Karry Kamal Karry

Karry Kamal Karry is a Enquiring Artiste and Comorian born with Salimani in Grande the Comoros, old French Colonie.

Biography

It arrives at the seven years age to France, three years later and at its request, it is placed under supervision of the French State. Self-educated artist, it takes his first steps in Danse at the 12 years age by giving courses to pupils lasting his studies and creates its first spectacle at the 16 years age.

After having followed from 1990 to 1992 a formation of sporting teacher and 1993 to 1994 last its diploma of state of professor of dance to Aix-en-Provence, it settles with Paris then twenty-two years old and follows a formation of cinetography Laban to the Conservatoire higher national of music and dance of Paris with Jacqueline Country cottage-Haas.

From 1990 to 2000 it undertakes research in choréosophie, art and science in transverse research and receives the price Challenge-Youths (DDJS) for his research project. From 1995 to 2000, he collaborates in an intensive way with various artists plastics technicians and musicians, and carries out interdisciplinary projects of improvisation and performances in various Parisian alternative places. After ten years of intense work as a recluse, it entered in 2000 its third phase of research symbolized by the transmission of its work to the greatest number of people, by creating the “Laboratory of the decade”, wandering multi-field research laboratory on the body of the being body with the being interprets .

In 2001 it creates its solo Noir Traces… , autobiographical part and, the same year, it founds its company of dance K3MK Compagny and creates in the following years the three parts of the Triptyque of Siams ( Siamois , 2002, Bakémono , 2004 and e§e #3, the Matrix of the Angels , 2006), based on the topic of the monstrosity of the bodies and to be it in all its states, project made up of a Japanese artistic team. Its solo Noir Traces… was diffused on Arte in 2004 and 2006 and its triptych of the Siams in Vidéos Danse with the Center Georges Pompidou in Paris.

From 2001 to 2006, it puts in space of many texts of contemporary authors and sign of the settings in scene like lately S for M on a text of Michel Simonot and contemporary opera of Michele Reverdy on the figure of Médée. In 2005 it launches the project of the Impro-Sessions, which is given for ambition to confront improvisers of Electronic music, of new music, dance, theater, video-light and Slam eurs in a given space time and in a thinking place. The goal is to manage to thus create a true network of exchanges between the artists, the public and the place invested until forming a “Unit Art Performance”.

In 2006 he is prize winner of the Villa Médicis Cultures Frances and turns over on the traces of his origins, 26 years later, for the installation of a research laboratory on the body, Which is what a Comorian body here and over there .

In 2007, of return of its residence of search for seven months to the Comoros, it turns over to settle in Aix-en-Provence and restructures its company by melting the K3MK Group. It is a grouping of three structures: company, laboratory, production, developed around three points: freedom, creativity, vitality, and joined together within the same label: K3MK.

This same year, it creates the K3MK Laboratoire and the GRED (Grouping of Experimental Research of the Decade), art and science in transverse research. In this project, he proposes a new concept, from the interdisciplinary point of view emanating for the actors and actresses for “research in art, in social sciences having the body like object of science”.

2008 are marked by the return to the scene of Karry Kamal Karry, with triple project, Spare parts , a solo project in three shutters ( Volet 1 , order of short parts with three choreographers African; Shutter 2 , triptych which combines choreography, music, theater of and with him; Shutter 3 , performance-installation in spaces of contemporary art on Kess KIS Not - Three Times Nothing and based on the question “how of jumping over its shade when one have more? ”

Step

The search to be it body, to be it in the world, of a new world where Karry Kamal Karry engaged takes multiple ways. It practices all kinds of artistic disciplines and scientists who intersect unceasingly, which it did not express in a field will formulate in another.

Choreographies and settings in scene

2000 : Limbs-Limbus
2001: Noir Traces…
2001 : Naked in the bottle
2002: Siamese § #1
2003: a scene for Médée
2004: Bakémono § #2
2005 : Improsessions
2006 : eSSe § #3
2006 : S for M
2008: Elements
2008: Kess KIS Not

External bond

Biography

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