France Gall/Live Theater of the Fields-Élysées

France Gall/Live Théâtre of the Fields-Élysées is the album in the first concert recorded in public by France Gall in 1978.

Titles/Lasted total 63:36

  1. Musique 4:55
  2. Samba mambo 3:24
  3. If, mom, if 3:05
  4. How to tell him 3:20
  5. This evening I do not sleep 3:02
  6. the Declaration of love 3:20
  7. This boy who dances 3:20
  8. I liked it 4:48
  9. Chanson of land a (Everywhere I am at home) 6:20
  10. Chanson to comfort 2:20
  11. the Song of Maggie 3:00
  12. That badly does not balance in the Best Paris 2:30
  13. of oneself 3:55
  14. But, likes the (presentation of the musicians) 9:30
  15. Viens I take you along 4:55
  16. When one is child 1:47

Appropriations

Musicians, chorus-singers and dancers

  • Piano: Colleen Stewart
  • Percussions: Mr. L. Benoit
  • Keyboards: Melissa Vardey
  • low Guitar: Peggy Mitchell
  • Saxophone: Gail Thompson
  • Guitar: Patty Quatro
  • Battery: Bonnie Johnson
  • Cords: Marie-Rose Dumonteil, Beatrice Crenne, Sophie Cuvillier, Anne Etevenon
  • Chœurs: Stella Vander, LISA Deluxe, Florence Bertoux
  • Dancers: Pascale Geille, Alisson Huttley, Marie Aufrey

Production

  • Title of the spectacle: Made in France
  • Representations of the 14 to the April 20th 1978 with the Théâtre of the Fields-Élysées to Paris
  • Producteur: Michel Berger
  • Words and music: Michel Berger
  • Editions of origin: PEM Hill, rights transferred to the Editions Apache France except the Declaration of love , Sidonie Editions/Apache France
  • Label: Warner Music
  • Catalog of origin: Atlantic
  • Sound recording: Roger Rock
  • Mixing: Roger Rock
  • Recording: Mobile studio Davout
  • Photographs small pocket: Thierry Boccon-Gibod
  • original Album: Double 33 turns/LP Stereo Atlantic/WEA 66.137 left the November 9th 1978
  • First edition in CD: Included in the anthology Obviously (13 CD/DVD) WEA Music 2564618892 appeared the October 25th 2004

Almost only of the girls

France Gall, for her return on the boards after several years of absence, wanted to be surrounded only of girls. In spite of the difficulties which obliged it to furrow Europe and the the United States, it succeeds in finding the musicians of its choice. Small wink, the only boys to divide the scene of the girls were the two Brazilian disguised singers the Stars which ensured a musical interlude instead of traditional the interval. Was this idea too bold for the time? The result was that the public accommodated the duettists rather badly and that France Gall had to curtail her pause…

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