Mauro Bolognini (Pistoia, June 28th 1922 - Rome, May 14th 2002) Italian realizer is famous a . He turned of the comedies during the years 1950 and was at the top of his popularity in the years 1960 transposing to the screen of traditional of the literature signed Pier Paolo Pasolini, Alberto Moravia, Italo Svevo, Vitaliano Brancati ( It Bell' Antonio , 1960) and well of others.

Biography

Beginnings

Mauro Bolognini undertakes studies of architecture to Florence before moving towards the cinema. Assistant of Luigi Zampa, then of Jean Delannoy, it directs the young person Sophia Loren in its first big role: Ci troviamo in galleria (1953), which is also its first realization.

Success

Its most known films are:

• 1958 : the Young Husbands ( Giovani mariti ),
• 1959: the Boys ( Notte faced , with Laurent Terzieff and Jean-Claude Brialy),
• 1960: the Beautiful Antonio ( It Beautiful' Antonio , with Marcello Mastroianni and Claudia Cardinale),
• 1961: Viaccia (according to Mario Pratesi, with Jean-Paul Belmondo and Claudia Cardinale),
• 1966: Miss de Maupin ( Madamigella di Maupin , with Catherine Spaak, 1966).

Films with sketches

It takes part in many films with sketches, Italian speciality of the Sixties:

• 1965 : the Headstocks ( Bambole ),
• 1966: Ogresses ( Fate ),
• 1968: Capriccio Al' italiana .

Collaboration with Guarnieri

It sticks the services of the large director of the photography Ennio Guarnieri, in particular for:

• 1967 : Arabella ,
• 1970: Metello , according to Vasco Pratolini,
• 1975: Giddinesses ( Per the antiche scale , with Marcello Mastroianni),
• 1976: the Heritage ( Eredità Ferramonti , with Dominique Sanda and Anthony Quinn),
• 1980: the Lady with the camellias (turned to France with Isabelle Huppert and Gian Maria Will).

External bond

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