Jewish Mother
The stereotype known as of the Jewish mother can indicate the mother-courage of an large family, as illustrated in the song has Yiddishe Mame (which knew many interpreters, of which Charles Aznavour). It is a traditional stereotype of the Jewish Humor. Currently, it is much more usually used by the actors having origins Jews when they evoke their past (fictitious or really lived) their relations with their mom.
Although the type of relation evoked is classically of mother-wire type, certain actresses, as Fran Drescher describe also the not less remarkable relations mother-girl.
Characteristics
The typical features of the Mère Juive stereotypic include (without claiming with exhaustiveness):- an excessive pride of the successes, even minor even imaginary, their children. They will always speak about " My wire, the docteur" , or " My wire, the avocat". Allan Sherman parodied this practice by entitling its album " My its folk-singer" , and other albums with the same prefix. In the Truth if I lie , one hears the following joke: a Jewish mother court on the beach, shouting: " The Help!! My son lawyer drowns! "
- three evidence of judaïté of Jesus:
- it lived 33 years near his/her mother.
- it believed that his/her mother was virgin.
- his/her mother took it for God.
- Contrary, a Jewish mother will not cease complaining if it estimates that they (rather well) did not succeed (with their taste) in the field academic, financial, even and especially in love! There is nothing worse than a Jewish mother, if not a Jewish mother-in-law.
- It materne his/her child until the adulthood, even beyond. If Albert Cohen pays homage to his/her mother in the book of my mother , Philip Roth estimates, in Portnoy' S Complaint , that causes qu'" a Jew whose parents live is a fifteen year old child, and remains a fifteen year old child until his mort."
- Its certainty are set up in theory education. In this respect, the only difference between a mother Ashkénaze and a mother Sépharade, it is " Manege, my son, manege" versus " Monge, my son, monge! "
- It does not cease worrying for his/her children, exaggerating, but only a little, the " dangers".
- It develops obedience, even the tender of his/her children, from where the revocation classion of the theory freudienne: " Oedipus shmoedipe! As long as he loves his mother! "
- It uses and misuses the culpabilisation in order to handle his/her children. Thus,
Question: How much Jewish mothers is necessary it to change ue bulb?
Réponse: (Of a plaintive tone and, if possible, with the accent Yiddish, although it is lost nowadays) do not make any you, I will sit down in the noir."
Ou still: " Made gift with your Marvin son of two shirts sport. The first time that it puts one of them, look at it with sadness, and say to him of a penetrated tone: “Then, and the other, it is not liked? ” " (daN Greenburg, How to Be has Jewish Mother , Los Angeles, 1964, cité in Paul Watzlawick and alii, a logic of the communication , translated by Janine Morche, Paris, Seuil, 1972, points tests p. 211.)
L' adulation of the mother by her son, although without ironic description, is a striking constant of the work of Marcel Proust.
Roles
- For Woody Allen in a long phase of its catalog of films where it appeared as thirty year or quadragénaire in films that it carried out, the presence, unexpected sudden appearance in a scene or simply the evocation of his/her Jewish mother, is one of the factors of its comedies. In New York Stories (), it reappears even in majesty in the clouds overhanging the local buildings of the loft of the character, persistent appearance to permanently supervise since the sky its actions…
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the character of the Jewish mother was incarnated with the cinema by Marthe Villalonga, which since an elephant that misleads enormously was often employed for this character. The Jewish mother is a stereotype close to that of the pied-noir mother , such as Guy Bedos for example used it in its sketches in connection with its true, or supposed such, mother. Guy Bedos in addition played the choked son of Marthe Villalonga in an elephant that misleads enormously.
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the play " How to become a Jewish mother into 10 leçons" of Paul Fuks, according to daN Greenburg, made a triumphal return recently. After Marthe Villalonga in the years 1980, it is Ludivine de Chastenet which took again the role of the possessive mother. This part, created in 1983, exceeded the 3000 representations, in France and abroad.
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