Julien Carette
Julien Carette (Victor Julien known as), actor French born with Paris, on December 23rd 1897, deceased with Saint-Germain-in-Bush hammer on July 20th 1966. He played in more than one hundred of films, which he marked of his Parisian accent and his strong personality.
Parisian and large kid " second rôle"
Malicious, gouaillor, fiery eye: Indifferent Carette forever left the spectators and the realizers. Born in 17th, with leaving a youth where it accumulates the most various employment (street pedlar, representative, machinist of theater, blower, railroad worker), it is registered with the Arts Décos, where it meets Claude Autant-Lara, with the secrecy hope to become painter. Feeling that its vocation is not there, it moves towards the theater. After a failure with the entrance examination to the Conservatory , it is made engage like appear with the Théâtre of Odéon.
After a first role in a film, that of Gavrilo Princip, the assassin of the Archduke François-Ferdinand), Julien Carette makes his first weapons in minor films of the Silent film. The advent of speaking reveals a Parisian accent soaked good. In 1931, one sees it in " Love with the américaine" , of Claude Heymann, and in " Nocturne" attacks; , of Marc Allégret. The brothers Prévert give him its chance with a role in sight in " The Business is in the sac". Between 1932 and 1937, he plays in about thirty films. Its phrased recognizable between all, its communicative good mood, its mimicry and its distributed ensure its strong popularity near the public.
Jean Renoir then offers roles with its measurement to him. Here it is again in Parisian kid in " the Great illusion " (1937), as a volunteer in " Marseillaise" (1938), in Pécqueux, the driver of the Lantier mechanic in " the human Animal " (1938), and in Marceau, the splendid poacher, who is played of the Schumacher gamekeeper, in " the Rules of the game " (1943). In 1943, it is Pierre Prévert which entrusts the main role in " to him; Léonard" good-bye; , then in " Good evening Mesdames, Good evening Messieurs" , on dialogs of Robert Desnos.
From 1942, he becomes the actor fetish of Claude Autant-Lara. In " Letters of amour" (1942), it appears as a Master to dance vibrating and diabolic. In " Deal with Amélie" (1949), Autant-Lara exploits its comic vein. In " the red Inn " (1951), at the sides of Fernandel and Francoise Rosay, he camps with conviction worrying it owner assassin of the inn of Peyrebeille. In " the green mare, it incarnates the dying mayor.
Its long career (it turned in more than one hundred of films) is also associated with other large French realizers: Henri Decoin, Flesh-colored Marcel, Yves Allégret, Jean Grémillon, Sacha Guitry, Henri Verneuil, Georges Lampin, André Cayatte… It plays there of the supporting roles who often save average films where it appears. In 1964, it turns in its last film, " Adventures of Salavin" , (Pierre Granier-Removes iron).
The theater enabled him to be used the authors as boulevard (" The greluchon délicat" , " The king masqué" , " Freedom provisoire"), but also Henry Bernstein, Jacques Deval, operettas of Andre Messager and Oberfeld. Reached by the Osteoarthritis, it takes its retirement with beginning of the year 60. Become impotent, the fire of its cigarette is communicated to its clothing and its apartment of the Vésinet. He dies of his burns, on July 20th, 1966, at the hospital of Saint-Germain-in-Bush hammer.
Quotation
I remember that Carette died because it wore a nylon shirt and that it had fallen asleep with a cigarette. , Georges Perec, I remember, 164.
Catalog of films
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1931 : love with American the , of Claude Heymann
- 1931: the collar , of Marc Allégret
- 1932: the business is in the bag , of Pierre Prévert
- 1932: Baby , of Carl Lamac and Pierre Balk
- 1932: gaîtés of the squadron , Maurice Turner
- 1932: Me and the Empress , of Paul Martin and Friedrich Hollaender
- 1932: Passionately , of Rene Guissart and Louis Mercanton
- 1932: the pouponnière , of Jean Boyer
- 1933: Good-bye the beautiful days, of Johannes Meyer and Andre Beucler
- 1933: Georges and Georgette , of Reinhold Schünzel and Roger the Good
- 1933: Gonzague or the tuner , of Jean Grémillon
- 1933: I entrust my wife to you, of Rene Guissart
- 1934: the ticket of thousand , Marc Didier
- 1934: Ferdinand the fast liver , of Rene Sti
- 1934: the delicate greluchon , of Jean Cabbages
- 1934: My heart calls you , of Carmine Braided and Serge Véber
- 1934: Turandot, princess of China , Gerhard Lamprecht and Serge Véber
- 1935: Gilded Nelson , of Rene Guissart
- 1935: And me, I say to you that it made you eye , of Jack Forrester
- 1935: Brass band of love , Richard Pottier
- 1935: Gangster in spite of him , of Andre Hugon
- 1935: the happy adventure , of Jean Georgesco
- 1935: the godmother of Charley , Pierre Dovecote
- 1935: the Paris-Camargue , of Jack Forrester
- 1935: Speak to me about love , of Rene Guissart
- 1935: the sisters Hydrangeas , of Rene Guissart
- 1935: One , wedding night Maurice Kéroul and Georges Monca
- 1935: Adventure in Paris , of Marc Allégret
- 1936: Marinella , of Pierre Charon
- 1936: the queen of resquilleuses the , Marco de Gastyne and max Knell
- 1936: 27 rue de la Paix , of Richard Pottier
- 1937: the smacking , of Pierre Charon
- 1937: the great illusion , of Jean Renoir
- 1937: Gribouille , of Marc Allégret
- 1937: the Marseillaise , of Jean Renoir
- 1937: kings of the sport , Pierre Dovecote
- 1938: the Love-lock , of Pierre Charon
- 1938: the human animal , of Jean Renoir
- 1938: Coffee of Paris , Yves Mirande and Georges Lacombe
- 1938: Behind the frontage , of Georges Lacombe and Yves Mirande
- 1938: Entered of the artists , Marc Allégret
- 1938: cheerfulnesses of the exposure , Ernest Hajos
- 1938: I sing , of Christian Stengel
- 1938: Lights of Paris , Richard Pottier
- 1938: the five hour old Mister , Pierre Charon
- 1938: the , coral reef Maurice Gleize
- 1938: the magic road , of Pierre Charon
- 1939: the family Duraton , of Christian Stengel
- 1939: the world will tremble = the Revolt of alive the , of Richard Pottier
- 1939: the paradise of the robbers , L.C. Marsoudet
- 1939: the Rules of the game , of Jean Renoir
- 1939: Sixth stage , of Maurice Bell
- 1939: Storm , of Dominique Bernard-Deschamps
- 1939: Palpitation , Henri Decoin
- 1940: Parade in seven nights , of Marc Allégret
- 1940: Be welcome , of Jacques de Baroncelli
- 1940: Twenty-four hours of perm' , Maurice Bell
- 1941: sidereal Cruisings , of Andre Zwobada
- 1941: young Fromont and elder Risler , of Leon Mathot
- 1942: With the beautiful frigate , of Albert Valentine
- 1942: the lucky star , of Jean Boyer
- 1942: Insane of love , Paul Mesnier
- 1942: Love letters , of Claude Autant-Lara
- 1942: Mister of Lourdines , Pierre de Herain
- 1942: a star with the sun , of Andre Zwobada
- 1943: Good-bye Léonard , of Pierre Prévert
- 1943: Good evening Mesdames, good evening Sirs , of Roland Tual
- 1943: Service of night , Jean Faurez
- 1944: the white blackbird , of Jacques Houssin
- 1945: the investigation of the 58 , Jean Tedesco
- 1945: Dead end , of Pierre Dart
- 1945: Sirs Ludovic , of Jean-Paul Chanois
- 1945: Sylvie and the phantom , of Claude Autant-Lara
- 1946: love around the house, of Pierre de Herain
- 1946: the castle of the last chance , Jean-Paul Paulin
- 1946: History to sing , of Gilles Grangier
- 1946: Doors of the night , Flesh-colored Marcel
- 1947: the mannequin assassinated , of Pierre de Herain
- 1948: a so pretty small beach , of Yves Allégret
- 1949: Amédée , of Gilles Grangier
- 1949: Branquignol , of Robert Dhéry
- 1949: E piu easy che a camello (For the love of the sky) , of Luigi Zampa
- 1949: the Marie of the port , Flesh-colored Marcel
- 1949: Deals with Amélie , of Claude Autant-Lara
- 1949: First weapons , of Rene Wheeler
- 1949: Night round , of François Campaux
- 1950: Without leaving of address , Jean-Paul Chanois
- 1951: Marriage bureau , of Jean-Paul Chanois
- 1951: the red Inn , of Claude Autant-Lara
- 1951: Funny of wedding , Léo Joannon
- 1951: Signori in carrozza! (Rome - Paris - Rome) , of Luigi Zampa
- 1952: With the devil the virtue , of Jean Laviron
- 1952: the festival with Henriette , of Julien Duvivier
- 1953: love of a woman , Jean Grémillon
- 1953: the Good god without confession , of Claude Autant-Lara
- 1953: Uomini, che mascalzoni , of Glauco Pelligrini
- 1954: Put ricordi (the House of the memory) , of Carmine Braided
- 1954: No hard blow for Johnny , Emile Roussel
- 1954: On the bench , of Robert Vernay
- 1955: These crowned holidays , of Robert Vernay
- 1955: Hard blow at soft the , of Jean Loubignac
- 1955: the Kid Pigalle , of Alfred Rode
- 1955: Meeting in Paris , of Georges Lampin
- 1955: If Paris to us were told , of Sacha Guitry
- 1956: Crime and punishment , of Georges Lampin
- 1956: I will return in Kandara , of Victor Vicas
- 1956: Forgive our offenses , of Robert Hossein
- 1956: Paris de luxe hotel hotel , of Henri Verneuil
- 1957: the beautiful one and the gypsy , of Jean Dréville and Marton Keleti
- 1957: the time of hard-boiled eggs , Norbert Carbonnaux
- 1957: the three make the pair , of Sacha Guitry and Clément Duhour
- 1958: Archimedes the tramp , of Gilles Grangier
- 1958: the Player , of Claude Autant-Lara
- 1958: the Mirror with two faces , of Andre Cayatte
- 1959: the green mare , of Claude Autant-Lara
- 1959: It thousandth window , of Robert Menegoz
- 1959: Pantalaskas , of Paul Paviot
- 1960: Lives Henri IV, lives the love , of Claude Autant-Lara
- 1962: My uncle of Texas , Robert Guez
- 1963: the confession of midnight - the Adventures of Salavin , of Pierre Granier-Removes iron
- 1963: the fair with the dunces , of Louis Daquin
- 1964: Nickelled Feet , of Jean-Claude Chambon
Bonds
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Card Imdb
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