Gianfredo Camesi

Gianfredo Camesi , born the March 24th 1940 with Cevio, Canton of Tessin, is an artist painter Sculpteur Suisse.

Self-educated, it escapes all forms from current from the Contemporary art. Its art, impresses geometry and of Signe S, is philosophical and testifies to its research of the “Principle of the Life”: the Universe is in us, the World is his Mirror proclaims Gianfredo Camesi.

Although considered with the Swiss avant-garde, the end of the Years 1960 and at the beginning of the Years 1970, it is quickly characterized by its single way to think and to code the world where very expresses itself in Symbole, in sign. Its techniques go from the Peinture to the Sculpture while passing by the Photographie and the writing. It uses the regulating materials, forms, layouts and the colors in accordance with the symbolic system defined by its own language.

With its installations, it takes part regularly in exposures of art in the open air. Many works are integrated durably into the public space and built like, for example, with the general-purpose complex “Mittenza” with Muttenz where the sculpture of 1973 belongs to the inheritance. Or the prize winner installation of a contest in 1986 for a decoration carved with the new Faculty of Arts of the University of Neuchâtel.

Camesi also carries out ways of cross and objects of worship for various churches in Tessin.

Young person, it receives several Swiss federal purses of the Art schools and, in 1973, it represents Switzerland at the time of Biennial of Sao Paulo to the Brésil. Moreover, it is invited to remain abroad: in particular in 1970 with the Stedelijk Museum with Amsterdam and in 1987 in Meguro Museum off Art with Tōkyō.

Its work

See also: List of works of Gianfredo Camesi

Camesi works by cycles where each new work appears visually very different from the precedent. This aspect is only part of its research whose constants are: union of the spirit, the body and the ground ; the gesture, expression of the life .

Some outstanding works:

Not Vital 1968 - 1969 and Conditioning of Space 1969 and carried out in Geneva.

a work on space, its measurement and its relation with the man. The Plumbline determines the vital point. It is the vertical par excellence: It is the man upright. The arrow and the arrow tended by the cord: Tension of Space , the intersection of the wire and the arrow is the point where all the forces converge. During varnishing to the Bonnier gallery in Geneva on September 17th, 1969, a highlighted of the conditioning of the frontage is carried out. (A public action where a large arrow was tended on the frontage of the building sheltering the gallery).

“Dimension Single” Transmutation Forms Earth carried out in 1973 with Menzonio.

Continuation of Watercolour S (approximately 400 parts), ground and grass frictions, objects out of wooden and stone. Exposed in particular to Biennial of Sao Paulo in 1973 and in the galleries Bonnier and Ziegler in Geneva and Zurich.

These watercolours represent initially the daily newspaper, the family. Then the relation between interior and outside (through the window) from the physical point of view or symbolic system. Then landscape with its symbols (the sky, the mountain, the tree, the house) whose Camesi starts to create its own fundamental signs.

In 1973. Installation fixes of a sculpture - descriptive at Muttenz realized at the general-purpose complex “Mittenza”: Sculpture (Concrete, polychrome enamelled metal, light). This sculpture is registered with the inventory of artistic works protected from the canton of Basle countryside since February 17th, 2003 under a work representative of integration in the public domain and built. Way of the Body realized since 1976 in Fontenay-Aux-Roses (begun again since 2003 in Cologne).

Form of Light realized since 1976 in Fontenay-Aux-Roses.

Action oils on fabric of great dimension.

the gesture. The action to go barefeet on the line of painting on a fabric or that to close the hand on the painting coldly applied to the fabric by leaving the trace resulting from the gesture.

Under the same title of Chemin of the Body it carries out in Menzonio, in 1977, a sculpture with seven split stones and rows which symbolize the way of the body where the crack is the life line.

COSMOGONY 0 - 1 - 0 Theater of the Signs realized between 1977 and 1980 in Menzonio and Fontenay-Aux-Roses.

1530 parts forming a unit. Wood and paper, joinings with mixed technique. Exposed in particular to the Museum Rath of Geneva in 1985 and to Kunsthalle of Mannheim in 1986.

Each part is made up of a wood small plank on which a sheet of paper is nailed hand made. On bottom of newspaper (which represents the writing of the daily newspaper of the world) Camesi traces its signography (color, with objects, etc). Each part, single, fact part of the unit and combine with the others.

Espace Measures Time carried out between 1977 and 1979 in Fontenay-Aux-Roses.

Action oils on fabric.

Only one sign: the cross (given geometrical basic). 3 colors (red for the vertical, yellow for the diagonal and blue for the horizontal one). The gesture:

1) To create the espace.

painting is directly applied tube to form a feature: vertical, then diagonal, then horizontal and thus of suite.

2) the unfolding of the temps.

the sign is then made by the gesture of the finger across the feature and this gesture is repeated as much once than it refers there on the fabric.

Alchemy of the Vision - Archeology of the Thought realized between 1984 and 1986 of Menzonio.

145 great reliefs made up each of 9 panels. Each panel is formed by a support of Granit framed of wood in which seat objects, wood, glass, stones and color take.

Exposed in particular in 1987 with the Gallery Renee Ziegler, Zurich, the Bonnier Gallery, Geneva, the Pudelko Gallery, Bonn, the Tittenté Gallery, Svedala

Since 1991 most of this work is fixed on the walls of the vault “Oratorio della Beata Vergine” of Menzonio.

Anamorphosis . Installation fixes of a sculpture - environment realized in 1986 in Neuchâtel. Faculty of Arts of the university.

Pierre, granite, concrete, metal. This project was thought and carried out right from the start to be integrated perfectly in the court formed by the various built bodies.

the gradually opening block of split full granite then symbolizes the evolution of the student which, by the study of the Letters and the theoretical experiment, refines its means of knowledge and renews its comprehension of the world. Way towards knowledge.

Lambda realized between 1987 and 1989 in Paris and Tōkyō

Steel and mixed technique. A cubic framework balances some and a stem in diagonal like basic element. The installations are made of several elements supplemented by Miroir S or tables on the ground or against the walls according to the situations.

Exposé in particular with Tōkyō, 1987 and Paris, 1988, it is as during exposures in the open air as these installations are shown: in 1989 with Dietikon, exposure of sculptures “Eisen 89”, Môtiers, Swiss exposure of Sculpture, Neuveville, park house My Rest.

Terrestrial Cosmogony realized in 1990 and 1991 in Paris and Menzonio

Oil on fabric. Circular fabrics for circles of color without any regulating layout or another geometry. “It does not have there a center because the center is infinite” is the title of an installation of this operating cycle. Exposed in particular to the Gallery François Mitten in Paris in 1991.

Vacuity realized between 1993 and 1998 in Menzonio, Zurich and Vienna

Biography

Menzonio, small village fixed on the blank of the mountain at the bottom of the Vallemaggia. It is there, in this hard environment, that Gianfredo Camesi resulting from a family Paysan does not grow with his/her 6 brothers and sisters. Child already, it devotes himself to the artistic Dessin and gains at the 12 years age the first price of a contest of drawing for children.

At fifteen years it begins a Apprentissage of draftsman architect to Locarno, the first city located at 35 kilometers of its village. Near its Master of training, Oreste Pisenti Architect near to the Bauhaus, Camesi acquires the control of the Technical design. One will find in his artistic work the use of the regulating layouts and the signs.

At twenty years it goes to Geneva where one can distinguish two periods:

From 1960 to 1967 he exerts his trade of draftsman architect and it is the evening that, as in Locarno, he practices his passion: painting. Until 1964 and its first exposure to the Rath Museum of Geneva it paints according to the Italian traditional Masters or nature. Frequent voyages to Paris enable him to discover the Parisian artistic scene. It receives a first Swiss federal Stock Exchange of the Art schools in 1963. It also goes to Florence and takes part in the activities of the group “set di Numero”. As from 1967 it creates its first sculptures and since 1968 it can be devoted entirely to its Article One can raise that it was as much considered as Genevese artist or French that tessinois.

Second Genevese period between 1968 and 1974: meetings with the galerists Ziegler (gallery Renee Ziegler in Zurich) and Runnqvist (Bonnier gallery in Geneva). Action Not vital , Visualisierte Denkprozesse , movements of the avant-garde until 1971. Stay in Amsterdam, discovered principles of the Macrobiotics according to Georges Ohsawa and, in 1972, return to Menzonio for two years when he works with “Single Dimension” Transmutation Forms Earth marking the beginning of its signography. With this work it represents Switzerland at the time of XIIe Biennale of Sao Paulo and on this occasion it makes a study trip where it course the Latin America (Brazil, Bolivia, Peru, Colombia and Mexico) then goes to New York.

It settles in France as from 1975. Initially a year with Bages, a small village close to Narbonne.

One Parisian long period follows: Firstly between 1976 and 1980 when it rents with Meret Oppenheim a small house with Fontenay-Aux-Roses a city of the outskirts of the city of Paris. There it creates, in particular Chemin of the Body , “Spazio Misura del Tempo” (Space Measures Time) and COSMOGONY 0 - 1 - 0 Theater of the Signs (work born in Menzonio then realized mainly in Fontenay-Aux-Roses). In 1977 an exposure to Baden watch the use of photography in the work of Camesi.

Then, since 1980 and until 1996, it takes a workshop of 100m ² in the 11 {{E}} district of Paris. At the beginning (1980 to 1982) it uses this space intensely then, it carries out ceaseless to and from between Paris and various work places. In this workshop were born from oils on fabric of the following cycles: the interior Body , Cosmography , Visible-Invisible then, since 1986: Espace curves , Lambda and Terrestrial Cosmogonie .

It joins again with nature, in 1982, in the countryside close to Perugia in Italy. Object-Witness . he works with found objects.

In 1984, it has its first personal exposure in France, with the gallery Guiol, Paris.

It carries out a new return of long life to Menzonio, between 1984 and 1986, where it creates Alchimie of the Vision - Archeology of the Thought : A major work made up of panel-reliefs on granite support of the vallemaggia where Camesi dialogs with nature. It is during this period that is shown in its entirety and for very first time COSMOGONY 0 - 1 - 0 Theater of the Signs to the Rath Museum of Geneva in 1985 and in Kunsthalle of Mannheim in 1986. It carries out Anamorphose : An installation fixes at Neuchâtel, works selected on contest to be integrated in the built environment.

It is also a period of meeting with new galerists who will follow his work: The Dabbeni gallery with Lugano and the gallery Noella G with Saint-Rémy-of-Provence which settles with Neuveville since 1989. The gallery François Mitten in Paris joint with them in 1990.

The cycle Lambda begins in Paris, in 1987, in the oil shape on fabric with which it associates elements which are prolonged in the third dimension. At the time of its stay with Tōkyō it creates LAMBDA-Space Psycho-Biodynamics off, exposed to Meguro Museum Arts. The Swiss Arts center of Paris will also expose an installation, just as the galleries Ziegler and Noella G. These units bulky also lend themselves to installations in the open air during exposures of sculpture, such as for example with Môtier or Dietikon, exposure of sculptures “Eisen 89”

In 1989, the Bonnier gallery offers a retrospective for the twenty years of collaboration with Gianfredo Camesi.

In 1990 it creates a sculpture - fountain with Bad Ragaz, a thermal spa with the Grisons

Between 1990 and 1993 opens one period between Paris and Menzonio with the cycles Terrestrial Cosmogonie : the circular oils painted in Terrestrial Paris and : frictions creates in Menzonio then Transfiguration . Several installations in public places in 1991: The Vault “Oratorio della Beata Vergine” with Menzonio receives part of the work which it has to create here in 1984-1986: “ALCHEMY OF the VISION - ARCHEOLOGY OF the THOUGHT - Genesi di un' opera” . For the artistic decoration of the central hall of the new public library from the City, in Geneva, it obtains the first price: Sculpture - environment, well of Spiral light “- Labyrinth” . Lastly, with Wettingen, it carries out a sculpture Ciel - Ground - Sky within the framework of an exposure of art in the open air ( Kunst-Weg ).

The thirty years of career are celebrated in 1994. Two steps distinct from the gallery Noella G near the museum of Art and History of Neuchâtel on the one hand and, on the other hand, from the Ziegler gallery near the museum of the fine arts of Bern met to create a common event: Presentation of work as a whole. It returns to Neuchâtel to show the advance of Camesi in the form of a Rétrospective whereas Bern exposes in several rooms its very last cycle Vacuité . The gallery Noella G with Neuveville also exposes Camesi. On this occasion a monograph is published.

The Années 1990 will see the creation of ten works in public places of French-speaking Switzerland and Tessin (bond). Among those, in addition to works already mentioned above, one can quote the way of cross installed in 1995 in the parish church of Melide close to Lugano. It is its fourth intervention in a place of worship.

From 1997 to 2002 it remains with Vienna in Autriche.
At the same time a series begins from particular exposures in its canton of Tessin: the metaphysical Observatory of Cureglia in 1997, the portrait of the Valley in Cevio in 2000 and Genesis of a creative process with Bellinzone in 2002 as well as other personal exposures to Locarno and Lugano since 1999.

It is only after having left Vienna that it has its first personal exposures in Austria to Linz in 2003 and 2004. He currently lives with Cologne in Germany.

Chronology

1940 on March 24th, birth with Cevio, canton of Tessin, Switzerland.
1955-1958 apprentice draftsman out of building, Oreste Pisenti architect, Locarno.
1960-1974 resides and works mainly in Geneva.
1963,1965 and 1980: Swiss federal purses of the Art schools.
1968 meets and collaboration beginning with the galleries Renee Ziegler and Bonnier.
1973 represents Switzerland with biennial of Sao Paulo, Brésil.
1974 stay with Blankenstein.
1975 stay with Bages.
1976 resides and works in Fontenay-Aux-Roses close to Paris.
1980 resides and works in Paris.
1982 stay close to Perugia.
1985 exposure of the “Theater of the Signs”, in Geneva and Mannheim.
1987 stay with Tōkyō.
1991 “Genesi di un' opera” in the Vault “Oratorio della Beata Vergine” in Menzonio.
1994 retrospective exposure, Neuchâtel, Bern and Neuveville.
1997 resides and works in Vienna, Austria.
1997 installation of “the Metaphysical Observatory” of Cureglia.
2002 resides and works in Cologne.

Work places

Gianfredo Camesi is, to some extent, Nomade . It settles to live and to work is in a village, a city or a metropolis with the liking of its meetings. It remains there during one limited period then, when an operating cycle is completed, changes environment. Another place, a new workshop, constitutes each time a new departure and impregnates its creations. Also, periodically, it resource in its native village: Menzonio, the origin like the benchmark.

In Menzonio, its workspace is with the image of the village: tiny and skimped . It adapts by creating works of small size, like Alchimie of the Vision - Archeology of the Thought , and it uses local rough materials (granite, etc). In Blankenstein, it uses slate available in the area. In the cities or when it has a comfortable workshop it uses gestural techniques, like Chemin of the Body , or to create three-dimensional installations, Lambda for example.

Exposures

See also: List of the exposures of Gianfredo Camesi

Among the many exposures one can raise, like young artist, his first individual exposure of importance to the Rath Museum of Geneva, in January 1964. As from this moment it exposes regularly in Switzerland and in many European countries. Some exposures on the other continents take place in Brazil, in the United States, in Israel and in Japan. The principal exposures are:

Stedelijk Museum in Amsterdam, “Retrospective theoretical” , in 1971: As actor of the Swiss avant-garde, since 1969, it is invited to remain in a workshop of the museum and it presents its work on the four elements Feu, Ground, Eau, Air : “Object-action, Result-to become” (1970).

At the time of XIIe Biennial of Sao Paulo in Brazil, in 1973 it represents Switzerland with Single Dimension , its series of watercolours of Menzonio, Transmutation Forms Earth , the frictions and 15 oils on fabric as well as wood sculptures - metal carried out in 1972 - 1973.

In 1977 it is the gallery Am Trudelhaus of Baden, which presents Die Fotografie im Werk von G. Camesi (photography in the work of G. Camesi) .

The museum zur Allerheiligen de Schaffhouse, in 1983, exposes Cosmogonie, Spazio Misura del Tempo .

COSMOGONY 0 - 1 - 0 Theater of the Signs realized between 1977 and 1980 in Menzonio is presented in its totality and for the very first time to the Rath museum of Geneva, in 1985. The exposure is taken again in 1986 to Kunsthalle of Mannheim.

In 1987 very new Meguro Museum off Arts of Tōkyō exposes 5 Swiss artists within the framework of the program “Of the Swiss Artists in Residence to Japan”. Camesi concretizes here for the first time its new cycle Lambda imagined in Paris. It creates LAMBDA, Espace Psycho-Biodynamics a sculpture - environment composite.

The Swiss Arts center of Paris, in 1988, presents in its turn an installation “LAMBDA, Espace Psycho-Biochromatique”.

The year 1994 is the occasion of a great retrospective (1964 - 1994) to the Museum of Art and History of Neuchâtel and publication of a complete Monographie. Two other complementary exposures take place at the same time at the Kunstmuseum of Bern, which presents its last creations: Vacuity , whereas the gallery Noella G with Neuveville presents Distinguishing marks : a sample of selected works.

IVe biennial of art in the open air of the Company of the painters, sculptors and architects Swiss (SPSAS) have place in 1997 in Cureglia, village close to Lugano. This exposure to the characteristic to connect an artist and an architect. For Camesi it is the architect Livio Vacchini who conceived the exposure: “The metaphysical Observatory”. It is appeared as a course which begins in the “Casa Rusca” with the presentation of the model of the installation then with the installation itself in the park. A Vacuity of great dimension (25,50 X 40 meters). Then a chromatic whole of works in a room of the villa. The course is completed by the presentation of film of Adriano Kestenholz “Camesi - It teatro dei segni” (Camesi - the theater of the signs) which shows the creative process of some works: Espace Measures Time, Dimension Single, Vacuité, Forme of Light, Alchimie of the Vision, Chemin of the Body . A sculpture installed in front of the entry of the “Casa Rusca” remains pilot of this exposure.

The Museum of Vallemaggia with Cevio, in 2000, present: “Spazio Misura LED Tempo, Rittrati della Valle” (Space Measures Time, Portraits of the valley) , image a portrait of its native valley. It is about a particular exposure because it puts in direct link work with the inhabitants of the vallée.
A Espace Measures Time is painted on a glass plate like support instead of the painted fabric. The portrait of the valley is formed by the 25 photographs of the setting in situation of this glass plate in each village of the valley where the image of the village ´´s' imprime´´ and forms a photographic table on the one hand, on the other hand the presentation of the taking away of the ground prints like material portraits.

In 2002 the museum of the Villa dei Cedri in Bellinzone shows “Genesi di a processo creativo” (Genesis of a creative process) : working notes and sketches of Gianfredo Camesi which are at the base of Chemin of the Body, Forme Light and Alchemy of the Vision-Archeology of the Thought .

The Swiss Arts center of Milan exposes, in 2004, “Way of the Body 24-24” : the work carried out in 1998 at the Swiss Institute of Rome.

Publications

Catalogs of exposures

1973 federal Department of the interior, section fine art and historic buildings, Bern, exposure within the framework of XIIe Biennial of Sao Paulo. - with a text of Charles single Goerg Dimension
1977 Baden, exposure to Trudelhaus - with a text of Angela Köhler Die fotografie im Werk von Gianfredo Camesi (photography in the work of Gianfredo Camesi) .
1979 Zurich, exposure to the Gallery Renee Ziegler - with a text of Peter Killer Zellenkreuzmalereien .
1980 Zurich, exposure to the Gallery Renee Ziegler - with a text of Angela Köhler Blankenstein 74 .
1984 Paris, exposure to the Gallery Maximilien Guiol - with a text of Visible Gianfredo Camesi - Invisible .
1985 Geneva, Rath Museum and Mannheim, Kunsthalle Cosmogony 0 - 1 - 0, Theater of the Signs .
1987 Tōkyō, Meguro Museum off Arts LAMBDA .
1988 book of artist published by Pro Helvetia, exposure to the Swiss Arts center of Paris “LAMBDA, Space Psycho-Biodynamics”. - with a text of Hans-Jürgen Buderer Of the Workshop to the Space-Place, the time of an exposure .
1991 Paris, exposure to the Gallery François Mitten “Terrestrial Cosmogony” - with the text of Henri-François Debailleux
1997 Cureglia, IV Biennial SPSAS of arte all' aperto “Vacuity” - with the texts of: Total Walter Tschopp Opera (total work) and Michel Baudson the metaphysical observatory of Cureglia .
2000 Cevio, exposure to Museo di Vallemaggia “Spazio Misura LED Tempo, Rittrati della Valle” - with the texts of: Walter Tschopp Return to the nature of oneself; or: cracks of the knowledge of the other and Claudio Guarda.
2002 Lugano, Gallery Officina arte “Terrestrial Vacuity” - with the texts of: Hans Christoph Von Tavel Vacuity terrestrial and Claudio Guarda Vacuity terrestrial: the arte as formed LED pensiero E progetto di vita (Vacuity terrestrial: Art like forms of thought and life plan) .

Books

Camesi, monograph Benteli Verlag Bern , 1994. ISBN 3716509442

with the texts of:

Jean Luc Daval Camesi, self-portrait in the mirror of the others.

Claudio Guarda Di fronte E di there paved montagna: the origini di Camesi. (Opposite and beyond the mountain: origins of Camesi)

Volker Schunck Die understandable Form der Materie. Zum Skulpturalen Werk von Camesi. (The understandable shape of the matter. The sculptural work of Camesi)

Hans Christoph Von Tavel Bericht über Vacuity. (Report/ratio on Vacuity). Under the sign of the color.

Walter Tschopp (preserving of the Museum of art and history, Neuchâtel) Beyond the avant-gardes.

Marc-Olivier Wahler Anamorphosis .

Gianfredo Camesi Vacuity .

Camesi, Tavole beyond memoria Paginates of Arte , 2002.

published at the time of the exposure Genèse of a creative process to the Villa of the Cedars of Bellinzone. With the text of Matteo Bianchi

Specialized works

1971 International OPUS No 24/25 Action four elements: Fire-water Ground-Air
1973 OF the NR. May 5th, th and th 1973, p. 345-351. Reproductions of 7 original drawings of the series “Veduten aus Menzonio”
1975 Annual SKIRA, current Art No 1, p.48. Text of Jean-Luc Daval In the current of the conceptual art
1975/76 Spektrum Dez. /jan. Reproduction of a drawing, Menzonio 1972
1976 WERK/ŒUVRE Nr.7/8. Cover, reproduction of an original drawing (Menzonio 1975)
1978 RE-EXAMINED + - 0 No 21-22, p.48-49, Extra Biennale de Venise 1978. Reproductions of original photographs, “Single Dimension - Transmutation Forms Earth”

SKIRA Annuel, Art current No 4, p.113. Text of Jean-Luc Daval

1987 Rivista of arte E di Cultura - Temporal No 13, contemporary Art gallery Dabbeni, Lugano. Tiziano and Stefano Dabbeni: Dialogo idiot Gianfredo Camesi (Dialog with Gianfredo Camesi)
1988 Rivista of arte E di Cultura - Temporal No 14, p. 75, contemporary Art gallery Dabbeni, Lugano. Text of Tiziano Dabbeni: the artista E lo spazio (the artist and Space)
1989 Rivista of arte E di Cultura - Temporal No 21, p. 14, contemporary Art gallery Dabbeni, Lugano. Text of Jean-Luc Daval: LAMBDA
1991 HOLE VIII, April 1992. Reproductions of 21 original pages, drawings, texts and photographs Editions of Prévôté SA, Moutier Swiss

Künstlerverzeichnis der Schweiz 1980 - 1990 Schweiz. Institute für Kunstwissenschaft

1992 magazine TO SEE February, p. 4. Text of Laurence Carducci: Gianfredo Camesi - “Terrestrial” the

1992 Collaboration with the review of art HOLE (# 8) with a work " The Universe is with us, Le Monde is his Miroir" ; for the edition of head (100 numbered and signed specimens) it created a print. The same volume of HOLE contains work of Carmen Perrin, Pierre Courtin, Bernard How and Jean-Michel Jaquet. (www.trou.ch)

Films

Various films treating of the work or exposures of Gianfredo Camesi were made:

1969 Amsterdam, exposure to Stedelijk Museum; “22 young Swiss artists”
1978 in the workshop of Fontenay-Aux-Roses, around work “Space - Measurement of Time”
1985 at the time of the exposure “Cosmogony 0 - 1 - 0, Théatre of the Signs” with the Rath Museum of Geneva. Turned in Geneva and Menzonio.

Governed of François Jaquenod. Carried out for the French-speaking Switzerland Television; " Ticket of Première".

1988 in Tōkyō, within the framework of the program “Swiss Artists in Residence” , exposure to Meguro Museum off Arts.

Governed of Makoto Teramoto, Tōkyō.

1997 “Camesi - It teatro dei segni” , film of Adriano Kestenholz, www.alephfilm.ch texte realized at the time of '' Cureglia, Biennial SPSAS of arte all' aperto ''. Production Aleph Film TSI (Televisione Svizzera Italiana).

See too

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