Michel Rio

Michel Rio is a Romance writer and cier French born in Brittany in 1945. It passed its childhood to Madagascar and currently lives with Paris. After studies of semiology and publications university, in particular on the cartoon, it publishes its first novel in 1982 and is since then devoted entirely to the writing. Prize winner of several literary prizes and accommodated well by criticism, it remains however relatively confidential in France. He meets a more important success abroad, in particular with the the United States, where its books are the subject of studies, and he is translated in many languages.

Its often short works, cultivated, nourish readily solitary introspections of its characters and question in filigree the relation nature-culture. The freedom of the novel enables him to approach the kinds of the philosophical dialog as well ( the Earth Gaste ) that detective novel ( False-not , and investigations of Francis Malone, the Statue of freedom , Death, Leçon of abyss , Without thinking of evil ). The trilogy Merlin , Morgane and Arthur is nourished, it, of a philosophical second reading and melancholic person of the legends arthuriennes. Lastly, several of its novels put in scene at various moments of its life the character of Jerome Avalon, writer who wonders about his Article.

The style of Michel Rio is traditional and rigorous, expressing a requirement with respect to the reader who places it well off part of the contemporary literature. It serves as the simple accounts in which the scientific theories, the literary or historical scholarship and the irony are the matter of the debates to which characters often out of the commun run deliver themselves, as well by their talents or their beauty as by their intelligence. Recurrent themes link all work: the voyage in boat, the vast and square masonries, the libraries, the tension enters the wretched one and the absolute the sex act, the inceste, or the suicide.

“Tireless Dream to overcome death, always assassinated by the things, always reappearing in the spirit. For me, it is that, above all, the literature.”

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