Marc-Antoine Girard, sior of Saint-Lover , born with the Grand-Quevilly the September 30th 1594 and died in Paris the December 29th 1661, is a poet Libertin French.
Large traveller, it visited several countries of Europe, the North America, the Senegal, the the Indies, spoke several living languages, was interested in the Musique, the Peinture, the Science S, attending as well the Jansenists as the Libertin S, the living room of the Hôtel of Rambouillet, where it endeavoured, under the name of Sapurnius, to deserve his entries by clever delicacies, that Hôtel of Liancourt.
During its youth and its ripe age, it haunted the cabarets with merry companions such as, Faret, Colletet, Vion d' Alibray, etc and it is in the noise, the good expensive one and the wine where it sought the merriest inspiration which it wrote its bacchic parts, like the Cabarets , the Room of discharged , Crevaille , the Cheese , the Vine , Goinfres , of a so merry liveliness and a so colourful style.
It was dependant with the duke of Retz, the marshal of Créqui and the count d' Harcourt, which it accompanied in his forwardings and its embassies. It is close to the latter that there bound of a friendship remained famous with Faret, secretary of the commands of the count.
Named ordinary gentleman of its house by the queen of Poland, Marie-Louise de Gonzague, it went to reside two years at Warsaw. It spent its last years in calm modest and even, if one believes of it Boileau ( Satire I ), in a great embarrassment and died in misery.
In addition to the Brace and the poetic Works (Paris; 1629 - 1643 - 1649, 3 parts in-4°), Saint-Lover published: ridiculous Rome , small burlesque poem (1643, in-4°); Stanzas on the pregnancy of the queen of Poland (1650, in-4°); Stanzas with Mr. Corneille on his Imitation of Jesus-Christ (1656, in-4°); the Generation (1658, in-4°).
Refusing to yield with the rules enacted by Malherbe, it sank in the lapse of memory, after 1650, with the triumph of the traditional taste, before being redécouvert with, this original poet, since, is regarded as one of the most modern spirits of its century. It inaugurated the style described as “burlesque”. The success obtained by its ode on the Solitude written in 1619 was such as she was imitated, printed and translated. The remainder of its work dissociates academic tradition clearly. The vocabulary, the rate/rhythm and the images of its poetries baroques like the Seasons and the Visions , burlesques like the Passage of Gibraltar and the comic Rome , or epic as the Moïse saved shine of a glare baroque.
Elected official, as of his creation in 1634, elected member of the French Academy and, although this one was founded under the impulse of Richelieu only one year later, it worked with the “comic” part of the dictionary.
The complete edition of its Œuvres given by Livet in the Library elzévirienne (Paris, 1855,2 vol. in-16) was reprinted by Kraus Reprint (Nendeln, 1972).
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