Hoa Linh Vat Tru Quyen

The Master Founder Nguyễn Văn Ðính Jean DEPRAT

The Master Founder Nguyễn Văn Ðính/Jean Deprat was born on September 1st, 1929 with Hanoï in North from Vietnam and is deceased on January 2nd, 2002 with Marseilles in France. It is his/her maternal uncle who initiates it at the six years age, with the family Martial art: Hỏa Linh Quyền. Maître Deprat arrives to France in 1956. He returns to the Railroads and does not have of cease to polish its art then, working and seeking daily to create in 1972, the school Bắc Trụ - " The Nord" Pillar; - , name given in reference to Vietnam North, her native soil and place of origin of all its knowledge.

Martial art Hỏa Linh

The Hỏa Linh Quyền (火靈拳) is a Martial art traditional originating in old the Tonkin, in the north of the Vietnam. The specificity of the techniques of Hỏa Linh Quyền are in the strategy used in the combat: one will indeed seek to neutralize his adversary with less possible force. The techniques and displacements of Hỏa Linh Quyền result from the line of Arts of the Flexible Hand. They are fluid and round with the image of the Circle and the Snake to which Hỏa Linh Quyền refers.

Hỏa Linh Bắc Trụ Quyền has the role first to bring a good being and a certain balance to all through the study of the combat, its techniques and its philosophy. But more than one sport, the hỏa linh quyền axis also its research on the work of the breath, in order to combine health and effectiveness… Since 2002, it is Mr Jean-Marie CAPOBIANCO, its first disciple, who by will of the Founder, became the Master-Successor of the Branch Mother of the style Hỏa Linh Bắc Trụ Quyền .

Techniques of Hỏa Linh Quyền

Initially, the positions as well as displacements are studied; it is them which will ensure the practitioner of hỏa linh quyền, base and fluidity in the combat. They are the bases of martial art and this is why the practitioner must return whatever his rank always there.

Then, blockings and the various shapes of parades are studied; it is they indeed which will ensure the integrity of the practitioner. They are the shapes of fists (but also spade, edge, claw of the hand and techniques of elbow), then those of feet which will enrich the technical repertory by the practitioner and to give him the potential necessary definitively to put out of state to harm an adversary or simply to neutralize it.

In the third time, the techniques of combat are studied, true combinations of various techniques of fists and feet. Lastly, Cầm Nã Thủ which is techniques of body with body, consisted of keys and projections, and which has the characteristic not to utilize no force " dure".

If the positions and displacements are an alphabet, the techniques of fists and feet are the words and the techniques of combat are the sentences. Quyens contain as for them the history and the gasoline even of the school. It is precisely in the free combat that the whole of these techniques will take all its significance and will make it possible to vary with infinite the possible combinations.

External bonds

Connect Mère:

Site of the School Hỏa Linh Bắc Trụ Quyền
Section Hỏa Linh Bắc Trụ Quyền of Chambéry

Another School, not connected to the Branch Mother:

School Hỏa Linh Bắc Trụ Quyền of Poitiers

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