Jean-Thierry Bushel

Jean-Thierry Boisseau , born in 1949 is a Compositeur, author and Poète French.

Biography

Jean-Thierry Boisseau was born in a favoured musical medium, since he is the son of famous the Organ builder Robert Boisseau. Raise Jean-Albert Villard, organist of the Cathédrale Saint-Pierre of Poitiers, it near him acquired a practical solid of the harmony and a taste of the counterpoint which one will note the importance with the listening of his works; it also holds of this first Master a taste of the improvisation of which it was never separated. Its meeting with Antoine Tisné was it also decisive. It is indeed with its contact that it found or rather confirmed its choices esthetic and formalized its compositionnelles procedures.

The music of Jean-Thierry Boisseau is strongly contrapuntic; it uses certainly a tonal vocabulary but with an aim of diverting it permanently and of leaving it conventions. Jean-Thierry Boisseau in addition explores the musics of the world and integrates them in a strongly structured musical speech. It privileges the meetings with the foreign musicians. Thus it was brought to compose for the American saxophonist Paul Wehage, the Japanese pianist Moyuru Maeda, the American Soprano Sheila Harris-Jackson and the organist Carson Cooman.

Notable works

  • "Acrostic on the name of CAGE': “Sinfonietta" for String orchestra

  • " Arlequin" for Soprano saxophone and Piano
  • " Bore Bleue" for Flute or Trumpet in C and Piano (Young Interpreters)
  • " C*3" for Trumpet and Organ
  • Cantata " It Was the Best off Times" for Chorus SATB, percussion and Organ (English text of Charles Dickens)
  • " Canzone" for oboe and harpsichord
  • " The Lady of the manor, still… " for Flute and Toothing-stone
  • " Five Episodes" for String quartet
  • " Clair-Obscur" for Horn in F Solo
  • " The Clown who did not make any more rire" for chorus of children, percussion coppers, alto saxophone, piano and reciting (text of J.Th.Boisseau)
  • " The Lament of King Renaud" for Average Voice, Alto saxophone and Piano
  • " Concerto" for Organ, Percussion and String orchestra
  • " Dialogs on Full Jeux" for Organ
  • " Enfances" Five Melodies for Soprano voice and Piano (French texts of Sapho, Benedicte Holley and Maurice Rollinat)
  • " Epanalepse" for Four Horns and Organ
  • " The Staircase of Reine" Opera of church, over the last hours of Marie-Antoinette (booklet of Jean-Pierre Nortel)
  • " Imagination of Concert" for Orchestra of Harmony
  • " Hylé" for Flute, Clarinet, Violoncello and Piano
  • " Incantation I on Ave Husbands Stella " for Alto saxophone, Soprano voice and Organ
  • " Introduction and Passacaille" for Wind quintet
  • " Janus" Seven small preludes for piano
  • " Koré" for Toothing-stone
  • " The Garden of Délices" for Dixtuor: Flute, Oboe, Clarinet, Bassoon, Horn, Violin I, Violin II, Viola, Violoncello and Double bass
  • " Let Nothing Ever Grieve You" for Chorus SATB and Organ (text of Paul Fleming, translated into English of German by Carson Cooman)
  • " Litanie" for Guitar
  • " Luftzug" for positive organ without pedal
  • " Mana" for Piano
  • " Basket-Thécel-Pharès" for Flute, Clarinet, Bassoon and " continuo" (Organ or Harpsichord)
  • " Missa Brevissima" for female or mixed Chorus
  • " Night: in memoriam Antoine Tisné " for Soprano saxophone Solo
  • " Paganini' S At It Again!! " for Sextet of Clarinets or Saxophones
  • " Small Suite" for Piano
  • " Small Liturgique" Continuation; for Organ
  • " Procession and Mascarade" for Piano
  • " Concertante" rhapsody; for two pianos
  • " Récit" for Oboe and Piano
  • " Saarana" for Organ
  • " Slaba-Lotja" for Accordion
  • " Sonatine: " An American with Tokyo" for Soprano saxophone and Piano
  • " Statuaire" for Trumpet and Organ
  • " Transcaucasienne" continuation; for Alto saxophone or Clarinet solo
  • " S.W.E.N." for Positive Organ
  • " Stretto" tango; for Quartet of Saxophones SATB
  • " Toccata" for Harpsichord
  • " The Tomb of Mrs Tailleferre" for three Pianos
  • " The Treasury of the Lointain" Lagoon; for chorus of children, percussion and Piano
  • " Three Traditional Melodies Japonaises" for average Voice, Alto saxophone and Piano
  • " Wind, perhaps… " for Copper Quintet
  • " The Way It Was Before" for Toothing-stone

Works of other type-setters on texts of Jean-Thierry Bushel

  • Veronique White " Five Songs for Chorus of Enfants"
  • Paul Wehage " Personnelles" questions; for average voice and piano

Random links:Simon Ier de Montfort | Hassan Nader | Smothering (guitar) | Milk tank | Alfred-Duprat | Le_poing_du_singe