Molloy
Molloy is a novel of Samuel Beckett, published in 1951.
The first volume of the romantic trilogy, which continues with Malone dies and Unnamable the , Molloy presents two quite distinct parts, centered on two different characters ( Molloy and Moran ).
In the first, the old recluse Molloy tells us certain passages of his life, in the form long flashbacks. Its wanderings in its city, in the neighborhoods, elsewhere. Its bonds with his/her mother, whom he seeks and joined sometimes. Progressively from its account, it falls into an inactivity, an inaptitude, a passivity physics, waiting of most total - to finish in a ditch, after a long snaking…
In the second part, the agent Moran , man of convictions, inflexible and sure of him, is launched in the search of Molloy by an authority with the vaguely divine pace, Youdi. Accompanied by his/her son, Moran will be lost for finally joining Molloy.
The two accounts are answered in a series of reducing and indistinct echoes, and are composed of sets of mirrors and loops.
Work with the very stripped style, which can make its access difficult, but which takes to the reader with the I characters.
In its narrative form, the writing of Beckett seems to upset the usual structures and grammatical functions. As it will make it say to Malone in Malone dies: My fingers also write under other latitudes, and the air which breathes through my book and turns the pages from there without my knowledge, when I made sleepy, so that the subject moves away from the verb, and that the complement comes to be posed quelquepart in the vacuum, this air am not that of this before last residence, and it is well thus. This sentence, which is judicious to describe a senile old man into full is delirious, applies remarkably well to the tone and the form employed in Molloy , and in a more general way in the trilogy Molloy / Malone / Unnamable the dies.
It is important to stress that in spite of the blackness of the treated topics (death, senescence, loneliness…), Beckett manages to tint its sentences of humor and poetry.
Quotations resulting from Molloy :
“ Because in me there always were two clowns, inter alia, that which only requires to remain where it is, and that which thinks that he would be a little less badly further. ”
“ Because which end with these lonelinesses where true clearness was never, neither balance, neither simple base, but always these leaning things slipping into a crumbling without end under a sky without memory of morning nor hope of evening. ”
“ Because nothing to know, it is nothing, nothing to want to know either, but nothing to be able to know, to know anything to be able to know, here by where peace in the heart of the incurieux researcher passes. ”
External bond
- Summarized on Biblioweb
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