Jean-Maurice Mourat

Jean-Maurice Mourat was born with Luçon, in France, the March 23rd 1944.

It begins the music by the Piano, then studies the Clarinette to dedicate itself finally to the Guitare.
has Paris, after studies as an autodidact, it improves with the Italian guitarist Ghiglia Oscar, then with Brazilian Turibio Santos.
It begins from the studies of writing with Christian Gouinguené, to then improve them with Yvonne Desportes.
Then it studies the tuba with Gerard Pérez, of the Republican guard.
Enfin it undertakes the study of the Luth, which it plays in solo, with organ or harpsichord or orchestra
In 1967, it teaches the guitar in Paris and in Paris region.
In 1972, it is named director of an academy, and in 1980, of a second academy.
In 1972, it publishes its method with the Billaudot Editions.
In 1975, it creates the FIME (Festival of Chamber music of Espalion).
In 1976, the Combre Editions publish volume has Traditional Guitar.
In addition to the concerts, it is dedicated to the composition and pedagogy, equipping the academies with an important repertory for guitar.
the Minister with the Culture names it Chevalier, then Officier with the order of the academic Palmes.

C V detailed

It begins its musical studies in its birthplace, Luçon in the Vendée, by the musical theory and the piano. He undertakes then the study of the guitar jazz and traditional as an autodidact, while continuing his studies of musical theory to the academy of the Roche-sur-Yon, where he begins a new instrument: the clarinet. In Paris, its meeting with the Italian guitarist Oscar Ghiglia, assistant of Andrés Segovia, enables him to completely invest in the study the traditional guitar which it will improve with the Brazilian virtuoso, Turibio Santos. Parallel to the instrument, it begins from the studies of writing with the type-setter Christian Gouinguené, whom it will improve later with Yvonne Desportes, type-setter and ex-professor of the National Academy of Music of Paris. Finally he studies the tuba with Gerard Pérez, of the Republican guard.

Ghiglia, exceptional pedagog, are incontestably at the origin of the teaching reflections which lead Jean-Maurice Mourat to be devoted to the improvement of the conditions of teaching of the classes of guitar. It publishes in its expenses a method, “My guitar my friend”, whom it polishes in collaboration with some colleagues interested by this experiment. Then, the result of this project is concretized by the edition of its method, “Six cords… a guitar”, in which it develops the musical pleasure that the pupil will discover in the study, but also the interest which the professor will find to teach. This work, presented in four languages, is always used after more than 30 years and of multiple pullings. In 1992, and on the pressing authorities of the editor, “Six cords… a guitar” will be seen adding a continuation in two volumes treating of the study of all the positions, but also of the techniques of higher level.

In front of a strong demand of candidates increasingly young guitarists, and that one accepts with the instrument without any concept of musical theory, his/her colleagues incite it to write a method even simpler, adapted to less than 10 years. This work, which curiously is voted by plebiscite by the initial adults, jointly teaches the musical formation with the rudimentary study of the guitar; it is entitled “Guitarist… and you?”. Just like “Six cords… a guitar”, this method childish, whose front page is also translated into Japanese, comprises many duets, accustoming the pupil, as of the first notes, to be formed without effort with the chamber music. Since its first publication, this collection is a success which was never contradicted.

The famous rapid acquired by the method “Six cords… a guitar”, attracts the glances of the Musical Consortium - Combre Editions, which invite it to enter their prestigious collection of the Traditional ones: “The traditional piano”; “The traditional flute”, “the traditional violin”, etc This order which it constrained to begin an important research of original works written for the lute, the vihuela and the guitar, the conduit to consult the libraries of various European countries. The result of several years of hard and meticulous work will give rise to volumes has, B, C, D, of “the traditional guitar”. This recompiling of works written for the three above mentioned instruments, but also enriched by transcriptions of works for toothing-stone, harpsichord and piano, covers one eight centuries period: of XIIè at the XXè century. Arranged in a progressive way, tacts with the greatest care, these volumes, diverting for the student, conquered the European market very quickly, with annual sales reaching the 10.000 specimens. Let us stress that this continuation of works will not fail to inspire his/her colleagues, in the collections which will be published as from the Eighties.

Directed before any worms pedagogy, this labor is sown many personal compositions, and in which it takes a care very particular to develop a melody line likely to satisfy the pleasure of the pupils. Thus, of many studies and other parts in didactic matter will be born. Always for its instrument, it composes quite naturally of the works of guitar intended to the soloist and for the chamber music, but does not forget therefore the other instruments. Raul Segura, director of the higher academy of music of Grenade orders to him, in 1997,12 compositions for voice and piano, in order to incorporate them in the books of musical theory intended for the academies of Andalusia.

To this work of type-setter previously evoked, that of arranger is added for which the Billaudot editions invite it to direct the collection “Flute and guitar”, near prestigious names like Jean-Pierre Rampal, Maurice André, Lili Laskine, etc, collection in which it will publish for this duet, more than 70 transcriptions. Named also directing of the collection “the guitar”, it will invite many type-setters to write for these two collections in order to widen the repertory of its instrument.

Thereafter, they are the editions, Hortensia (Leduc), Dubois and Transatlantiques which proposes to him to publish its teaching parts and its works in the concert. In this last editor, he knows since the publication of his collection, 14 mini-studies, a great popularity in the United States of America. But this activity previously presented and which contribute largely to its popularity, it owes it only with its teaching in which it seeks to inculcate in the pupil the pleasure of the study. Its activity of professor begin with teaching from the guitar in a music school from Paris like to the academy from XIIIè district. He is then requested as professor for the opening of several classes of guitar in Paris region. In parallel, one proposes to him the direction of the academy of music of Grigny which he will assume during 16 years. Eight years after this nomination, one asks him to assume jointly, the restoration and the direction of a second academy where there will remain 13 years, after having made approve its establishment by the Ministry for the Cultural Affairs.

Parallel to teaching and with the edition, it develops an important activity of concert performer. After some recitals, it is directed towards the form and chamber music a duet with the flutist Pierre Lambert. In this formation, it will occur in Europe eight consecutive years. Then it creates with Jacques Ballot the Duet guitar and flute of Paris as well as the Trio of guitar of this same city, with Nadine Gibiat and Gerard Verba. It takes part in the musicholiers to give in duet with the flute, or the violin or the viola da gamba, school concerts in Paris and province, and where it will also occur on the lute. He plays regularly with the string quartet, like in the formation lute-harpsichord, guitar-piano, with the pianists Genevieve Méfano, Martine Lablée, Pierre Bouiller, and the harpsichordist Michele Delfosse. With the latter, it will give several concerts to Morocco.

On the lute, which he studies as an autodidact, he is named soloist of the Orchestra of Viroflay, is composed musicians of the National orchestra of France, and is directed by Jean Verdier, itself violonist and altist of this orchestra. In this formation, and the concertos of Vivaldi, he plays ave the flutist Jean-Louis Beaumadier. With its chief, Daniel Martinez, solo violin with the Republican guard and first violin with the Opera of Paris, it creates then the orchestra of the Barley Valley. With this unit, it will occur regularly as a soloist on the lute and the guitar. On the lute élisabéthain and the archiluth, it will be regularly invited to give recitals in the prestigious historical places of Andalusia. The chance of a meeting with the flutist virtuoso, Guy Cottin, is concretized by school concerts, musical interventions, as well as training courses.

On the lute and the guitar, it occurs regularly in Spain with the organist-harpsichordist Andalou Antonio Linares-Lopez. This last will record on a compact disc, Christmas carol of Jean-Maurice Mourat written for organ. This CD was carried out for the Royal Vault of Grenade, on the organ of which it was recorded.

In addition to its activities previously enumerated, it creates 1st at August 15th in training course flute and guitar in Aveyron. Very early, it incorporates the flute and guitar, string quartet in it in order to allow, to work the chamber music in addition to the technique. Thus the training course changes, as of the third year, to become the F.I.M.E., or International festival of Music of Espalion, after having introduced there the training course of guitar of Gerard Verba, with whom it will found the International Contest of Guitar of this same city. Then it moves in Lyon, where the factory of Savarez cords proposes to him to collaborate, by many tests, with the improvement of its products for guitar. For this mark, it also takes part in making of powerful cords, as well on the power as on the quality of the stamp, by the use of revolutionary materials. Since this date, it is sponsored by Savarez, and represents on their premises, one of the French guitarists of world famous, taking part in the publicity of this mark.

In addition, the Filipacchi editions contact it to write in their review, “Guitar stores”, a monthly heading. It will write reports there on the violin makers, his colleagues concert performers, as well as criticisms in concerts, traditional tests of guitars, and naturally on all that refers to its instrument.

Editions V.E.P. (Video Edition Production) propose to him, like with the clarinettist Guy Danguin, professor with the CNSM and clarinet solo with the Orchestra of Paris, a completely new experiment at the time: to record a video course in format VHS. On a world plan, they were pioneers by proposing this audio-visual course which was encensé by the specialized press.

Another experiment arises to him: to write a book. This work which enters the collection By the way “… ”, of the Billaudot editions, is naturally entitled “By the way… of the guitar”. In this book, he writes the summarized history of the traditional guitar, of his origins at our days, but also that of the guitar flamenca, the guitar folk and the guitar jazz. Moreover, it incorporates a short outline of the technical possibilities of the instrument - for the type-setters not guitarists - as well as concepts of modern music and chamber music.

Put separately the European radio programs and of television where it is invited, Jean-Maurice Mourat records its first disc in the formation flute and guitar, with Vendean Pierre Lambert. A few years later, the Arion editions contact it to require of him to engrave two discs for guitar alone. It will record then two other compact discs for the Combre editions.

As of beginning of the year 90, it is impassioned for musical data processing, with an aim of writing itself, on the computer, its own compositions. Its knowledge, acquired as a recluse, will carry out it until the south of Spain, where the Andalusian Junta invites it for the training of the professors of her academies of music. In this part of Spain, it will also give master-class as well as courses teaching and theoretical for the preparation of the candidates for “the oposición of will guitarra”, the Spanish equivalent of a.C. of the French guitarists.

Lastly, let us note that it is regularly invited as jury in the various academies of Paris, Paris region and province. National competitions and international regularly request its presence to govern the deliberations. And to close what refers to the musical part, let us quote Maurice Gévaudan, then President of the FUCMU, National federation of the Academies of Music, which invites it in 1981 to represent France with the Congress European of the Music schools, which proceeded this year with Eisenstadt, town of Haydn, in Austria.

During his career of musician, Jean-Maurice Mourat sees himself giving various decorations, while starting with the town of Schwabach in Germany, following brilliant turned in concerts in 1976. Then it is the mayor of co. Genevieve of the Wood which gives the medal of its city to him, in recognition of the work carried out in its academy, but also compared to the musical activity developed in its city. In 1989, it is the mayor of Torredonjimeno in Spain which gives to him the gold Blazon of its city.

In homage to its important teaching work, recognized well beyond the borders of the hexagon, it is named by the Minister for the Culture, in 1990, Chevalier with the Order of the academic palms. In 2001, and taking into account the teaching work carried out in ten years, it is promoted Officier in the same Order of the academic palms.

In 2002, following the concert which it gives with the flutist Philippe Neureuter within the framework of the Festival of the Océanes Musics, the mayor of Luçon gives the medal of his city to him in homage to his musical course. One holds the honor for him to inaugurate on this occasion, the new concert hall Georges Millandy.

Let us finish this summary bièvement by flying over one of its less known passions, and in which it is invested since a score of years: painting. Apart from his musical activity, Jean-Maurice Mourat also devotes himself to this art, indexing to date more than 150 fabrics. This parallel career was concretized by many exposures to Paris, in province like abroad where its varnishings, during which he only plays or in chamber music, always are very noticed.

C.V. by years

** Posts of professor of guitar.

1966-1970, Professor of guitar in Paris, the academy of XIIIè district.
1967-1987, Creation and professor of the academy of Antony, in the Hauts-de-Seine.
1969-1970, Creation and professor at the school of Viry-châtillon, in the Essonne.
1970-1975, Creation and professor with the academies of St Michel-on-Barley and Grigny.
1972-1973, Professor with the municipal academy of music of Palaiseau in the Essonne.

** Positions of director of academy.

1972-1988, Director of the municipal academy of music of Grigny.
1980-1993, Director of the approved academy of music of co. Genevieve of Wood.

** various Editions, concerts, recordings and.

1970-1973, On the clarinet, takes part in the concerts of the harmony of Antony.
1972, Impression on account of author of the method, “My guitar my friend”.
1973, Publication of the method, “Six cords… a guitar”, with the Billaudot editions.
1974-1982, Collaborates, on the tuba, with the concerts of the harmony of Antony
1975-1984, Stage of music of summer and contest of Espalion (FIME)
1975, Enregistrement of its first disc, in the formation flute and guitar.
1976-1979, Publishes “the traditional guitar”, in four volumes, with the Combre editions.
1976, Receives the medal of the town of Schwabach, in Germany.
1977-1983, Concerts with the flutist Jacques Bundle. (Duet guitar and flute of Paris)
1978-1980, Concerts with the musicholiers.
1979-1994, Collaboration with the Savarez cords.
1979-1982, Concerts with the Trio of guitar of Paris.
1980, Publication of the method, “Guitarist… and you”, with the Billaudot editions.
1981-1983, musical Critique with the Filipacchi editions for the review “Guitar stores”.
1981-1985, Concerts as a soloist on the lute, with the Orchestra of Viroflay.
1981-1982, Publication of the course of video guitar to the Video editions Edition Production.
1982, Records its first disc with the Arion editions.
1982-1995, Collaboration on works for guitar of the type-setter Yvonne Desportes.
1983-1990, Concerts in the formation lute and harpsichord, guitar and piano.
1984, Concerts in Morocco with the harpsichordist Michele Delfosse.
1985-2002, Concerts with the flutist Philippe Neureuter.
1985, Publication of the collection “the Guitar at the XIXè century”, the Billaudot editions.
1985, Publication of the collection Large Masters, with the Combre editions.
1986, Records its second disc with the Arion editions.
1987-1993, Concerts as a soloist with the orchestra of the Barley Valley.
1988-1993, Concerts with the flutist Guy Cottin.
1988, Receives the gold Blazon of the town of Torredonjimeno, in Spain.
1988-2003, Exposures of painting with concert to varnishing.
1989, Receives the medal of the town of Holy Genevieve of Wood.
1989-2004, Concerts of old music with the organist Antonio Linares López
1990, Promoted Knight with the Order of the academic palms.
1984, Publication of the entitled book “By the way… of the guitar”.
1990, Records its first disc with the Combre editions.
1991-1993, Study of musical programs in data processing.
1994-2001, Recitals on the lute in Andalusia.
1995-2000, Solicited for computer courses musical and master-class.
1997, Composition of the 12 lessons for the musical theories of the academies of Andalusia.
1998-2001, Gives the teaching training courses of the candidates to the Spanish A.C.
1999, Gives several conferences to the faculty of musicology of Grenade.
2000, Records its second disc with the Combre editions.
2001, Promoted Officer with the Order of the academic palms.
2002, Medal of the town of Luçon and concert to the Festival of the Océanes Musics.
2003, Exposure-concert in Andalusia with Grenade-Albolote.

Compositions and arrangements for guitar

METHODS OF GUITAR (Billaudot-Paris Editions)

Guitarist… and you?
Six cords, a guitar,

- volume I: basic technique

- volume II: studies of the positions

- volume III: higher technique

COLLECTIONS Of WORKS FOR GUITAR (Combre-Paris Editions)

the traditional guitar vol. has (with CD)
the traditional guitar vol. B (with CD)
the traditional guitar vol. C
the traditional guitar vol. D (news version)

NEW COLLECTION Of WORKS FOR GUITAR (Combre Editions)

the traditional ones with the guitar vol. 1 (with CD)
the traditional ones with the guitar vol. 2

COLLECTION FOR DUETS OF GUITARS (Combre Editions)

the new duets (48 duets of guitars)

COLLECTION Of WORKS OF XIXè FOR GUITAR (Billaudot Editions)

the guitar at the XIXè century - volume 1
the guitar at the XIXè century - volume 2
the guitar at the XIXè century - volume 3
the guitar at the XIXè century - volume 4
the guitar at the XIXè century - volume 5

COLLECTION “Large Masters” FOR GUITAR (ED. Combre)

England
Spain
Italy
France - volume 1
France - volume 2
Germany - volume 1
Germany - volume 2

COLLECTION “the Pleiad” (Combre Editions)

Vowels

- Némone “has” - “E” glantine

- “I” laugh - “O” rchidée

- “U” lmaire - “Y” ucca

COLLECTION “Of works with accompanying notes” (Combre Editions)

12 Studies - volume 1 and 2
12 Studies - volume 3 and 4
Dolly

VARIOUS WORKS for guitar alone (Combre Editions)

Los muñecos (pseudo. E. Roberto)

- el pelele

- el títere

- el mendigo

- el patapalo

- the bailarina

the bucolic guitar (pseudo. G. Robin Perreau)

- Lullaby - Malagueña - Habanera - Slow Waltz

- Minuet

- On a famous topic

Prelude baroque

romantic Prelude

Three drafts

Introduction and dance

Placeta San Mauricio

Emanations of a perfume of antan

Duendes LED molino (desde el Darro Al Albaicín)

Dorienne (pseudo. G. Robin Perreau)

- Prelude

- Allemande

- Saraband

- Current

- Gigue

Cielo de Granada

Small following old the

- Prelude

- Current

- Saraband

- Minuet

- Gigue

Torredonjimeno

44 Entertainments (in the form of rhythmic studies)

Of the agreements on the guitar (500 positions)

COLLECTION “the GUITAR” - (Billaudot Editions)

Hechizo

Vendée-Avenged (7 microsketches)

10 Divert-studies

8 Studies in the style jazz

9 Studies in the style jazz

VARIOUS WORKS for guitar alone (Transatlantic Music publishings)

14 Mini-studies

Facilissimo (10 parts)

Satinet

VARIOUS WORKS for chamber music (Various editors)

DUETS of guitar

new traditional duets (Combre Editions.)

E Z Jazz

Recordando

Folk dances

Malagueña

Spleen

Variations on Folía

FLUTE AND GUITAR Collection flute and guitar (Billaudot Editions)

Ibériade

Al-Andalus

- Leyenda

- Medina

- Guadalquivir

GUITAR AND STRING QUARTET (Six cords… a guitar vol. 2)

In this time there

COLLECTION “the guitar” (Billaudot Editions)

the small bell - Arpeggio

the small pony

sad Waltz

Sunset

Melancholy

Vendean Continuation

- Mint and lemonade

- Grenadine

- Chime

- Isabelita

- Strange Dream

- Has what dream…

Winks in Jazz (8 studies)

Winks in Jazz (9 studies)

Five danzas (pseudo. Mr. Parison)

EXTRACTS FROM the METHOD (Six cords… a guitar vol. 2)

exotic Dream

Bacchiana

Prelude

Eclipse

Divertimento

Toccata

EXTRACTS FROM COLLECTIONS the “the traditional one with the guitar” (vol. 1 and 2)

Villancico sureño

Nostalgia

Canción LED enterriano (pseudo Yupanqui)

Querencia

Tempo of milonga

Camino desconsolador

Andean Topic

Chôrino

WORKS FOR GUITAR ALONE (Dubois Editions)

Para Ti

- Canción

- Danza

6 colors on the guitar

- Mid- Yellow

- - Red

- D - Green

- Ground - Blue

- If - Rose

- Mid- Orange

Choros of invierno

In recuerdo (the guit' art)

WORK FOR GUITAR ALONE (Editions Hydrangea-Leduc)

Interlude

RE-EXAMINED SPANISH GUITAR “Ocho Sonoro

Ocho Sonoro

Carnival

Canción there Danza

Nostalgia

Campanas

Habanerita

Poesía

Paseo

the GUIT' ART (Dubois Editions)

In recuerdo

NOT PUBLISHED WORKS

106 SHORT PARTS (guitar solo)

MINUETS (trio of guitars)

3 NIGHT LUÇONNAIS (flute and guitar)

12 LESSONS FOR VOICE AND PIANO

has DREAM (guitar)

WITH THE MANNER OF… (trio of guitars)

HAS VILLA LOBOS (piano)

AMADEUS (quartet of guitars there cello)

BIRTHDAY (guitar)

AQUARELA FLAMENCA (guitar)

CINQHUIT-SIXHUIT (guitar)

LIKE a PRAYER (violoncello or double bass and guitar)

LAMENT (guitar)

TRADITIONAL CONCERTO (guitar and string orchestra)

CONCERTO GRANADINO (duet of guitars)

CONCERTO JUGLAR (orchestra of bandurrias, lutes and guitars)

CONCIERTO ANTIGUO (lute or guitar and organ)

DANCERIE (flute and guitar)

SOFT WALTZ (guitar)

EASY CONTINUATION (trio of guitars)

FANTASIA (voice of woman and orquestre with cords)

MADNESSES OF the XXe CENTURY (orquestre with cord and magnetic band)

FOLK (voice and guitar)

homage has Mr. of falla (guitar)

HOMAGE TO the CENTURY Of GOLD (flute and guitar)

OBSESSION (guitar)

INTRODUCTION AND LOVESONG (guitar)

INTERIOR GARDEN (guitar)

JAZZING (duet of guitars)

I DO NOT KNOW (flute and guitar)

LATINO (5 parts for guitar)

MANDOLINE (mandoline and guitar)

MATER AMIRABILIS (guitar and organ)

SEMI MINUETO (quartet of guitars)

SEMI SARABANDA (quartet of guitars)

MODERN CONTINUATION (trio of guitars)

MODERN CONTINUATION (trio of guitars)

OCHO SONORO (8 parts for guitar)

ORACION (cello or double bass, guitar and percusión)

PAISAJES OF ALBOLOTE (orchestra of bandurrias, lutes and guitars)

SONATA the CAUTIVA (orchestra with plectre)

PARA DOS AMIGOS (flute and guitar)

PARANA (flute and guitars)

PER SUONARE HAD (duet percusión there piano)

PART MOYENÂGEUSE (flute and guitar)

PLAY DRUMS (guitar)

Peter Pan (guitar)

PRELUDIO (guitar)

PRELUDE AND ALLEGRO (guitar)

PRIMEROS PINITOS (5 easy parts for piano)

QUINTETO OF MARZO (quintet of guitar)

RECUERDO FLAMENCO (guitar)

LOVESONG (flute and guitars)

SEMBLANZA ALBAICINERA (flute and guitars)

SIERRA NEVADA (flute and guitars)

SONATA ANDALUZA (piano)

ANCIENT CONTINUATION (in the style of Bach for guitar)

CONTINUATION BURLESQUE (flute and guitar)

TRIO ESPERANZA (Flute or violin, guitar and piano)

TROVADOR (trio of guitars)

VARIATIONS ON “the FOLIA” (trio of guitars)

CHRISTMAS CAROL (organ) recorded on CD

TRANSCRIPTIONS FOR GUITAR ALONE (Combre-Paris Edition)

** G. - F. HAENDEL

varied Saraband

** Luís MILAN

6 Pavanes

** Anonymity-MOURAT

Variations on Greensleeves

** R. of AIMING

Continuation in minor D

** D: MARCHETTI

Fascination

** Isaac ALBENIZ

Asturias

TRANSCRIPTIONS EDITIONS COMBRE (the traditional guitar volume D)

** G-A BRESCIANELLO

Sonata

** Silvius-Leopold WEISS

Continuation XXV the infidel

** Ernst-Gottlieb BARON

Continuation in the

** Jean-Sébatien BACH

Prelude in D m (of the continuation cello nº 1)

** Mateo ALBENIZ

Sonata

** Isaac ALBENIZ

Rumores of the caleta

Pavane - capricho

Prelude nº 1

Tango

Mallorca

Cádiz

Torre Bermeja

Zambra granadina

** Enrique GRANADOS

Spanish Dance nº 5

the Maja of Goya

** Raul BORGUES

Waltz vénézuélienne

** Joaquín MALATS

Serenata

** EDITIONS BILLAUDOT (Six cords… a guitar volume 2)

** Isaac ALBENIZ

Granada

** Jean-Sébatien BACH

Running away for violin in the m

** FOR FLUTE AND GUITAR (Combre Edition)

** Anonymity-MOURAT

Variations on Greensleeves one the Ground

** Vincenzo GELLI

Divertimento

** Franz SCHUBERT

Night and dream

** COLLECTION for guitar and flute and guitar (Let us publish Billaudot)

** ALBINONI T.

Sonata in the minor

** ANONYMOUS.

Canción de Amor

Spanish popular Continuation (extracted the folklore)

** ARBEAU THOINOT.

Four medieval Dances

** BACH J.S.

Sicilian and minuets

Sonata in major C BWV 1033

** BACH J.S. and HAENDEL

Two largos

** BEETHOVEN L. van

Sonatine,

** BOCCHERINI L.

Minuet

** BOEHM T.

Nel horn piu

** BOISMORTIER J.B of.

Sonata in the minor

** CARULLI F.

Serenade

** CHOPIN F.

Variations

Waltz COp 64 nº 1

** CIMAROSA D.

Sonata

** CORELLI A.

Sonata as a semi minor

** CORRETTE Mr.

the maidservant with the good tobacco

** VARIOUS AUTHORS.

7 parts Elizabéthaines

traditional Parts (3 volumes)

** DOWLAND J.

Volume 1

Volume 2

** FIOCCO J.H.

Allegro

** FURSTENAU K.

Continuation of dances

** WALES J.

Sonata

** GLUCK C. - von.

Ballet of Orphée and gavotte

** GOSSEC F.J.

Gavotte and tambourine

** GRANADOS E.

Danza espanola nº° 5

** GRAGNIANI P.

Sonata nº° 2 COp 8

** GIULIANI Mr.

Topic, variations and minuet

** HAENDEL G.F.

Major Concerto in sib

Sonata in minor COp 1 n° 4

Sonata as a semi minor

Sonata in D COp 5 n° 2

Small continuation of dances

** HAYDN J.

Sonata in C

Cassation

** LOEILLET J.B.

Sonata in the minor

Sonata as a semi minor

** LULLY J.B.

ballets of the King

** MARCELLO B.

Sonata in ground

** MOURAT J.M.

Ibériade

Al-Andalus

** MOZART W.A.

Divertimento

Sonata in C

** MYSLIVECEK J.

Sonata in Major D

** PAGANINI NR.

Sonata I (extracted from Centone di Sonate)

** PERGOLESE G.B.

Sicilian

** PURCELL H.

Continuation of dances

** ROSSINI G.A.

Danza

** SAMMARTINI G.

Sonata in F

** SCHEIDLER C.G.

Sonata in Major D

** SCHUBERT F.

musical Moment

Serenade

** TELEMANN G.P.

Sonata in Major C

Sonata in minor D

** VIVALDI A.

Concerto in minor ground

Sonata in (F XV n° 4) the

NOT PUBLISHED TRANSCRIPTIONS

** Isaac ALBENIZ

Córdoba (for guitar)

Sevilla (for guitar)

** Jean-Sébatien BACH

Continuation nº1 for in Semi m for guitar

Continuation nº3 in the m for guitar

Continuation for cello nº 2 for guitar

Chaconne in D m for guitar

Sonata in trio nº 1 for guitar and keyboard

Sonata in trio nº 5 for guitar and keyboard

** Anonymous

Spanish popular Continuation for guitar

** Enrique GRANADOS

Intermezzo de Goyesca for flute and guitar

El majo discreto for flute and guitar

Mallorca (for flute and guitar)

** Manual of FALLA

Dance of the miller (for flute and guitar)

Dance of the will-o'-the-wisp (for flute and guitar)

Dance of Corregidor (for flute and guitar)

** Eric SATIE

First Gymnopédie (for flute and guitar)

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