Marc Trautmann

Marc Trautmann , born with Bordeaux in 1959, is a Leader French.

Biography

After studies with the Conservatory of Paris and near Sergiu Celibidache at the University of Mainz and the Philharmonic society of Munich, it began as chief assisting from the Philharmonic orchestra from the Countries from the Loire, at the 24 years age. Thereafter he worked as chief attending the Opéra Bastille for many productions of which the great resumption of Saint François d' Assise of Messiaen in the setting in scene of Peter Sellars in 1993.

Orchestras

He directed many orchestras and operas on the international scene, as well to East and Western Europe as in North America, in China, in Brazil, in New Zealand and Australia:

In France, the National orchestra of the Countries of the Loire; the national Opera of the Rhine; the National orchestra Bordeaux Aquitaine; the Opera of Bordeaux; the Philharmonic orchestra of Marseilles; the Opera of Marseilles; philharmonic society of Lorraine; the Symphony orchestra of Mulhouse; the Orchestra of Nancy; the Orchestra of Picardy; the Lyric & Symphonic Orchestra of Avignon;

The Opera of Brno as a Czech Republic; the Symphony orchestra of Pécs in Hungary; Junge Hamburg Philharmonic society in Germany; the Orchestra of Stavanger in Norway; the Opera Forum (Reisopera Main road) in the Netherlands; Bolshoï de Minsk in Bielorussia; philharmonic orchestras of Koszalin & Olsztyn in Poland.

In Canada, Modern Baroque Operated in Toronto; in Zealand News the Opera of Wellington; in Australia the Orchestra of the Australian Radio of Tasmanie (Hobart); in the United States, the Opera of Portland cement, auprès of which it ensured during seven years the direction of important productions of French works among which Dialogs of the Carmelite nuns , Faust , Romeo and Juliette , tales of Hoffmann and the merchant of Venice of Reynaldo Hahn.

In Taiwan, the National orchestra of Taiwan; as a Popular republic of China: the Orchestra of the Radio & Television of Beijing and the Orchestra of the Province of Hebei, in a whole ten stays between 1996 and 2001.

In Brazil: Sinfônica Brasileira of Rio de Janeiro, the Symphony orchestra of Porto Alegre, the Orchestra of the State of the Minas Gerais with Belo Horizonte, the Orchestra of State de Recife, the Orchestra of State of Paraiba.

Repertory and particular experiments

The repertory of Marc Trautmann extends from the great baroque to contemporary creation, whether it is into symphonic or lyric. Invited to direct rare or complex productions, it on the occasion to federate very eclectic teams for two world creations of opera:

  • snow in August , of the Chinese type-setter Xu ShuYa, booklet of the Nobel Prize of literature Gao Xingjian, with the National orchestra of Taiwan - the first Western traditional Chinese opera never made up. The work was taken again in January 2005 with the Opera of Marseilles with a very great success, always under its musical direction.
  • the scarlet way of Jacques Castérède, booklet of Michel Greenhouses, with the National orchestra of Bordeaux, in 2000.

Marc Trautmann also has:

  • restored the partition and directed the First North-American one of the Commercial of Venice of Reynaldo Hahn with Alain Fondary and Maryse Castets with the Portland cement Opera.
  • directed in Canada the first operated ever written for whole of contemporary Gamelan: How it Storms of Alan Sticks, with the famous unit Evergreen Club of Toronto.
  • directed the music of Fantasia of Walt Disney with the Philharmonic orchestra of the Countries of the Loire substituent to the band on line and in synchronization with the image.
  • supervised and directed the first round of a symphony orchestra of Popular republic of China through France in 2000.

As a member of America Opera and American Symphony Orchestrated League, it took part in several international conferences and congresses which gave the opportunity to him to apprehend the world of the international coproductions, the management of an orchestra and an opera, work of a musical director, and to meet the actors of the international music scene.

External bonds

  • Official site

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