Marco Guidarini

Marco Guidarini , born with Genoa, is a Leader Italy N.

Biography

After studies of music and letters in its birthplace, it follows the courses of direction of orchestra of Franco Ferrara. It begins with the national Opéra from Lyon as assistant from John Eliot Gardiner, then is invited to direct there a production of Falstaff of Verdi. It directs then in Royal Danish Opera, in Welsh National Operated and directs to the Festival of Wexford. Specialist in the lyric art, it directs to the national Opéra of Paris, with the Metropolitan Opera New York, in Teatro Communale di Bologna, the national Opéra of the Rhine…

In the symphonic and lyric field, it was illustrated with the head of the greatest international formations: Melbourne Symphony Orchestrated, National orchestra of France, Philharmonic orchestra of Radio France, Orchestre of Gewandhaus of Leipzig, RSO Wien, Bayerisches Staatsorchester…

Since 2001, it occupies the station of Musical director of the Philharmonic orchestra of Nice and the Opera of Nice

To the Opera of Nice, it directs Don Giovanni (2002), the Castle of Bore-Blue (2003), Bohemian the (2003, 2008), Die Zauberflöte (2003), Carmen (2003), the Damnation of Faust (2003), Simon Boccanegra (2004), Idomeneo (2004), a Ball Masked (2004), Salome (2005), Turandot (2005), Pélléas and Mélisande (2005), Wozzeck (2006), Cosi Fan Tutte (2007), Vedova Scaltra (2007), Rigoletto (2008) like Parsifal (2008), in company of Janice Baird.

Among his last invitations, one can quote a lyric concert with the head of the Symphony orchestra of the Currency of Brussels, a series in concerts with Gewandhausorchester of Leipzig, as well as a concert of official reception with the Orchestra of the National Opera of Paris.

Discography

Its discography includes/understands in particular Villi of Puccini with the Philharmonic one of Radio France, Cyrano of Bergerac in company of Roberto Alagna for the Deutsche Grammophon, and an opera of Ferdinando Paer with the Philharmonia Orchestra. Marco Guidarini occurred recently with the Teatro San Carlo of Naples, with the national Opera of the Rhine, the Teatro del Liceu of Barcelona, with the Théâtre of the Currency of Brussels and with the Choregies d'Orange.

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