

1952: Let us sing under the rain ( Singin' in the Rain ) of Stanley Donen and Gene Kelly

1953: All in scene ( The Band Coach ) of Vincente Minnelli

1953: Give him a chance ( Give has Girl has Break ) Stanley Donen

1954: a star was born ( has star is born ) from George Cukor

1954: Embraces, cherished me ( KIS Me Kate ) of George Sidney

1954: Brigadoon of Vincente Minnelli

1954: Seven Women of Bore-Russet-red ( Seven Supports for Seven Brothers ) of Stanley Donen

1955: My sister is thunder ( My Sister Eileen ) of Richard Quine

1955: White doves and unpleasant Sirs ( Guys and Frauds ) of Joseph L. Mankiewicz

1955: Good shape in New York ( It' S Always Fair Weather ) of Stanley Donen and Gene Kelly

1956: the King and me ( The King and I ) of Walter Lang

1957: Picnic in pyjamas ( The Pajama Range ) of Stanley Donen and George Abbott

1957: Funny of frimousse ( Funny Face ) of Stanley Donen

1957: the Blonde or russet-red the ( Stake Joey ) of George Sidney

1958: Gigi of Vincente Minnelli

1959: Orfeu Negro of Marcel Camus

; Years 1960

1961: West Side Story of Jerome Robbins and Robert Wise

1964: Umbrellas of Cherbourg of Jacques Demy

1964: Mary Poppins of Robert Stevenson (for the studios Walt Disney)

1964: My Fair Lady of George Cukor

1965: the Melody of happiness ( The Sound off Music ) of Robert Wise

1966: Sweet Charity of Bob Pit

1967: Young ladies of Rochefort of Jacques Demy

1967: Street pedlar of Joshua Logan

1967: the Book of the Jungle ( The Jungle Book ) of Wolfgang Reitherman (for the studios Walt Disney)

1968: Oliver! of Carol Reed

1968: Chitty Chitty Bang Bang of Ken Hughes

1969: Easy Rider Patrick Founded

; Years 1970

1970: Skin of Ass of Jacques Demy

1970: Woodstock of Michael Wadleigh

1971: IXE-13 of Jacques Godbout

1972: Cabaret of Bob Pit

1972: Everyone it is beautiful, everyone it is nice of Jean Yanne

1973: Jesus Christ Superstar of Norman Jewison

1973: Godspell of David Greene

1974: Phantom off the Paradise of Brian De Palma

1975: The Rocky Horror Picture Show of Jim Sharman

1975: Tommy , conceived by the group The Who and realized by Ken Russell

1976: OZ of Chris Löfvén

1977: the Fever of Saturday evening ( Saturday Night Fever ) of John Badham

1978: Grease of Randal Kleiser

; Years 1980

1980: The Blues Brothers of John Landis

1980: Quadrophenia , conceived by the group The Who and realized by Franck Roddam

1980: Famed of Alan Parker

1980: Xanadu, of Robert Greenwald

1982: a room downtown of Jacques Demy

1982: The Wall , conceived by the group Pink Floyd and realized by Alan Parker

1983: Staying Alive of Sylvester Stallone

1984: Purple Rain with the singer and musician Prince

1985: Carpark of Jacques Demy

1986: Absolute Beginners of Julien Temple

1988: Three places for the 26 of Jacques Demy

1989: the Small Siren ( The Little Mermaid ) of Ron Lenient and John Musker (for the studios Disney)

; Years 1990

1990: Cry-Baby , of John Waters

1991: the Beautiful one and the Animal ( Beauty and the Beast ) of Gary Trousdale and Kirk Wise (for the studios Walt Disney)

1992: Aladdin of Ron Lenient and John Musker (for the studios Walt Disney)

1994: the King lion ( The Lion King ), of Roger Outward journeys and Rob Minkoff (for the studios Walt Disney)

1995: Pocahontas, an Indian legend ( Pocahontas ) of Mike Gabriel and Eric Goldberg (for the studios Walt Disney)

1996: Everyone says I coils you ( Everyone Says I coils You ) Woody Allen

1996: Avoided , of Alan Parker

1996: the Uneven one of Notre-Dame ( The Hunchback off Notre Dame ) of Gary Trousdale and Kirk Wise (for the studios Walt Disney)

1997: Hercules ( Hercules ) of Ron Lenient and John Musker (for the studios Walt Disney)

1997: One knows the song , of Alain Resnais

1998: Jeanne and the formidable boy of Olivier Ducastel and Jacques Martineau

1998: Mulan of Tony Bancroft and Barry Cook (for the studios Walt Disney)

; Years 2000

2000: Dancer in the Dark of Lars von Trier

2001: Moulin-Rouge! of Baz Luhrmann

2001: Lagaan ( Lagaan: Once Upon has Time in India ) of Ashutosh Gowariker

2001: the Indian Family ( Kabhi Khushi Kabhie Gham… ) of Karan Johar

2002: Chicago of Rob Marshall

2002: Devdas of Sanjay Leela Bhansali

2002: lost Girls, fatty hair of Claude Duty

2002: That the Spectacle Begins ( Buffy against the vampires ), one of the rare successes of musical film for the small screen.

2003 : Not on the mouth of Alain Resnais

2004: the Phantom of the Opera ( The Phantom off the Opera ) of Joel Schumacher

2004: Love at first sight in Bollywood ( Support & Damage ) of Gurinder Chadha

2004: Reefer Madness of Andy Fickman with Beautiful Kristen, Christian Campbell

2007: I Would like I Would like Jann Halexander

2007: Hairspray of Adam Shankman

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