Mining Marc

Marc Minier is a Compositeur French born in 1966.

Biography

Marc Minier begins the Solfège, the Violon, the Guitare and the Piano at the 4 years age and moves towards the Classical music. It enters, seven years later, with the national academy of area, under the direction of Mr. Raymond Alessandrini.

Its notable progress carries out it to make representations. It obtains two medals of musical theory in levels mean and higher.

During 1978 and 1979, it obtains several prices of which a price of piano except contest of higher level in the Val-d'Oise and a second price of piano level higher than the national competition of piano Claude-Khan with the congratulations of the jury.

In 1980, Raymond Alessandrini suggests to him preparing the examination of entry to the Conservatoire higher national of music and of dance of Paris, in classes of piano, harmonizes, analyzes harmonic and specialized musical theory.

It then follows private courses of piano deciphering and musical theory. It enters then to the national Academy, in the class of Lucie Robert-Diesel, in classes of piano, harmony, harmonic analysis and specialized musical theory.

Surfant on the vagueness of the Disco music and the Funk, Marc Minier decides, at the beginning of the Années 1980, to initiate itself with modern technologies of recording, programming and mixing, sound recording on sequencer to widen its knowledge.

In 1984, it begins its career in the largest studios from recording of France. During five years, he will be the type-setter, arranger, musical data-processing programmer and sound engineer for many French and foreign artists.

Attracted by the instrumental music, traditional and modern, Marc Minier collaborates with the pianist Richard Clayderman. This last enabled him to be expressed with all technology and to direct, with Roger Berthier, the orchestra of the opera of Paris for twenty albums and to be the musical supervisor, sound-effects man and sound engineer for Delphine Software International (DSI).

Today, Marc Minier moves towards what it indicates “the music of style original soundtrack of films” after being impregnated musics like those of John Williams, Alan Silvestri, Lalo Schifrin, Jerry Goldsmith, Danny Elfman, Howard Shore, Randy Edelman, Hans Zimmer, Ennio Morricone, James Newton Howard, Leonard Bernstein, John Carpenter, Trevor Jones, James Horner, Vladimir Cosma.

External bond

  • the site of the type-setter

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