Maurice Pialat is a Réalisateur French of Cinéma born the August 21st 1925 with Cunlhat (Puy-de-Dôme, France) and dead the January 11th 2003 with Paris. It is buried with the Cimetière of Montparnasse in Paris.
By the realistic approach of its cinema, he is regarded as a direct heir to Jean Renoir. Maurice Pialat remains however unclassable. Nonconformist, demanding, very critical towards films of his contemporaries as much as towards his own films, it will trace until his death a cinema without concession close to that of Jean Eustace.
Although starting to realize at the end of the Fifties and having an esthetics close to that of the scenario writers of the New wave, it will always remain in margin of this movement having only little consideration for their cinema, except that of Jean-Luc Godard.
The first passion of Pialat was painting. It will keep an intimate relationship with this art (which it puts in scene in Van Gogh), even if it ceases painting moment when it starts to turn. If he liked to describe himself as autodidact, he of it is nothing. Maurice Pialat passed by the schools of Decorative Arts then by the Art schools of Paris. Following these trainings it tries to expose, without success and saw odd jobs (medical representative, representing for various companies…).
In 1951, it buys a camera and turns some court-measurings as an amateur (Isabelle in Dombes, Drôles of reels turned in 1957 or familiar Shade in 1958…).
In 1960, an order takes it along to film in Turkey a series of court-measurings, which will mark the beginning its career cinematographic.
In 1968, It turns its first feature film of fiction at 43 years, naked Childhood.
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